Large meterless tuplets in different sizes create polytempic landscape with four tunings: 24, 26, 30, and 31 TET combine at blistering speed to shatter your consciousness into pure fragments and shards of nothingness. 2019

String Quartet IX for four pianos, FRACTURED CONSCIOUSNESS

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✽ (͡° ͜ʖ ͡°) <̪͚̩͖͚̩̘̳͖̇͑͊̄͂̅͑ͨ̋͘3̶̢̱͇̲͇̠̪͔̲̠̰͕̥̝̥ͩͥ͛ͯ̔͊̋ͩ̓̅ͥ͆̈́̄͢ ̜̜̣͓̽ͣ̔ (͡° ͜ʖ ͡°) ✽
PureL.oveS.oundD.System GZ
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https://yewtu.be/watch?v=Qol52ERd7Qg


ok(y)
xxxd



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l̸̷̸̲̥͍̦̫̣͎̠̟̫͓͇̤̝͎̘̜͇͎̟͙͇̺͇̪͇̮̪̱̰̳̫̘͇̝͎̖͚͓̭͚͎̰̀̍͛ͤ̅̾̾̀̿̅ͣ̊̏ͥ̈͑ͭ̒̒̀̔̔̓ͦͫ͌ͬ͊̉̆ͤ̅͌͌̇ͧ̂ͨ̕̚͘͡ͅơ̵̸̴̴̛͉͚̫̤̺̻̬̤͇͈͖̖̺̞̲͈̼̼̫̙͉̼̼̫̠̤͙̼̭̥̞̫̮͙͒͐ͬ̽ͫ̎̔̑͋̋ͧ̌̾͋͋͐͆͋ͫ̎̽ͬͦͬ͒ͯ͑̀͛̑̌ͮͨ͌̔ͤ̽ͮ͂̊̽ͦ̒͘͢͢ş̶̨͓̯̗̹̦̻̝̱͓͓̠͍̤͓̙͚̣͈̮̳̪̱̘͙͚̠͇̼̪̱͖͉̺̜̖̼̱͙̳̳̖̰̑ͣ͗̾͐̃̈́͌̏ͩ̄̍͊ͦ̓͋̃͛̏̀̈ͬͯ̓ͩ̊͑ͮ̓ͧ̉͂͌̎ͮ̑̏͑̋͂̚̚͜ͅͅͅ҉̶̸̨̛̱͔̙̯̳͈͈̲̫͙̹̭̗̟̙̳͎̼̳͓̹̲̯̣̲͙͎̮̯ͦ̔͛ͮͦ͗̍