Italo! New!

Muziekjes

Retro Wave

Neste Playlist o Canal Electro Rock divulga os lançamentos e novas postagens das bandas no Soundclound em Abril de 2015... 
Visite...
www.canalelectrorock.blogspot.com.br
www.canalelectrorock.wix.com/canalelectrorock

SITE Canal Electro Rock

Releases (April 2015) Rock - Indie - Alternative - Lo-Fi - New Wave - Electronic - Dreampop

love

laid

Subito

Spinning

Yellow Raincoats

Debut SINGLE for the RODION-POWERED quirky duo CASCAO & LADY MARU,
straight from some weird roman cave.
more singles and a full LP coming soon on fine Berlin's I AM SINGLE RECORDS !!



C&LM - TROPICAL TASTING (RODION remix)

First single off debut EP 'Cold Summers'.

Download here: https://crepes.bandcamp.com/album/cold-summers

Ft. Daniel Baulch. Recorded by Lucas Skinner in Fairfield. Vocals recorded by Guy Louis at Dreams Come Studio in Footscray. Mixed by Guy Louis. Mastered by Mikey Young. Artwork by Danny Wild.

Ain't Horrible

Remix by @zoo-brazil
Giorgio Moroder - Right Here, Right Now
featuring Kylie Minogue (2015)

Get the original here: smarturl.it/RHRNiTunes
Get the remixes here: http://hyperurl.co/RemixesiTunes
Listen on Spotify: http://hyperurl.co/MoreRemixesSpotify

Giorgio Moroder - Right Here, Right Now ft. Kylie Minogue (Zoo Brazil Remix)

"Imperial" EP releases 05 May 2015

pre-order EP here: http://goo.gl/Lqflfu

Imperial

Lift Me Up

Written and produced by Oh Wonder
Debut album OUT NOW!

Available on iTunes: po.st/OWDebutAlbum 
Buy signed CD/Vinyl: po.st/OWStoreSoundcloud

Apple Music: po.st/OWAppleMusic
Amazon: po.st/OWAmazonYT
Google Play: po.st/OWDownloadYT 
Follow Oh Wonder’s official Playlist on Spotify: po.st/OhWonderPlaylist
Follow Oh Wonder’s Radio Playlist on Spotify: po.st/OWRadio

Website/Live: po.st/OhWonderWebsite 
Facebook: po.st/OhWonderFacebook 
Apple Connect: po.st/OWAppleMusic 
Twitter: po.st/OhWonderTwitter
Spotify: po.st/OhWonderonSpotify
Instagram: po.st/OhWonderInstagram

LYRICS:
You with the wide eyes, don't lose your courage
You swing your head high and don't be worried
Your heart's in a free ride, feel it beating
Caught in the headlights, climb to the ceiling

We're all animals out in the dark
Got a feeling that we're all believing in
Not waiting for daylight to start
We're over the moon, over the midnight moon

Ooh, ooh, ooh, ooh
Over the moon, over the midnight moon
Ooh, ooh, ooh, ooh
Over the moon, over the midnight moon
We're over the moon, over the midnight moon

You with the sad smile, don't lose your courage
Dance in the high tide and don't be worried
Your soul's in a wild fire, feel it beating
Dreams on a gold wire, won't you believe it?

We're all animals out in the dark
Got a feeling that we're all believing in
Not waiting for daylight to start
We're over the moon, over the midnight moon

Ooh, ooh, ooh, ooh
Over the moon, over the midnight moon
Ooh, ooh, ooh, ooh
Over the moon, over the midnight moon
We're over the moon, over the midnight moon

We are going over, we are going over and over

Ooh, ooh, ooh, ooh
Over the moon, over the midnight moon
Ooh, ooh, ooh, ooh
Over the moon, over the midnight moon
We're over the moon, over the midnight moon

Live Dates: http://po.st/OhWonderWebsite
Website: http://po.st/OhWonderWebsite 
Facebook: http://po.st/OhWonderFacebook 
Twitter: http://po.st/OhWonderTwitter
Spotify: http://po.st/OhWonderonSpotify
Soundcloud: http://po.st/OhWonderSoundCloud 
Instagram: http://po.st/OhWonderInstagram 

Midnight Moon

Order our album

Debut EP 'Eighteen' Available Now.

iTunes: http://smarturl.it/EighteenEP
Amazon: http://smarturl.it/EighteenAMZ
Spotify: http://smarturl.it/DiveInSpotify

Eighteen EP

Eighteen

Get it on iTunes

Dying Star

PULSAR OLYMP - Car Of Love

Download and listen to the full album for free on my bandcamp:
https://dangermode.bandcamp.com/album/activation

Activation (Free album out now!)

