We’re so excited for you to hear Quinie's wondrous new album ‘Forefowk, Mind Me’ (out May 23rd on Upset The Rhythm)! The first song from the album, ‘Macaphee Turn the Cattle’ escaped into the wild this morning.

A singer working from the Scots song tradition, Quinie brings an approach that is both reverent and radical—exploring authenticity not as an exercise in preservation, but as something lived, questioned, and continually reshaped. ‘Forefowk, Mind Me’ is a conversation between traditions: voice and pipes, accompanied and unaccompanied, DIY and folk. It features a mix of traditional unaccompanied songs, reinterpretations, and original arrangements drawn from Scots, Gaelic, and Irish traditions, alongside toasts, improvisations, and poetic settings. Rather than static and fixed, it’s folk tradition in motion.

'Forefowk, Mind Me' can be pre-ordered as a 180g black vinyl LP w/ risograph lyric print: https://upsettherhythm.bigcartel.com/

There’s also an option to order the LP with a stunning accompanying art book too!

Also… for those of you in London, we’re hosting a special launch party on May 30th at St Pancras Old Church. Tickets now on sale: https://link.dice.fm/hf599383b2db

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Quinie - 'Macaphee Turn the Cattle'

'Whitsun Sound' by Buffet Lunch came out today! Another wizard single from the band's forthcoming album 'Perfect Hit!'. This track is all about hobbies, leisure-time, waiting and repetition.

Huge thanks to the fine people at Raven Sings The Blues for premiering the creeped-out video, made by the talented Joshua Roland:

https://www.ravensingstheblues.com/buffet-lunch-whitsun-sound/

'Perfect Hit!' comes out on April 4th, we’re throwing an album launch in London on April 11th at The George Tavern FYI.

Whitsun Sound

What a day to announce this breathtaking new album from Me Lost Me! ‘This Material Moment’, the fourth full-length from Newcastle-based artist Jayne Dent, delights in songwriting, creating a beguiling mix of soaring vocals and atmospheric electronics that playfully push the boundaries of genre. Today we’re sharing ‘Compromise!’, a stunning lead single concerned with the notion of ‘performing’ a life, rather than ‘living’ one. 

Concerned with physicality, interpretations, and, yes, materiality, ‘This Material Moment’ is an album akin to rummaging through a box of long-forgotten trinkets. With each song, Me Lost Me unearths something and asks us to consider it from every angle. "This is an album which uses words as a material, an experimental tool, full of metaphor, abstraction and analogies.” Jayne says, “it has softness and anger, humour, hope and despair, intensity of feeling in all directions expressed as textures, objects, places." 

‘This Material Moment’ was written and arranged solo, but realised wonderfully in the recording by a core band of John Pope on electric/double bass, Faye MacCalman on clarinet, and now with the addition of Ewan Mackenzie (Dextro/Pigs x7) on drums . The album was recorded by Sam Grant at Blank Studios in Newcastle, who also worked on the exquisite previous album ‘RPG’.  

‘This Material Moment’ will be released on June 27th through Upset The Rhythm, a limited 180g ‘brilliant red’ vinyl version is available to pre-order from all the best shops, and Bandcamp here: https://upsettherhythm.bandcamp.com


Me Lost Me - Compromise!

Today we’re sharing another soaring single from Quinie’s new album ‘Forefowk, Mind Me’ (out May 23rd). ‘Col My Love’ is the very first track on the album, and it’s a powerful song to sing, accompanied by some epic pipes too. Quinie explains that the words “warn of the dangers of being close to the shoreline. I thought it would be a good fit with this footage of me and Maisie trying to navigate one of the challenges on one of our walks. Perhaps not quite as scary as being jailed on a cliff top, but nevertheless an adventure.” 

Enjoy!
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VIDEO: https://youtu.be/-P5lqfcU_eU

Quinie - 'Col My Love'

Me Lost Me returns today with the second miraculous single from their forthcoming album ‘This Material Moment’ (out June 27th through Upset The Rhythm). 