̔͒́̋̈̚̚͝ͅ҉̖̣̗̯̻͔͚͚͉̰̬̯͖͙̯̯͈͈̺͕̿̏ͬ̓ͫ͌̔ͤ̀̎̃i̥̫̫̬̟̗͇͉̮̘̺̦̠ͫ͊͑̀̉̍́̆ͨͬ̊͗̏̓̓̊͊̚͜҉̴̢̼̗̤͖̮̮̱̣͈̘͇͈̟̮̳͍̗̯̠̳͖̫͓̼̜̺̯͇͙͉̳̱̬̤̰̫̯̺̱̥̘̬̻͎̀ͫ́͛̒̾̏̄ͭ͂ͭͮ̔̆ͥͬ͑̓̈́͐͂̿̎̐́ͬ̀̿ͨ̂͛̋́ͤ̌̀̃͗̒͑ͨ͊̽ͬͨ̂̚̚͡ͅͅͅñ̸̸̡̛̖̠̟̘̣͍͈̜͙̮͔̼̞̟͔̼̣̺̮̱̞̳̪͎̥̖͚̼̮̻͓̹͚͇̯͈̜̭̺̦͖̥̩͍̭̫̤͎̫̜̲͇͍̮͙̟̜͙̻̱̱͈̤̰͇̯̹̠͍̪̓ͪ̑̅͂͊ͦ̎ͮ͐̀͋ͨ̃̂̉̄ͯ̒̒͛̇̇ͣ̓̓̔̌̎̓̔̑ͤͯ̉̈́ͯͭ̈́̃̉ͤ͒̆͂ͩ̓̀̅ͬ̆̆ͬ̍̓̑̏̄͑̊͐̿̉̀ͫ̆̃ͭ̅ͫ͆̒̒̕̚̚̚̚͟͝͞g̨̡̜̞̻͔͖͍̠̱͕͉̠̤̱̫͖͓̥̪͎̝͕̳̈̇ͨͤ̈ͪ̌ͭͥ̅͑̑ͥ̽̓͗ͨͅ ̸̻̱̖̝̫̠͎̳̭͖̫̋͒̈́̎̍̈ͯ̂͌ͦ́̅̐̋͞a̜̙̖̯͎ͨ̈́͗̇̉͛̚҉̡̜̟̰̮̤̩͕̝̥̻̥͍̜ͭ͋͆͒̉̍̌ͫͬ̃̄͑̍ͪ͛́̍ͮ̆̽͋҉̫̥̣̝̥͚̟̙͙̫̻̮̥̅̄́̈̒̄̾̏̂ͭͅ͏̸̛͚̺̜̘͕͎͎̦̲̞͓̖͓̫̯̼̻͍̩͖͕͔̖̺̻̻͍̅ͣͫͭ̎̀̅̔͐ͯͩ̈́͐̿̂͛͆̐̄̿ͫ̚ͅͅ ̲̙͔̻͍̰̱͕̘̜̯ͨ̃ͩ͌̓̔̌ͪ̊ͥ͏̮͓̥͚̯̯̼͔̻̘̻̤̙̔͂̀͑̑̌̊ͭ̆̍̌ͥ̆ͩ̚͠͡҉ͅf̵̷̴̨̛̣̹̘̥̜̘̞͓̦͍̹͚̲̲̞̗͈͇͕̗̝̯̣̠͈̠̠͎͚̳͍̞͙̝͍͕͉͖̰̮͍̖̬͙̖̙͖͉͈̗̼̤̞̲͍̙̭̤̱͕̬̘̘̝̖͈̭͇̹͎̗̬͕͉͉̫̖͓̬̝͓͎̌ͮͨ̉̿ͭͨͬ̈́́͆̏̈́͂͋͊̽͆ͨ̌͊ͤ̈́ͭ̍͋̒ͬͬͣͨ͛̂ͭ̈̒̈́̆ͯ̄ͥ̎̋͒̍̎̈̏̆̅̍̍͗͑̽ͦͮ̑̈́ͩ̕͡͡͞ͅͅ͏͉͚̩͖̠̬̠͈̥̓ͩ͐͌͆o̜͇̭͉͇͇͚̹̙̙̲̳̫̱̦͇͙̺̬̺̱̟͈̩ͪͩͯ̂ͫ́ͮ͆̉͋̇ͩ̀̓ͫ̑̉̏͊ͦ͊ͤ̔͌͊ͪ̅̇̇̔̈́̓ͮ͑ͦ̈͋͜͞͠l̵͍̦̱͓̠͕͊͑̅ͫ̅̆҉̧ō͚̥͇̥̯ͤ̋ͪͬͨͣw̵̭̣͍̪̝̗͎̺͉͇̥̩̙̝̱̦̜̖̳̤̤̗̗͔͔͔̋ͬ̈͐ͦ͐ͫ̔͒͋ͭ̆̑̓̓̓ͤͫ̓̚͜͠e̺͖̪̦̹̳̼͉̻̙͖̯̦