This man Veak, may need no introduction. But, to be honest, this is Veak like you have never heard him before.

Buy on Beatport:  https://www.beatport.com/release/with-you/3544421

With You

Beatport

Veak - With You

We have been blessed with our first guest mix of 2022 from rising star DJ R3IDY!

Follow R3IDY on FB and Instagram

www.facebook.com/DJR3IDY 
www.instagram.com/r3idy_dnb

R3IDY - 0121 Guest Mix 001

2022 Artillery [Hospitality Norwich Set]

Free Drum & Bass Records 18.03.2022

After topping UK download charts & receiving wide-ranging support for their releases, Dungeon Kru return with the 2nd chapter of their “Family” project. Showcasing producers from around the globe, DK collab with boss Liondub, vocalist Bandit MC, Joely, K Jah, Stranjah, and Pharoah on this wide-ranging EP. Dungeon Kru continue to set a high standard for dark D&B productions, and these international collabs raise up the levels once again for the Toronto & Manchester based producers.

Want to get in touch?
Emaill: liondubpromo@gmail.com
facebook.com/liondubinternational
soundcloud.com/liondubinternational
DK: facbook.com/dungeonkru
DK: soundcloud.com/dungeonkru 



Dungeon Kru & Joely - The Danger [Liondub International]

Cardiff-based @cycenednb has loved DnB since picking up his first vinyl from Catapult Records a decade ago. Today he has a taste for all varieties of the genre, but especially anything deep, dark, minimal, or experimental.

Photo: Dave Swindells, 1988

Open Mix 005: Cycene

Been a while since i uploaded a mix :) my favourite tracks thus far !!

I do not own the rights to any of this music xx

jB July Selections

https://www.fatsoma.com/e/s1z1iy60/hooked-sounds-live-recordz-presents-freshers-invasion

DNB VS BASSLINE

LINE UP

SHAUN DEAN (HEADLINER BASSLINE + DNB)
JAWD ( HEADLINER DNB)
TOOLEY (HEADLINER BASSLINE)

115 TAKEOVER
IMPULSE B2B HYPERSHELL
BIRDY
TRENT BASS
UMS
ARCTIC AUDIO

EARLY BIRDS NEARLY SOLD OUT 🎟🚨

Tracklist
1		Emba - Better Days feat. Ad-Apt
2		Formula - Marines		
3		Katon - Found In Me (Jappa Remix) 
4		R3IDY - Paroxysm	
5		Cesco - Pity	
6		Arcatype - Return Voyage
7		Chakhan - Pyromania 
8		Kasra x En:vy - Swinging Swords	
9		Cesco feat. En:vy - Esoteric	
10		Matec - What You Got	
11		Thematic - Eagle Bomber	
12		Britney Spears - Toxic (Formula Bootleg) 
13		Dunk - Flavours	
14		Subten, Harry Shotta & Eloquin - Televised

Cellar || Live Recordz x Hooked Sounds : Freshers Invasion - Competition Mix Entry

After five years of planning, writing, and refining their sound, London-based production duo Kolectiv are set to release their long-awaited debut drum & bass album, Circadian Rhythms.

The project began in the aftermath of the pandemic, when the pair started setting aside tracks that captured the spirit of a night out at a drum & bass event. Their vision was clear: to create an album that reflects the variety, energy, and progression of a rave – from the first beats that pull you into the closing sounds that carry you home.

“Going out to drum & bass nights, you’d hear so many different flavours across six or seven hours. We wanted the album to follow that same arc – like a circadian rhythm, a natural flow of time, but in this case the cycle of a rave,” Kolectiv explain.

To achieve this, the duo placed a strong emphasis on originality and sound design. Most of the album was built from scratch using their own recorded samples, crafted through sessions with keys, drums, and guitars, and only dipping into external sources when absolutely necessary. Vocal collaborations from PAV4N, Hijak MC, Illmatika and Kerry Donnelly add unique flavour to the project, while carefully placed interludes tie the project together as a complete listening experience.

“This isn’t just a collection of tracks. We wanted it to be a journey – a cradle-to-grave kind of experience – with highs, lows, and moments to breathe.”

