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Essai D'une Pièce Moderne De Gros Calibre

Bud Dub is a warm, vapor-soft chill-dub album built entirely on palindromes — in the titles, in the musical structures, and in the production design. Every track mirrors itself in some way: basslines that move outward then return inward, stereo patterns that flip left and right, chords that rise and fall in symmetrical arcs, and mid-track “hinge moments” where motifs reverse or fold back on themselves.
The result is a deeply relaxed, slow-burn dub experience that feels like drifting smoke loops in a quiet living room — warm sub-bass, soft skank guitars, spaced-out rimshots, vapor-lit pads, and analog haze. It’s immersive, hypnotic, and mathematically chilled, built for late-night unwind sessions and introspective creativity. The entire album loops seamlessly from the last track back to the first, completing the macro-palindrome.

Deified

“Dreaming Paws” is a soothing collection of deep-rest ambient music crafted for dogs.  
Built with 40–50 BPM slow waves, warm pads, and soft healing frequencies, this album helps reduce stress, support recovery, and promote deep, peaceful sleep.

Perfect for:
• bedtime and naps  
• post-vet comfort  
• senior dogs  
• anxiety relief  
• quiet bonding moments  

Made by KARBON X GAIA ENTERTAINMENT for every furry heart that needs calm.

Whispering Pines-2

fluids

Trop de blé

PS - Sangre Raw Unmastered
Recorded in Papelconkkrecs and Pluterasrecs 2016


PS - Sangre

The Pluto Connect

EL SÍNDROME DE STENDHAL-CENTRAMINA PARA NANCY

gänseliesel

Oktobber

Distant Melting Sunday

track made on ipad
list of apps: Aum, poly2, eventide blackhole reverb, klevgrand luxe and TB ReelBus.

Mystery

As so often the case, I conducted a jam session that took a couple of hours, during which I experimented with a vast amount of sounds, settings and samples, and recorded the stereo result in Audacity. In a posts-production step within Audacity, I extracted the best parts from that jam session in order to create this track. As always, I only used basic audio editing techniques like simple crossfades. Only a touch of soft limiting was applied, no elaborate approaches like mastering were used whatsoever. Thus, the result is raw and highly dynamic in nature, so put on your favourite headphones and turn up that volume knob, because the Loudness War is for losers!

In the last couple of jam sessions I tended to use other pre-recorded sounds and samples from mostly Youtube videos, which I always provided links for. In this particular jam session, I only used sounds and samples from my hardware. The beat comes from the Beatkangz Beat Thang, which also provided the looped string sounds that can be heard at the beginning. The synth pads come from the Arturia MicroBrute, fed through a couple of guitar pedals. The bass line, that is best heard between 3:41 and 4:15 comes from the MircroBrute's arpeggiator, which was fed and modulated through a couple of Eurorack modules, most prominently the LxD in conjunction with the Turing Machine.

As per usual, many defining sounds of this jam session were produced by my modest Eurorack, especially those ethnic sounds that came from the stock audio library of the Radio Music. Since my Eurorack almost always offers elements of surprise, I myself am often caught off guard by the sounds that come out of it. In this particular jam session, I could never have composed or created these intricate ethnic melodies. In that fashion, I am not a creator but merely a humble listener, like yourself.

MAB logo by Maxim Lichtenwald, check him out: @maxim-lichtenwald

Self-Hypnosis, Ethnic Style [Jam session sections: RAW2020 - 6]

the last beautiful farewell track to this album. it was fun while it lasted. i truthfully feel like iv done it all to wrap around the concept and sound im going for in this. iv used every kitchen tool i can think of for the percussion which to me, is the most important part of the album that makes it what it is.  i kept this one simple to give it a personality of its own on the album along with its predecessor "language exchange" the song.  Though its short, i still feel like it packs a pretty good punch for the last track. Track 5\




For The Record

Lagos Bus Stop (oga mi ooo)

Vanessa Pettendorfer: organ -
Bruno Gussoni: shakuhachi -
Mastering by Alexey Mikryukov

Vanessa Pettendorfer & Bruno Gussoni - pirouette

..LoTuS..

"Karakter yoksunu, Samsun'lu müzisyen.."

..Psikoz Sanatçısı..

The Pluto Connect

Psychotic Imaginer

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