Spotify: http://goo.gl/GdYHoJ
iTunes: http://goo.gl/ulqIZD

Music by Samuel Aaron Bennett
Produced by Gianluca Buccellati
Mastered by Chris Gabriel

Lose My Mind

Download my album 'Activation' for free here: dangermode.bandcamp.com/album/activation

Iron Force

JOAKIM - Nothing Gold (Todd Terje mix)

Composed exclusively for the Aphasia Records compilation "Futura". 
Check it out here: <a href="http://aphasiarecords.bandcamp.com/album/futura-compilation">http://aphasiarecords.bandcamp.com</a>.

You can get this track for FREE by clicking download or following to link above.

Note: the shown track artwork is custom and not the same as the compilation artwork.

Download for free

Stars Of The Night (Aphasia Records comp. exclusive)

Matthew E. White 
"Big Inner" LP/CD/DIG
Out January 2013 in Europe on Hometapes and Spacebomb.
www.matthewewhite.com
www.home-tapes.com
www.spacebombrecords.com

Like all of us, Matthew E. White was born into a constructed world. His unfolded out of the mingled sands of Virginia Beach and Manila, the youngest son in a family that raised him barefoot between the blurred racket of that far eastern jungle city and the backyard lightning-bug-hum of a trimmed southern lawn. His first moves, from picking up a basketball to picking up a guitar, were cast in the dual glow of these latitudes. Something between them taught him to love. Something between them taught him to time travel. Here began the lessons of Big Inner.

On that day in August, when the earth shifted into the shape of Matthew E. White, there was so much to listen to, so much to put your heart into, already. The dusts of the Delta had swirled into Rock and Roll. Alan Lomax's recordings sat in a big building in Washington, DC. Lee Perry had built The Black Ark in his backyard in Kingston. Somebody else lived in Big Pink. Mac Rebennack was Dr. John. King Tubby was dubbing. Terry Riley was overdubbing. Sly Stone had hit #1. Randy Newman's Sail Away was a decade old. Caetano Veloso had just turned 40. Muddy Waters was just about gone. Jimmy Cliff had sung "Many Rivers to Cross." So had Harry Nilsson. White shared this common inheritance. He stitched his own flag out of it.

And so it begins with "One of These Days," looking in, up, and over in its declarations of love. It's waking up next to someone. It's feeling the wood of the church pew on your back. This is your introduction to Matthew E. White and the world of Spacebomb; he's convincing you to stay the night. You give me joy like a fountain deep down in my soul. You can hear him breathe in. The first time around, White only hums the chorus. Hums it. Plants it in your head as it blooms in his. Strings enter like a siren. The guitar only talks when it has something to say. The choir lets you know you're not alone. Overdubbed woodwinds and muted brass like it on top, dancing around the embers of the bass line. Whether you're a woman or man, White's mournful, get-it-on voice may be all you can hear: I don’t want to live a day longer than you, so let’s meet the Lord together. You can call it soul music if you want. It's his soul and it's his music. 

Big Inner is told in seven songs that mingle memory with the rawness of any given human moment. The references — from the lyrics that echo the common conditions of love, death, seeking, and finding, to open tributes to artists like Washington Phillips, Allen Toussaint, Jorge Ben, Jimmy Cliff, and Randy Newman — are their own scavenger hunt through history and through White's place in it. "Big Love," the album's whopping second track, evolves the serenade of the opener into an all-out field holler. The vibe is farmed by Trey Pollard's cinematic string arrangement, Megafaun's Phil Cook on near-frantic keys, baritone sax squawks, pacemaking congas, and the first appearance of a burning White guitar solo. I am a barracuda, I am a hurricane. You don't need the seven-voice choir chasing White's voice to make you believe it, but it sure doesn't hurt.

