J. Scott G. (Jesse Scott - formerly of Deepsky & Summer Channel) is a thirtyyear veteran music producer, sound designer & composer who has released countless original albums and singles, and has also remixed A-list talent such as Madonna, Seal, David Bowie, Adam Lambert, Deadmau5, Shiny Toy Guns, The Crystal Method, Celldweller, Delerium, BT, Markus Schulz, Paul Oakenfold, America, Johnny Cash, and Frank Sinatra. (just to name a few). He’s written music that has appeared in major motion pictures such as Bad Boys II, Tomb Raider, and The Art Of War; television shows like CSI, Arrow, and Buffy the Vampire Slayer, NFL, NBA & MLB game broadcasts; as well as numerous video games.
 
Jesse is the creative director at Libra Rising Music in Portland, OR, and also owns and runs PSY Acoustics & Libra Rising Media. When he’s not working 16 hour days managing all of his different music projects and businesses, you can find him teaching, hiking, cooking bomb ass Italian food & drinking fine scotch, or sleeping in preparation to do it all over again.

The pseudonym of Dutch producer Mark van der Schoot (32), Maduk first came to prominence via the YouTube channel Liquicity Drum & Bass  in 2011. Van der Schoot had started producing just a year before and had given his friend Maris Goudzwaard -- who ran Liquicity -- a copy of the track "Avalon" which was promptly uploaded. The liquid drum & bass sound was the perfect fit for the burgeoning channel and was released on their new label of the same name. 

Joining forces with Goudzwaard in 2013 to setup the label and their Amsterdam-based club nights, Van der Schoot continued to release on Liquicity and multiple other labels. With his brand of Drum & Bass becoming popular and winning both best newcomer DJ and Producer at the Drum&Bass Awards 2014 & 2015, Maduk released his debut album "Never Give Up” on U.K.-based label Hospital Records in 2016. 

The years after the album release Maduk focussed mainly on his label and events, Liquicity Festival now is one of the biggest Drum & Bass festivals in the world and the Liquicity community is steadily growing with sold out club shows all over Europe. Early 2019 Maduk announced to be back on the Liquicity roster and released his first new album single Go / Coming Down soon after. Later the singles Go Home (NCS), Colours / Still In Love [UKF10 x Liquicity], Company, Everytime, Back To Life, Go Back To The Jungle and Come Back To Me' followed, possibly all part of his second studio album. ~ Rich Wilson, Rovi

Management: james@snakehipsmusic.com

Booking Enquiries: 

lhughes@teamwass.com

amctaggart@tbaagency.com

Independent Record Label + Curator.

Previous Artists.
https://soundcloud.com/prospauk
https://soundcloud.com/straybeastmusic
https://soundcloud.com/lewistaylorx
https://soundcloud.com/samwgirling
https://soundcloud.com/thisisicarus

Submit music. demos@subsoul.co.uk
Biz chat. rich@subsoul.co.uk

Miami Nights 1984 is Michael Glover from Victoria, BC, Canada. His obsession with the 1980s has led to the founding of Rosso Corsa Records and a revival of synthesizer music. With Rosso Corsa he is championing many artists such as Mitch Murder, Lazerhawk, Jordan F and Lost years to make 1980s-inspired music with modern fidelity.

Being among the pioneers of this revival, Mike’s first project Actrazer initially defined the Rosso Corsa sound together with output from label co-founder Lazerhawk. They coined their music Outrun, a genre of soundtrack music with epic leads and arpeggiated synths. At the same time, Kavinsky, the Outrunners and the Valerie Collective were all contributing to this new sound.

Since 2010 Michael Glover has been ecstatic about the success of his second project known as Miami Nights 1984 (MN84). Characterized by smooth synthesizers and nostalgic solos, this new sound accentuates the carefree feel of the 1980s.

The Miami Nights sound garnered support on an international scale with the official remix of ‘Somebody I Used To Know.’ by Gotye. It infuses 1980s charm with Gotye’s powerful voices and moody lyrics. Rollings Stone says it’s an “eighties-inspired synth-pop remix, inspired by [mike's] love of old John Hughes films” while VH1 says “It’s a synth-led 80s redux, and it’s pretty rad”

When asked about influences, Mike says he obviously takes from the 80s: “The music, movies, shows, cars and girls are all running through my imagination when I write a piece of music. I’m not happy with a piece of music unless I can imagine it as the soundtrack to a film or show. Ever since I was a child I enjoyed synth-based music like Tangerine Dream, Jean Michael Jarre and Ray Lynch.” His name coincides with the original run of the Miami Vice TV show on September 28, 1984.

In creating his sound he uses “a variation of analogue synths and virtual instruments in Abelton Live. I’ve been using more virtual instruments for convenience and ability to leave a project without worrying about getting the same sound again.” Many of the parts are first recorded from live instrumentation and tweaked afterward in Ableton.

Building on the successes of Rosso Corsa Records and an official Gotye remix, Mike released the second Miami Nights 1984 full length album Tubulence. Spanning 12 tracks, Turbulence builds upon the synth-pop charms and synthesizer solos from Miami’s first album with more character: orchestra stabs, percussive rushes, slow motion bends and epic interludes distinguish the album. So does the album’s more intense moments which promote the Outrun electro sound we have championed for many years.


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