Psychotic Fragments 5

This is an invitation to experience something new, unnerving because foreign and unusual, it requires the practice of acceptance of the different and the exogenous. It avoid conventions of "the musical" yet, it pleases the brain's desire for the unexpected and opens up new horizons for what sound composition could be like.

Perturbing sounds for the unquiet souls. The world was always in chaos, but there is order to the madness. This edition of Psychotic Fragments drifts through European and Brasilian references, from the study of the phenomenons to the modernist brasilian art. It dives into the awkwardness of sound inviting you to enter a soundscape of unexpected, yet programmed, events.

It progresses through reflections over art towards the experience of duality of the electrical. 

Composed with several programmed machines, it doesn't use samples, it's made on the spot, on one take, be what it may. 



Ibirapema Digital

Psychotic Surge: 

Anti-music: One take sonic improvisation exploring the constrains and limitations of minimal sound.

Each composition is a vulnerability— rhythms and orchestral syntheses that converse not to communicate, but to invoke presence and absence itself.

Experimental improvisation here does not seek perfection, but emotional authenticity. Memories dissolve into concrete textures while noise becomes prayer. This is neither "pure music" nor pure noise—it is the vulnerable place where the listener becomes a participant in a ritual that questions the boundaries between listening and personal transformation.

Each recording is a map traced through distance and emotional reconnection. Here, gratitude for the capacity to create sound resides precisely in what resists explanation. Listen to be altered. Every listen opens a new territory where you are invited to enter—vulnerable, sideways, ready to be transformed.