Single demo 2023. This song was recorded as a demo of the band, starts a story about a couple that are in a unpleasant relationship where highly adictive drugs are involved. 

Lyrics:
"under this breaking storm i rest for me to sleep
The brighting light lies here beneathmy feet and the clouds feel like nothingness, birds  swim here with me,  the chanting sonic wave of whales lulls me, ubiquitous here is the absurd. Innefable sense of belonging, the dew on my face feels like a warm womb, somehow I feel like home, somehow i'm finally comming home. A released glow comming from my chest rises to the void, I melt with stardust, i melt with the sun is this the path away from sorrow? are those the gates of promised happiness?

your tears and fears don't matter (x2)
Your weeping resonates in the echoes of the firmament, and still your tears and fears don't matter (x2) there's no way I'm comming back to you. 

and yet I'm feeling touched, a blink passes as years for you and every moment you have recalled my name to the stars. 

an incesable summoning with my name, your whispers they hear and they bawl. Der crying is unberable, a shrill sound of suffering. Der crying is unberable my transition has come, I'm no longer flesh, I'm no longer bone, There's no response but  they bawl with thee

all luminous points im the sky weep with thee

why dragging me back with your eyes?
why holding me attached to your mind?"

As the sun could leave us

176 BPM/C Sharp Major 

You can purchase this beat here: https://siliconehearts.beatstars.com

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Exclusives available | Selling out fast!

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 / siliconehea.  .

Message me for any questions or if you are trying to work together on film, music or any form of media!

This instrumental is free for demo purposes only, if you want to make profit with your music (upload your song to streaming services for example), you must purchase a license that is suitable for yourself before releasing your song.

If you want to be 100% sure that your song won't get taken down, and you want to avoid copyright issues, or if your distributor requires a license for the beat, purchase a lease.

TEARS

Deftones x Nu-Metal x Shoegaze Type Beat | TEARS

Sleeping in the woods at night

put me in a coffin

A piece that will push you out into cold, harsh reality only to hand you a blanket and cradle you in cozy sadness...

Sweets

This is the complete album regarding the Dec 99 demo.  Tracks 6-11 sat in a box for years unheard until now.  Some of these I don't recall recording but know I did them because its my sound.

Come And Fight

Merch now available at suburbandeathmarch.dizzyjam.com !!!

Check out this awesome interview I did! rockmommy.com/2023/01/jason-buckley-emerges-from-quarantine-sounds-with-dark-experimental-record/

Jabroni is a pro wrestling term. The official Oxford Dictionary definition is “a foolish or contemptible person.” It’s been said to have been originated by the Iron Sheik and popularized by The Rock, but I would guess that it is older than that, from wrestling’s old carny roots. Either way, it fits in with my self-deprecating vibes and the ridiculous luchador mask that I got for $15 at the Laney Flea Market in Oakland and wear for my ridiculous TikTok promos as the wrestling heel BassFace.

This is not specifically a concept album, but if it were, the concept would be “shit is fucked up and bullshit.” This album is inspired by mass shootings and crushing inflation and oligarchs ruining everything and the rise and normalization of outright fascism and bigotry that is literally killing people and how my generation has failed in protecting my kid’s generation from my parents’ generation. That said, I tried to end the album on a hopeful note, which may or may not have happened completely by accident.

Musically, I tried a few new things. I got a new cheap synth toy (Korg Volca Keys) for my birthday this year, as well as a few new effects pedals (Eddie Rifkind’s Karen Basic Speaker Manager, EmergyFX Gristle Throbber, Keytars Holy War) and tried some new production techniques like running iPad drums through muffs and delays, and splitting my bass signal to keep more thump while overlaying it with insanity, and using some great tube emulation plugins to provide warmth and/or grit.

What’s next for Suburban Death March? I don’t know! While my personal need to create music is strong, releasing it to a lackluster response has grown a bit tiresome. The few folks who like it, REALLY like it though, and I appreciate each and every one of you more than you can ever know. I am currently working with a live semi-acoustic covers trio, still kicking around the idea of a live improvisational ambient psychedelic trio, and there are online collaborations in the works. Stay tuned! 
credits
released February 28, 2024

Suburban Death March is Jason Buckley.

Everything you hear on this album was performed by him with the exception of the spoken intro on Supernova by Bugsy Buckley, and some royalty free samples by Christoph Ghosthack.

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Suburban Death March - Burn Denouement

In their latest single Go!, Barcelona’s power post-punk trio Low Blows serves up a hefty dose of rebellion, infused with a gritty, dystopian edge and a sound reminiscent of early U2. The track, layered with sharp, post-punk guitar work, carries the echo of Interpol’s brooding delivery and the industrial chill of Gary Numan’s classic phase.

“We are romantics, existentialists, and somewhat pessimistic, but we seek to be constructive through our critical thinking towards the status quo and mass culture.”

Produced under the watchful eye of Matteo Vallicelli (The Soft Moon), Go! delves into the fleeting essence of existence, championing the right to live life on one’s own terms, against the backdrop of societal skepticism and the looming specter of mortality. The lyrics are a defiant call to arms, a declaration of independence from the weight of external judgment, encapsulating a raw desire to carve out a personal path, even as the end draws near.

Go! serves as a poignant meditation on life’s transience, urging us to seize autonomy amidst the ephemeral dance with time. It’s a bold rebuke of conformity, an ode to personal sovereignty in the shadow of death, embodying the fierce yearning to sculpt one’s legacy, undeterred by the finite march of existence.

In their latest visual offering, Low Blows teams up with director Carlos Vergara for a stripped-down, black and white performance piece that’s unvarnished and  compelling. The video captures the band’s raw magnetism and electric stage presence, presenting a no-frills glimpse into their dynamic energy.

Post-Punk.com

SICILE

Anthill

How Zebras Walked Once

How Zebras Walked Once - Made From Salvage

In 1994, I was in high school.  I acquired a taste for playing guitar in a rock / metal type setting.  I was fortunate as I have parents that were into music and were actively seeking gigs to supplement the family income. 

I always loved sound and tinkering with instruments.  Before I got into guitar, I had no interest in creating music but there was always something in my head making beats.  I thought that making music was too hard when it was really simple for me.  I am a studio musician. Live stuff requires a bit more of my nerves on a real-time setting.

After going to shows and watching other people do it, I felt it, they were just doing it. I was, and still am about that life!  They did not have to read the music, they just had to see the music in their head and play it.  

I realized that I am capable and could do that as well in different settings.  I wanted to know what it sounded like to have me playing all the instruments in a 4 track type setting.  I played drums, bass, and guitar.  It seemed like I picked it up all at once to learn how to get a good sound out. Here we are about 215 songs Plus later.

Come And Fight

Psychotik Orbit Co

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