For a record so personal, built on such code, it's never been a secret. Inseparable from Matthew E. White is Spacebomb — the process, the sound, the spirit, and the record label which White's debut launches. A gifted jazz arranger and exceptional guitarist, White is joined by bassist Cameron Ralston (the Wise) and drummer Pinson Chanselle (the Mighty) in the formation of the Spacebomb House Band. You won't forget those names. This core group, multiplied by horns, strings, and a choir (all culled from and roused by the venerable landscape of Richmond, Virginia), was captured to tape in White's own tricked-out attic on the west side of town. This is Spacebomb: an inimitable House Band, a producer, and a unified crew of arrangers and musicians join with an artist and cut a record — with staggering results. White assumed the actor-director role for Big Inner; it's the first Spacebomb album, the playbook and the highlight reel all at once, for a colossal series of upcoming albums from Natalie Prass, Karl Blau, Joe Westerlund (Megafaun), and Ivan Howard (The Rosebuds, Gayngs). A conductor in every sense of the word, an ambitious new label and a solo album were an easy segue from White's well-known post as the leader of the avant-garde jazz band Fight the Big Bull. 

As you swing into "Will You Love Me," you're a goner. Big Inner is an album of firsts, for White and for our place in time. He trades his guitar in for piano. He coos into the piano mic on the first take, a hunch that turns into an ice-breaker for the tingling dirge of "Gone Away." Written on the night of his young cousin's death, it walks the line between worldly gloom and heavenly lightness — and questions the validity of both. As on the rest of the album, White arranged the horns; they speak volumes beyond the limitation of his earthbound vocabulary.

The album culminates in the riverbed of "Brazos," a parable for the whole of Big Inner. Take every story you've heard, every note that's shaken your bones, every sunrise, and every friend you've got — and run. Like the rest of Big Inner, this closing track stands at full attention, the Spacebomb House Band, Horns, Strings, and Choir waiting their turn to kindle a flame that lights up the endless desert. Like every man before him, Matthew E. White is leaving a mark on the landscape. It's there, on records. It's there, on stage. But, like rare few, what Big Inner has brought to its glistening surface is what very well might be right inside of you.

-Sara Padgett Heathcott, Hometapes

Matthew E. White "Big Love"

Giorgio Moroder vs MB Disco-From Here To Eternity (Aeroplane Remix)

Name Your Price

Perturbator - Ghost Dancers Slay Together

HEART BODY & SOUL BY MY FRIENDS

AVAILABLE AT JUNODOWNLOAD.COM

Release date Feb 2013
Label Sicario Music

Includes remixes by

Rodion IT, La Royale MX, The Wookies MX, Thomass Jackson AR, Modex AR, Benito Cerati AR.


A production of The Music Sounds™ / Caprimusic 2013
Cover Design K1 for The Music Sounds™


Special thanks to:

Edoardo Rodion, Alec Sander, Andre Fernandez, Hugo Diaz Barreiro Olvera, Gaby Modex, Martin Modex, Benito Cerati, Thomass Jackson, Andy Kenguan, Diego Escalera & The Instituto Latinoamericano de la Sensibilidad.


www.TheMusicSounds.Tv
www.Caprimusic.com.ar

@capridelia
Capri@TheMusicSounds.Tv



Capri - Heart Body & Soul (Rodion remix)

Perturbator - Sexualizer (Feat. Flash Arnold)

In memory of the late, great John Hughes.

MY 80s ROMANCE

Vocal mix of HOLDING ON Feat artist Leon Monroe https://soundcloud.com/iamleonmonroe

HOLDING ON Feat. Leon Monroe

HOT TRUTH

DON'T YOU WORRY

Featuring the raw talent of singer Leon Monroe on a SoundCloud exclusive mix of Miami Lover. Dropping whilst it's hot. Follow Leon Monroe https://soundcloud.com/iamleonmonroe

MIAMI LOVER - Feat. Leon Monroe

TODD TERJE - Strandbar (disko)

Follow singer Dana Jean Phoenix on her soundcloud here: https://soundcloud.com/dana-jean-phoenix To PURCHASE the track VISIT: http://sunglasseskid.bandcamp.com/track/1980s-summer-breakup-feat-dana-jean-phoenix

1980S SUMMER BREAKUP - Feat. Dana Jean Phoenix

From the Hotline Miami Original Soundtrack

Perturbator - Miami Disco

Perturbator - Perverted Precinct (Feat. Tommy)

PULSAR OLYMP is a young multi-instrumentalist, singer and songwriter, composer and lo-fi producer from Russia.
Tender as the first love Synthpop.
As the last disco dances 80's on a cruise ship in purple neon spotlights.
Electro hip-hop performed by robots capable of dream.
Its a good example when old fashioned dusty analog synthesizers and rhytm machines are involved into action.