‘A Painting of the Wind’ is an astonishing song that we’ve loved in Jayne’s set for a while, it grapples with how artists try to express the inexpressible and how art is used as a means of escape and fantasy. The track is streaming everywhere now and is accompanied by this exquisite landscape portal of a video filmed at Raby Castle by Amelia Read: 

https://youtu.be/9wXGX8D0eoA

‘This Material Moment’ can be pre-ordered on Bandcamp and our very own webshop too.
We all love to be carried away!
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🎨🌬️🎨🌬️🎨🌬️🎨🌬️🎨🌬️🎨🌬️🎨🌬️

Music by Jayne Dent with double bass by John Pope and clarinet by Faye MacCalman Engineered, produced and mixed by Sam Grant at Blank Studios, Newcastle upon Tyne Mastered by Mikey Young

Me Lost Me - 'A Painting of the Wind'

It’s almost obligatory to release a folk song on May Day, but here we are on May 2nd still bringing in the May! Enjoy Quinie’s evocative new single ‘Sallow Buckthorn’ out now. It’s a mesmeric sea of swirling sound and Scots poetry.

Full video: https://youtu.be/Zoge5FKvJz0

“Ye micht o thought the sallow buckthorn, Ne’er a hairst could hain”
("You might have thought the buckthorn would be so pale, that no harvest could hold it.”)


‘Sallow Buckthorn’ is featured on Quinie’s forthcoming album ‘Forefowk, Mind Me’ out on Upset The Rhythm on May 23rd. 

Available to pre-order on LP with a risograph lyric print + magical book: https://upsettherhythm.bigcartel.com/

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Quinie - 'Sallow Buckthorn'

'Ancient Summer' by Me Lost Me, taken from the forthcoming album 'This Material Moment', out June 27th on Upset The Rhythm.

https://www.melostme.com/
https://upsettherhythm.co.uk/

Ancient Summer

Cor Blimey! On August 15th Upset The Rhythm will release a split 7” EP by Linda Smith and The Smashing Times. Both based in Baltimore and both best buds, this record celebrates that friendship sharing two new tracks by each act; united by DIY spirit, a bedroom-pop sensibility and now a puddle of black vinyl. Today you can witness their tea-based, umbrella-powered advertisement, listen to Linda’s track ‘So Long Ago’ (streaming through the digital ether) and even choose to pre-order the coveted disc yourself from our Bandcamp or UTR webshop: https://upsettherhythm.co.uk/
 
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Songwriter Linda Smith has a gentle but unconventional experimental style that continues to evolve as she adds new entries to her storied catalogue. Smith’s pioneering work with four-track production in the '80s found her at the beginning of a home-recording movement that would set the pace for the decades of indie rock that followed. During this most active period, Smith's music was limited mostly to obscure cassette and 7" releases. This trailblazing time was recently revisited on Captured Tracks’ compilation ‘Till Another Time: 1988-1996’. Shortly after Smith’s retrospective, she teamed up with like-mind and collaborator Nancy Andrews to release an album of beguiling pop entitled ‘A Passing Cloud’ (2023). The duo performed songs from that record at Upset The Rhythm’s 20th anniversary party at Café OTO that same year. 2024 saw further reissues of Smith’s music including Nothing Else Matters (1995) and I So Liked Spring (1996).
 
The Smashing Times are a premier East Coast Pop Experimental Group. They have also gleefully performed in London for Upset The Rhythm twice in quick succession. Known for their dogtooth style, waggish mod attitude and tumbledown sound, The Smashing Times have holes in their socks and sit idly between The Kinks and Tori Kudo. Their previous albums on K Records, Perennial and Meritorio are a cherished commodity steeped in Paisley psych and slapdash panache. 
 
This split 7” EP comprises 4 new tracks. Two from Linda Smith in keyboard-warble anthem mode and two low-fidelity daytrips by The Smashing Times. It will be released on 500 black vinyl 7”s by Upset The Rhythm on August 15th 2025.

Linda Smith - 'So Long Ago'

'Where I Come From' is the first single taken from Canadian noise-rock demolition crew EarthBall's new album 'Outside Over There'. 'Where I Come From' is a dizzy sprawl of languid drums, spun-out fx, crushed staggering guitars and freaked saxophone extrapolations. This landscape of unruly sound is then stalked through by Izzy's spontaneous vocal projections, the effect is uncanny to say the least.


https://upsettherhythm.co.uk/



EarthBall - 'Where I Come From'

'Employee' is taken from Dog Chocolate's forthcoming new album 'So Inspired, So Done In', out February 27th 2026 on Upset The Rhythm.

https://upsettherhythm.co.uk/



11 Chaos

PUB.lication