These sources are a collection of excerpts from five different audio recordings, all featuring Portuguese text that reads like stream-of-consciousness poetry or spoken word. Themes include the weather and natural phenomena, such as rain running sideways and mushroom clouds, as seen in "Atomico.wav" and "Chuva.wav." Several clips address modernity and technology, mentioning virtual projects, screens, and electronic pulses, often contrasting them with themes of memory, the past, or "ancestral decor." Other recurring motifs involve existential questioning, responsibility, and value, exemplified by the repeated phrase "I am not responsible for what you hear" in "Escuta.wav" and the contemplation of depreciation in "Dola 2.wav." Overall, the texts utilize vivid, fragmented imagery and repetition to explore connections between the spiritual, the technological, memory, and death.

Atomico

Psychotic Surge: An Anti-Musical Cartography

Between Rio de Janeiro's humid nights and the Bay Area's electric fog emerges a sonic territory that refuses naming. Psychotic Surge inhabits the threshold where structured rhythm dissolves into controlled chaos, where the predictable becomes uncanny. Here, experimental improvisations capture fleeting auras—each recording a unique fingerprint of temporal collapse, where early acid techno memories bleed into orchestral synthetic dreams, noise becomes prayer, and minimal compass constraints birth maximal expression.|

This is not music seeking approval but sound demanding participation. Like thought before language, these compositions exist in the space between intention and accident, where repetition becomes difference and structure emerges from its own undoing. The project traces a geography of becoming—each track a deterritorialized moment where voices merge with synthesizers not to communicate but to invoke presence itself. Concrete-musique fragments scatter across avant-garde landscapes, creating soundscapes that remember futures and anticipate pasts.

Listen not to understand but to inhabit. Each track opens a clearing where being precedes meaning, where the ear becomes an organ of ontological investigation. Enter these sound-worlds as you would enter memory—sideways, vulnerable, ready to be transformed. The psychotic surge event is not performance but ritual participation in the moment's aura, an invitation to dissolve the boundary between listener and listened. Here, in the grey area where music questions its own existence, you're called to witness sound's capacity to reveal what language conceals—the raw pulse of existence before it learns to speak. Engage these recordings as maps to territories that exist only in their crossing, where each listen births a new geography of sensation.

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