"Hijx de la máquina 01" es un viaje sonoro que toca los temas de la identidad, disidencia, crítica social y el transhumanismo. El álbum combina elementos del electro pop oscuro que denomina la artista como Industrial pop, tomando de géneros del underground como el EBM y el witch house creando una atmósfera única y personal.

Shame

Hijxs Sin Nombre Ft. Javiera Electra

© 2024 Omen Angel. All Rights Reserved.

The album "Parallax" and all associated audio recordings, artwork, and textual materials are the intellectual property of Omen Angel. Unauthorized duplication, distribution, or use of any content from this album without express written permission from Omen Angel is strictly prohibited.

Phoenix

Machines sing  a folk tale about the current situation of their phenomenology.

Digital Shadows

olha o synth aí geeente

Modern Animal (DJ Daddy Yonqui - Deconstructed Remix)

We’re excited to announce the second release from our artist Paul Melia on Baroque Society. His new EP, "Nebula", features two deep and emotional tracks: Nebula and Lessons. A journey into the atmospheric and hypnotic side of melodic techno, with refined production and immersive textures.

Out on Thursday, August 7th on all digital stores and streaming platforms.

Paul Melia - Lessons (Original Mix)

When a big sister sings a lullaby to her little brother to put him to sleep...

Portuguese_Lullaby

Odyssey (EDM Mix)

永恒的夏天

2019 - 04 - 01 2019-04-01-and this,is a PsyTrance by NeOnEoN

Psychotic Surge: An Anti-Musical Cartography

Between Rio de Janeiro's humid nights and the Bay Area's electric fog emerges a sonic territory that refuses naming. Psychotic Surge inhabits the threshold where structured rhythm dissolves into controlled chaos, where the predictable becomes uncanny. Here, experimental improvisations capture fleeting auras—each recording a unique fingerprint of temporal collapse, where early acid techno memories bleed into orchestral synthetic dreams, noise becomes prayer, and minimal compass constraints birth maximal expression.|

This is not music seeking approval but sound demanding participation. Like thought before language, these compositions exist in the space between intention and accident, where repetition becomes difference and structure emerges from its own undoing. The project traces a geography of becoming—each track a deterritorialized moment where voices merge with synthesizers not to communicate but to invoke presence itself. Concrete-musique fragments scatter across avant-garde landscapes, creating soundscapes that remember futures and anticipate pasts.

Listen not to understand but to inhabit. Each track opens a clearing where being precedes meaning, where the ear becomes an organ of ontological investigation. Enter these sound-worlds as you would enter memory—sideways, vulnerable, ready to be transformed. The psychotic surge event is not performance but ritual participation in the moment's aura, an invitation to dissolve the boundary between listener and listened. Here, in the grey area where music questions its own existence, you're called to witness sound's capacity to reveal what language conceals—the raw pulse of existence before it learns to speak. Engage these recordings as maps to territories that exist only in their crossing, where each listen births a new geography of sensation.