̬̟̰ͬͩ̌̂̒ͧͧͨ̓͋̀ͤ͛̍͋ͣ̌̋ͫ̈́͆̾̉͐̃̚͜͢͟͏̵̷̢̢̰̥͕̗͕̥͚̼̩͍̗̯̫̭̰͎͙͖̝̮̝͍̘̹͉ͨͨ̄̆̏̂̿͒ͯ͆̈́ͮ̿ͮ̊̔̓͒͡ͅŗ̴̴̶̷̡̯̖͙͔̱̮͚̺̮̹͇̫̼̬̖̭̖̲̳͍̼̱̲̪̩̭̼̱̞̟̿ͫ̿ͮ͋̔̏̉͆̃̀̓̄̊͊̔ͥͫ́͋ͤ͑̌̃ͯͥ̃̈́̓͆́̀̀̔̄ͤ͛͗̋̊̊ͪ̌̓̇̾ͨ̿̃ͫ̈́͌̚͢͝ ̴̶̵̢̦͖̦̫̲͉̠͕̙̦̺̘̬̫̪̲̘̹̣̮̣͈̺̙͔̪̱̳̳̱̲̱͕͓̗̥̱̮̩̤̯̤̼͓͔̙͚͇̯̬̞̳̬̟̠͖̰̮͙̩̝ͮͣ̅͑͗̒̈̾̊̒̔ͨ͋͊ͧ̏̊ͬ͌̋̅̿̇͒̑̀̊̌ͭ̄̉ͯͬ̾͗̿͒̏̿ͫ̏ͤ͑̔͂́̕̕ͅa̷̴̸̻̳̺͎̹̼̠̲̼̼̖͕͓̠̦̣̬̰̮̪̮̼͎̺͎͎̹̲͖̗̺͖̺̤ͫͯ̈̈̎͗̍ͧ̐́͆͛ͥ͑̃̓̀͂̅̓͒̉̔̽͆̀̀̈́ͣ̑͗͆̈́̑͒ͨͯ̀͜ ̸̛͍̝̩͓͔͍̬͖̫̟̤̭͎̦̹̲̮ͨ͌̑͋̎ͩ̓̓̿ͨ͐ͣ̽̈̏̎ͬ͑̚͜҉҉̵̶̶̢̻̼̗̣̪̻̝̣̻͈͇̞̮̯͍̜̰̤͙̰͇̮̣͍͈̹̜͎̜͚̜̯̮͐̾ͪ̇ͨͮ̓̔ͯ͌́̆̄͑ͧ̀̓̂̓͛̄͊̽ͦ͑͗̃̆̈͗̐̚͠҉̦̙͈͚̩̳̝d̨̘̥̣͖̼̻̺͎͓̰̮͇͖̭ͫ̒́̇͑ͩ̌̊ͤ͗̆̐͛̃͋̍ͨ̾̒̽̚͞ͅ͏̧̧̗͖̺͖͙̫͈̲͍͕̳̯̹̠̦̭̗̤̤̟̲̫̮̣̖͉̯͚̫͔̎ͫ̓͒ͦ́ͩ͂̊ͨͩ̐͂̌ͭ̌ͭ̍͛ͦ̎́́̅̅̅͒̓̎̋͆ͣ́ͤ̓ͮ̏̅̚͢͝҉̦͙̮̳̘̺̙̳̙͎̮̬̤̬͈̮͍̗̖̰͉̖͎̥͓̟̤̞̮͔̥͓̻̗͈̬̞̳̺̩͕ͭ̓̍͋̅̅͐́̎̓͐͛̋͌ͫͨ͐̐ͪ̽̔́ͥͣ̃ͦͥ͆̔̉͂ͯͨ͆̄̒͆ͩ̚͘̚͠ͅͅa̴̮̯̖͈͎̝̐̈̑ͭ̋ͩ̽̾͐ͥy̴̷͕̬̙̻͓̟̣̣̺͉̥̖͖̝̻̙̹͉̤͚͍͍̘͈̹͉̖̬͔̳̙̳͙̖̼̩͓̺͉̬͙͔̼͉̥͈̙̳̥͖̦͖͚̯ͫ͌̇ͤ̑͋ͪ́ͫͪ̿ͮ͛̐̒ͪ͒ͪ̍̓̂̀̈́̊̒ͧ̃͛ͪ̓̇̿͋ͦ̇ͯͤ̓̄̂͜͢ͅ͏̶̷̧̦̟͖̬͙͔̣̙̩̻̯̳̫̠͈̮̰̱̠̞̖̭͔͇͚̭̬̲̼̥̹̹͈̟̠̫ͨ̒ͯ̂̑͒̿̀͌ͤͧ͊ͦͩͦͥ̔͐̇ͬ͗ͯ̂̈́̃́ͭ̊̅ͪ̀ͣͯ̔͋ͣ́͘͢͜͝ͅ
O͗̌mͭ̒ ̥͕gͭ̾_̐͑<̀̈́3̎͑҉xd

