Dj and Music production 
Label Dj at Dat Universe Record

-1993 travelled to Goa/India and lost my heart on the dancefloor  to the
electronic psychedelic dance music. I bought an Atari 1040 computer+
synthesizer and started producing my own Goa tracks.

-1996 I released"303 Gold" on the sampler Gaia 10 (Label: Gaia Tonträger),
"Save the Love" on the sampler Cult II (Label: Euro Media), "The real Trance"
on the Holy Mushroom sampler(Label: High Society) and "Slow Motion" on
the Pulse 4 sampler (Label: Euro Media).

-1997 "Startraveller" was released on the sampler Tathata II (Label:Spirit Zone Rec.).

-1998 "Holy Bharat" released on the Global Psychedelic Trance Compilation Vol.4. 
(Label: Spirit Zone Rec).

-1999 I did an internship at the White Noise recording studio.

-2000  first Hara Gobi album "Party Junkies" on CD and vinyl@Nova Tekk

-2001 "Music is the Drug" on vinyl and CD@Nova Tekk

-2003 Hara Gobi album "Gravity" on CD (No Label).

-2015 I graduated as sound engineer from SAE Hamburg.

-2023 Hara Gobi album "New School".

Bass Music From The Heart 🐛❤️🎶✨

House/ Ampiano/ Hip-Hop/ baila/ R&B and everything around. 
Based in Tel-Aviv

Paris, early ‘90s. The city was a schizophrenic beast—half-glamour, half-decay—where raves exploded like molotov cocktails in abandoned warehouses and smoke-filled basements. It was beautiful chaos. Somewhere in the thick of it was Julien Veniel, better known as D’Julz, spinning records with the focus of a surgeon and the cool detachment of someone who had seen it all.
Then came New York, 1993. A city that didn’t sleep but didn’t really dream either, at least not back then. Veniel—young, hungry, and too talented to ignore—found himself in the depths of sweaty dancefloors, perfecting his craft like a prizefighter working the heavy bag. The kicks were tighter, the grooves deeper, and his sound—dub-infused, stripped-down, relentless—started to carve its way into the foundations of house and techno.
But Paris called him back. By 1997, he was behind the decks at the Rex Club, launching Bass Culture, a night that would quietly and ruthlessly become one of the most enduring parties in dance music. You could feel it in the air, heavy with smoke and sweat: something was happening. And week after week, D’Julz delivered. The music wasn’t just played; it was installed into your brain, a groove so potent it hijacked your nervous system.
The production side came next. 20:20 Vision, Ovum ,Circus Company. Robsoul. ,Rekids. Big labels, underground credibility. Tracks and remixes that hit like slow-burning dynamite—deceptively simple, brutally effective. DJs hoarded his records like they were holding nuclear launch codes.
Then there was Circoloco—DC10 . Ibiza’s sacred asylum for the beautifully deranged. D’Julz became a fixture for 7 years, a reliable madman behind the decks, controlling both the main room and the red terrace like a general marching his troops to the brink of delirium. His sets were measured doses of euphoria and dread, dubby basslines colliding with pulsing techno rhythms, all delivered with a sly grin and the calm of someone who knew.
By 2009, Bass Culture Records was born. A label as lean and unforgiving as its founder—no fluff, no filler, just raw, stripped-back house and techno that knew where it came from and where it was going. Over 70 releases later, it’s clear: D’Julz doesn’t miss.
Now, decades into this strange and relentless trip, D’Julz is still at it. The tour schedule is insane—Bali, Berlin, New York, and back again. Clubs and cities blend together, but the mission never changes: find the groove, ride it hard, and don’t let up until the lights come on.
D’Julz doesn’t care about trends. He doesn’t care about fame. He’s a purist, a craftsman, a man obsessed with the sound—the deep, pulsing, unstoppable sound. Three decades in and he’s still there, calm and unflinching, dropping records that hit like a gunshot in the dark.
If you want to understand D’Julz, don’t bother asking questions. Just listen. The truth is buried somewhere in the basslines.

חזרתי לנגן ברחבי הארץ לאחר הפסקה של שנתיים יש הרבה מוזיקה חדשה בדרך! 

לסגירת הופעות ומחירים אפשר לפנות לסוכן שלי 
כפיר בר לב -0538454539


Instagram :eilon_wilson

🔥Psychedelic music 🔥
 Oral Swisa : 25-year-old psychedelic music producer in Israel.
Started his journey with electronic music in 2014.
At the beginning of his career he would create Goa trance music until he slowly stepped into the psychedelic trance world.
                                                                  
You are invited to enjoy a full world of the sounds of emotion and psychedelic spirit combined with power and heart!💥🎶⁦❤️
enjoy 🙏⁦♥️⁩

For performances :
Orelazni00@gmail.com 

Our mission is to bring feelings from the recent past back to life through a special outdoor gathering

Sound explorer from Argentina. Released by: Urban Cosmonaut, Leveldva, Shika-Shika, Heimlich Musik, Detroit Underground, Mad-Hop  ++ . .Also music producer of @kermesselive

psycrus is following