@dj-johnny-o-aka-the-wolf: hahah what's that?

Amsterdam selector Orpheu The Wizard connects oddball and straight forward jams from different decades and different record shelves in a monthly show.  
Find the full tracklist and related episodes on NTS: https://www.nts.live/shows/orpheu-the-wizard/episodes/orpheu-the-wizard-12th-july-2024

Orpheu The Wizard - Dub Special 120724

London’s Customs duo are connoisseurs of finely crafted garage music, two life long devotees to the sound’s deeply swung rhythms and unifying dancefloor vibrations.

Finessing their take on all things garage (not garage) through their regular spots on Kiosk Radio and at London's Giant Steps, the guys join us with a swinging smorgasbord of 90s and early 00s records from the UK, dabbling in top notch garage and some of the sounds that anticipated broken beat and early grime productions. 

@customs_ldn

Q. What inspiration did you draw upon when combining for this mix, and what kind of setting might you imagine it being enjoyed in the most?

Guy: 

Firstly, thank you Myles so much for sharing this mix. Longtime fans of MDC! Both of us answered “driving” as the best setting, which is funny since neither of us drives. So maybe “riding” rather than driving. Lots of thoughts percolated for me on night drives to inner city Manchester a few months back. Definitely inspired by the All Bad Boy & All Good Girl archive work of Death Is Not The End, resurfacing the sound of Moss Side blues parties like Soul Control. Reading Ed Gillett’s new-ish book Party Lines also gave a push further into alternate UK dance histories, specifically Black club scenes and music that ‘swings’.

Tom: 

I’ve been bingeing on a bunch of old club recordings from the ‘speed garage’ era lately - sets from places like Club Koo and The Colosseum - and I think some of the energy from that early blend of UK and US sounds has definitely bubbled over into this mix.

Q. With the mix showcasing your shared appreciation for deep garage music and its many adjacent styles and offshoots, could you give us a brief insight into your journeys with the sound, and what years, artists or labels have you found to be responsible for the most timeless cuts in your record bags?

Guy: 

It was a nocturnal radio sound for me as a young teenager I guess, largely mysterious, coming largely from London when I was growing up in the north west. But the sampling of R&B vocals from stuff I knew made it immediately accessible. In more recent years, digging in London, I’ve tended to get most excited by either one-off/ white label riddles that are sometimes garage-not-garage, and also alias stuff from bigger name producers across bigger labels in the genre - G-Spot Records, Nice ‘N’ Ripe, Unda-Vybe etc. 

Tom:

I actually started out as a bedroom garage DJ, so it’s a bit of a full-circle moment for me. I had a mate at school who wanted to be an MC, and on Saturdays we used to hit up Music & Video Exchange to pick up whatever white labels we could find before heading back to his flat in Ladbroke Grove to practice a set that nobody would ever hear. Shout out to Nick The Greek, wherever you are! Twenty-something years later, I’m still finding exciting stuff from the same producers we loved back then - guys like Jeremy Sylvester and Mike Millrain who have these unfathomably deep back-catalogues.

Q. Are there any songs in the mix that are especially close to your hearts, and what is it about these tracks that resonate with you so much?

Guy: 

I’d call out 2. Artist Formerly Known as PP - When I’m Down, from 1998. Bit of a private press oddity from a producer who’s prolific but mysterious (the PP = ‘Persian Prince’). It’s a kind of rolling, morphing megamix type cut that samples Brandy - Best Friend but also features raw toasting style MC bits the likes of which you hear from the live party recordings in All Bad Boy & All Good Girl. The other is Colour 3 - La Femme, a beautiful, melodic white label that’s been so versatile for me since I picked it up from Crazy Beat in Upminster. Has worked a treat on sound systems like Giant Steps and after parties alike. 

Tom:

The penultimate track, Drivers Anthem, is a special one for me. Super deep and melodic production, but with that trademark UK bump on the bottom end.

MDC.299 Customs

🌐 Refuge Worldwide is a radio station and community space based in Berlin-Neukölln.

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New Massage 041 - Telephones - 04 Sep 2024

This week https://soundcloud.com/ohoneydj covers for Tyler on the breakfast show

Music before bread is a weekly breakfast show, broadcasting live from Tyler’s home in Naarm (Melbourne) on Saturday mornings from 9-11 (aest) // 11-1 (nzt)

Tyler would like to acknowledge the traditional owners and custodians of the land on which he broadcasts this show, the Boonwurrung and Wurundjeri people of the Eastern Kulin Nation, and pay respect to their Elders, past, present, and continuing and extend that respect to all first nations people.
Sovereignty was never ceded

Show # 200

Music Before Bread w/ O Honey - September 21st 2024

From Japan here's producer, DJ and friend of the label Kunyuki Takahashi (@kuniyuki-takahashi) with a special recording of his live set during Rainbow Disco Club this year 2024. Interview (excerpt) down below.

www.musicfrommemory.com

MFM: Hey Kuni. What was growing up in Sapporo like, being quite remote from the other major cities in Japan? Via what channels/media/ways did you learn about music, art, etc? 

KT: Tokyo is most biggest scene about culture and music, but I was really looking for more out of Japan. Sapporo is more slow. I was just into music when I was teenager so everydays looking interesting music, because around 80's was crazy it' like big bung for music. My friends and i also really looking for PUNK, Industrial music, Ambient music, also of cause electric music as well at that time. It was just our like networks and channels for connect to other essence from each one. You know Teenager No need mainstream, no need TV show just believe to get some good one  from friends!