I was trained in tradition, yet I stepped beyond its walls. Sound is my language, not to decorate but to liberate. Composer, performer, and listener — one fire, three sparks, inseparable.

I write and compose to uncover what is hidden: the truth buried beneath power, the dignity of the ordinary, the current of awareness that flows through all.

I belong to no authority, only to sound, to truth, to the silence from which all begins. My work is not mastery, but remembrance — a manifesto in every note, every word, every breath.

I am a composer of the 21st century: a studio artist. The studio is my forge, my battlefield, my sanctuary. Machines hum like choirs, circuits burn like torches, cables twist like roots in the earth. Tradition breaks open in this fire — the score turns to light, the instrument becomes the world itself.

To be a studio artist is to seize sound at its rawest, to sculpt electricity and breath as one, to summon the invisible power that belongs to all. Here music is not bound by walls, not enslaved by profit, not tamed by form. It is free, untouchable, unending — a living flame for the century that is ours.

To all concerned: 
I am announcing publication of my new book, NOW AVAILABLE:
https://www.routledge.com/Maqam-Melodies-Pitches-Patterns-and-Developments-of-Music-in-the-Middle-East-and-other-Microtonal-Writings/Thoegersen/p/book/9789815129052
My book, Polytempic Polymicrotonal Music, is available on Amazon. 
https://www.routledge.com/Polytempic-Polymicrotonal-Music-The-Road-Less-Traveled/Thoegersen/p/book/9789814968294

I have a new album out through Magic&Unique Group Records on Spotify and other digital streaming platforms:
https://open.spotify.com/album/5qWHmcvyAemvVn2TJH1bio?si=OD5TmPptQ-ypr8WOI0EZKA&nd=1

https://whitecentipedenoise.com/products/peter-thoegersen-facebook-cantos-cdr-flea
My CD via Flea label has been out since April, 2021, featuring the wonderful Lore Lixenberg singing over my microtonal piano accompaniment
Hope you enjoy it!

https://www.newworldrecords.org/collections/vendors?q=Peter%20Thoegersen

From the liner notes on my CD now available on AMAZON and New World Records:
"The author of these notes has spent his life explaining radical music, and the music on this disc may be the most radical I've ever written about. Peter Thoegersen (b. 1967) is not yet a name known to the music world; not for any lack of connection to other famous musicians, but because he came to composition late, and because his artistic aims are so broad and complex that they have taken years to evolve. His aesthetic is well defined, and he is upfront about having a name for it: "Polytempic Polymicrotonal Music." That means he has musical layers simultaneously moving in different tempos, plus, even more radically, that he has different microtonal scales playing at the same time. Few composers have aimed at such fervent and heterogeneous multidimensionality. And yet, while Thoegersen's music can seem overwhelming at first, running through it is a level of charm and simplicity that belies the initial impression.

In total, these three pieces emphasize a particular side of Thoegersen's output. The image his music creates of ornately mathematical structures filled with intuitively friendly melodies maps on to the personality of the man himself: outspoken and acerbically ruthless in his musical opinions, Thoegersen is also marked by a jolly sense of humor and an inexhaustible love of cats and other animals that make him ultimately less imposing and more personable than he might seem at first. The same can be said for his music. And by going further than anyone else has gone in terms of this particularly American concept of fusing the polytempic with the polymicrotonal - extending and combining the conceptual worlds of Ives, Cowell, Nancarrow, Partch, Carter, even Frank Zappa and many others - he has created a special place for himself within American music."                                                             

-Kyle Gann (from the liner notes)

String Quartet IX for four pianos, FRACTURED CONSCIOUSNESS

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