The title Circadian Rhythms captures that intention perfectly: an audio diary of a night spent immersed in drum & bass culture, told through Kolectiv’s trademark blend of technical precision and emotional depth.

The project also coincided with a complete studio overhaul, giving Kolectiv a fresh environment to finalize and mix down the record with a renewed sense of clarity and focus.

With Circadian Rhythms, Kolectiv deliver more than an album – they present a story, an atmosphere, and a tribute to the music and culture that shaped them.

🔗 https://push.fm/fl/diskolpl001

Dispatch Recordings socials, store links and current info all here:
🔗 https://linktr.ee/dispatchrecordings

Circadian Rhythms

Bad Minds

Listen / buy

AN ATLAS OF LOSS

Do minerals dream of becoming semiconductors? Do they yearn to carry charges, amplify, switch, and convert energy into emotions comprehensible to humans? And what if, from the darkness of the underground, they had been listening to us sing in caves before the emergence of the first flute? Could they have guided us, through the course of history, to find them, extract them, and create new sounds through sinusoidal waves, to form valves and bend circuits?


If so, minerals would transition from what philosopher Eugene Thacker defines as the ‘planet’—that virginal and unreachable realm for humans that we study through geology, paleontology, and environmental sciences—to the ‘world,’ the space we inhabit, interpret, and synthesise in our daily lives. Sadly, we only remember the world when it erupts violently, through climate catastrophes or when a new virus emerges. Sometimes a tsunami collides with a nuclear plant, or viruses are cultivated as biological weapons in high-security laboratories, provoking a deep biological anxiety, hard to quell, which we all feel beneath our skin.

There exists a third realm, disconnected from both the world and the planet: the ‘earth’, an immense, dense rock floating in space alongside other planets, situated in the cosmological dimension. Relating to the earth is so complex that we only do so through theoretical speculations of a scientific nature or through science fiction, interweaving until one becomes the prophecy of the other, in an infinite, pendular dance. Beyond the darkness of space and Lovecraft’s cosmic horror, the fantasy of human extinction is the most recurrent: to reach a collapse so devastating that we do not survive it, even though the earth does, without us.

In a world where we quantify everything through body sensors, financial algorithms, nanometre-scale robots, and surveillance drones—a world in which everything that can be domesticated and controlled can also be commodified—a superior artificial intelligence would survive the collapse of the species (some speculate it might even cause it) and learn from our mistakes, thanks to our obsessive gathering of data.

Long after our voices fade, minerals will persist in the darkness of screens, in the silicon of chips, and in their pure form, still unexploited underground. Over the millennia, this intelligence might piece together fragments of our reasoning, as if an alien civilization finally connected with one of our spacecrafts loaded with messages cast into the void. It would sort through endless streams of data, unable to grasp the depths of emotion behind what it quantified, recreating simulations of our past, stripped of the nuance that once defined us and conducting experiments in sandboxes.

Some remnants of our existence—faint echoes of forgotten beauty—would be pieced together in an atlas of loss, buried beneath layers of numbers, decayed bots, and corroded hard drives. What will follow? Perhaps bison will once again roam—trotting to the strange pulse of techno, their ancient forms framed by the ruins of our cities. Buildings will crumble, slowly dissolving under the soft touch of ambient music, and a thousand flowers will bloom with that ancient music created through electrical signals and computation.

7 songs for a future both improbable and inevitable—a final message from a world lost to itself, from planet Earth to planet Earth.
A1 by Alex Dickson, Joe Baker.
A2 by Olivier van der Lugt.
A3 by Andre Lira.
B1 by Flore Morfin.
B2 by Jdotbalance.
B3 by Charlie “Eric” Baldwin.
B4 by J. Coles, P. Tipler.


Mastered by Pedro Pina.
Artwork by Aleix Font.
CEEXYZ05.
©️ & ℗ 2025 Lapsus Records.
ceexyz.bandcamp.com

Buy Link (Bandcamp)

Air Max '97 - Marginalia [CEEXYZ05]

Bringer-Downer

💗 Deep, Dark & Rolling Since 2021
🪩 12.07 | KEENO MUSIC x PTRNS | BATH → https://ptrns.co.uk/#events