MFM: Your sound overall has a very 'organic' and 'spiritual' touch. Where does this come from? Who and what were/are your inspirations?  

KT: Both of feeling is definitely I need and my favorite things about when I touch instruments because it's nice to connect into music. So many instruments has lot's of colors so it's my inspirations come from. But to be honest i'm really bad to playing instruments....

MFM: That is debatable, haha. Where did you actually learn to play all those instruments, like the conga's and flute?

KT: I learnt about percussion and congas by listening to African music, and in the 90s I spent a lot of time with these. I used to listen to Peter Gabriel's Realworld record series so it's my teacher of  music! There are flute-like instruments in synthesizers and music workstations, but when I tried to use flute sounds by Synth, I couldn't feel spiritual, so I decided to try my hand at it. There is so much spiritual real instruments.

MFM: Your contribution is a recording of your live show at Rainbow Disco Club in Japan this year 2024. What can you tell us about the show? For those who had to miss it, maybe you can describe the setting a bit?

KT: Yes it was from My good friend Masa From Rainbow disco club.
I've been joined Rainbow disco club many times and always did a Dance set but he Told me “could you play live show like your album from Music from memory For RDC2024?”, and I was say “YES I would love to and if we can do then I want to do proper Music from memory live set.” So it was so exciting. Because these music from MFM was very special. It was morning time, there is nature and birds singing, and I was joined with my like bird whistle, feel windows, relaxing people waiting before making dance time. I re-created all sound patterns so it was so fun like should do make Tape sound like bit noise sound, more retro sound. Also I really remembered about what I used different Chords before in the 80's and 90's!

MFM: Your live shows seem to be improvisation based, very playful. As if you're jamming in the studio. Does playing live differ much to you from working in the studio?

KT: Yes I love like improvisations when doing live show. I'm always thinking about each party is totally different energy from music lovers. I love to get something good happen with music lovers, and yes it's totally different with Studio works. Prepare for live set also needs time and skills, so i always try to do at my studio for what can happen at the live show.

MFM Mix 052: Kuniyuki Takahashi

Alexis Le-Tan live from the Beach Stage at Love International Festival 2024

TASCAM DR-100

Live from the Adriatic 2024: Alexis Le-Tan

Trushmix 231 presents Meg Paine straight outta London! The DJ and music enthusiast is making her moves in London these days. Playing quality underground parties, and small really cool venues. Good vibe and positive spirit is the keyword.

She made a 1 hour and 56 minute mix for us here at Trush. A mix focusing on the sounds of the early 90's chill out, softer balearic techno, old trance, house and UK sounds! Sit back and enjoy this mix!

Music from the top!

Enjoy!

Trushmix.com

Trushmix 231  - Meg Paine

300 mixes! What a journey. Big respect to those still listening since it all began back in the late 2000s, and a warm welcome to those who might just be tuning in for the first of hopefully a few more to come.

Thought it must be about time for another episode from Deepcast HQ, with Myles Mac & DJ Possum back in the mix for a relaxing journey guided by the eternal balearic breeze of the 90s. Two and a half hours of smooth summertime groovers with plenty of vocoders, utopian dream states and moments of total rave nostalgia. Dancefloor chillers for the deeply inclined and/or reclined. Here's to 300 more :~)

@myles-mac & @djpossums

MDC.300 Myles Mac & DJ Possum

Broadcasted live at Radio Tempo Não Pára (18.10.2024)

Artist: @ddwy-music

Public Possession w/ ddwy @ Radio TNP 18.10.2024

Good news! The 92nd episode of Pacific Spirit has landed gracefully on the World Wide Web. It's a winding and eurphoric session from Austin, Texas' @c-thru2, who released an incredible LP with us last year titled "The Otherworld". The recording includes some live excerpts from C-thru's live performance at Public Records earlier this year. The freshly pressed vinyl version of "The Otherworld" is available now at the finer record shops across the globe.

Track one down and sink into a modern classic described as "Charmingly fluffy-minded Balearic ambient downbeats and breaks" by the tastemakers over at Boomkat.

As always, thanks for listening!

Tracklist: O Yuki Conjugate - Tidal Dance x Deuter - Pearls
Bass Waves- Liquid Waves x loveliescrushing - Precious (Jessica Bailiff Remix)
Avalon - Midsummer’s Night Dream
Neotropic - Neotropic 
Acid Jesus - Neon
OM - Here Comes The Sun
A Taste of Your Own Medicine  (YAP Remix)
C-thru  (Live At Public Records)
Seahawks - Time Enough For Love
Bellofatto & Gentile - Forthcoming 
C-thru - Vivid Voyage (full voyage mix) (Live At Public Records)

Pacific Spirit No. 92 | C-thru

This is the 172nd recorded instore session at the PP Headquarters.
Mixed and compiled by The Wolf from Munich.

https://soundcloud.com/dj-johnny-o-aka-the-wolf

PP INSTORE SESSION #172 (JOHNNY O AKA THE WOLF (TAMBURA))

Audio – Visual – Energie

Independent record label and shop based in Munich. Public Possession is run by Marvin & Valentino.

Distribution and mailorder for PP releases in EU is handled by wordandsound. Please contact them for domestic retail mailorder.

For all bookings contact: 
booking@publicpossession.com

PP INSTORE SESSION #172 (JOHNNY O AKA THE WOLF (TAMBURA))

PUBLIC POSSESSION

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