Tangerine Braids

Des chansons écrites ça et là au gré de la vie, de partages, de rencontres

Psychedelic Indie Folk  -  love longing loss 
alienation nature spirituality dying transformation
No AI. No voice modification technology
Recorded with Cubase on Focusrite Scarlett 2i2 
MuseScore for digital sounds and sheet music

Wallowing in the warmth of lower mids and melancholic melody.
Recorded, mixed and mastered on a Tascam DP 32 Portastudio using vintage gear gathered over many years.


Take a large bucket. Add a pint of Neil Young, a pinch of Glen Hansard. Wack in a tea spoon of Damien Rice, then an ickle bit of Tom Mcrae. Shove in a hand full of Mike Scott, a heaped table spoon of Neil Finn and a large dollop of Conor J. O'Brien. Mix with a big stick then strain through an old sock. Pour. What you have is a little bit of Mr C.

Hello good people of the cloud.
I play everything in real time and record and master on a Tascam DP 32 Portastudio. Although three of the older songs on here where recorded on a 8 track tape recorder through an old seck analogue desk.
No pc's are used or abused in the process of me music making. I love tactile recording. Switches, faders, pots and buttons. Mouses are for computers and eating cheese. No Mac, Daws or Windows, Midi or overused plugins. And no automated mixing, compromise being a large part of my final sound.

Hope you enjoy some of the music that I make, please feel free to share and comment.

I now have another page, link below, of songs recorded from 1999 to 2012 on an 8 track tape machine.

Gear used:
Tascam DP32 (for all recording and mastering)
Custom Sound amp (owned since the 1980's/90's)
Tannoy DC 200 monitors (owned since the 1980's/90's)
Alesis Sr18 drum machine
Roland V drums HD1 Live Kit Through Roland TD20 Sound Module
Kord M1 keys (owned since the 1980's/90's)
Yamaha moX6 keys
Joe Meek VC3 pro channel (owned since the 1980's/90's)
Audio Technica AT4033a Cardioid Condenser Microphone
Shure SM58 Mic
Sessionmaster direct recording pre-amp (owned since the 1980's/90's)
Zoom GX1N guitar effects
1972 Yamaha FG180 Red Label acoustic guitar
Martin performance acoustic guitar
Yamaha FGX5 Acoustic guitar
JD Fender Telecaster Leccy guitar
DeArmond M75T Leccy guitar
Tanglewood bass 
Vintage banjo
Uke
Stagg mandolin
And a box of old rusty harps.

Puddle Fish is a studio project, writing and recording demo tunes whenever time allows. Thanks for listening!

GONETCHA revient avec une nouvelle sortie.
“CALÉ COSY” est un mini album évoquant notre volonté de rester tranquille en ignorant certaines choses.
Un chant captivant, des instruments et effets énergiques, et des arrangements créatifs font résonner de nouveaux aspects de la musique de GONETCHA.
Le style coloré, subtile et novateur de GONETCHA repousse les limites habituelles.

Le titre “Pris dans l'Entonnoir” propose de mystérieuses analogies, des structures inspirantes, et un chant particulier que seul GONETCHA peut délivrer.

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GONETCHA is back with a new release.
« CALÉ COSY » is a mini album evoking our will to stay put and ignore certain things.
Captivating vocals, energetic instruments and sound effects, and creative arrangements make new aspects of GONETCHA’s music resonnate.
GONETCHA’s colorful, subtle and inovative style stretches the usual boundaries.

The song « Pris dans l'Entonnoir » shows off mysterious analogies, inspiring patterns, and particular vocals only GONETCHA can provide.

There is so much talent and variety here, and most of the people are pretty cool too. I love being part of this community. Listening to your music and being heard in return is enough.

Still reading? OK I'm gonna muse a bit. It's hard to fully convey how much this forum has meant to me. There are people I've never met that feel very much like old friends -- and in a very real way they are.
If I follow someone I make every effort to listen to and support their efforts. It's certainly not a transactional relationship but I do tend to limit my follows to people who engage in mutual listening and engagement. If you listen and leave a comment I always try to listen to *your* music when responding! If you follow at random without any feedback I hope you get something out of that too... ; )