Ars Progressiva is a daring exploration in sound—a technical tour de force that reimagines the boundaries of classical composition and harmonic design. Opening with a bold reinterpretation of Chopin’s Grande Valse Brillante, the piece evolves into a rich, progressive soundscape where each transition is a calculated shift into new musical territory.

Drawing from the mythical drama of Kashchei the Deathless – Opera in 3 Scenes and the emotional nuance of Karita Mattila’s rendition of Porgi Amor from Le Nozze di Figaro, the work weaves orchestral grandeur with avant-garde textures. The result is a meticulously layered journey through abstract piano motifs, fluid rhythmic metamorphoses, and striking harmonic progressions.

Merging the sophistication of classical form with the edge of modern experimentation, Ars Progressiva is not just a composition—it’s an immersive experience for listeners who seek the intellectual and emotional depth of music that dares to defy tradition.

Ars Progressiva

Fragments (Cello Reverie) —
Haunting synths thread through the soulful voice of the cello, crafting a soundscape both distant and intimate. The cello’s warmth deepens the ache of longing, while a subtle touch of Vivaldi lends a timeless, classical soul to the search for something forever out of reach.

Shaped by the echoes of memory—the aftermath of conflict, the imprint of betrayal, a cherished moment slipping into shadow—it speaks to what is lost yet refuses to be forgotten, lingering in the folds of time.

Blending spectral synth textures with deep atmospheric layers, Fragments draws the listener into a realm where nostalgia and raw emotion intertwine, leaving traces long after the final note fades.

f r a g m e n t s (Cello Reverie)

This is Purgatory (Fortis, Severus) - A haunting reflection suspended between what was and what could have been. Inspired by the bittersweet ache of a lost connection—a friend, a moment, a possibility—this track channels the universal experience of navigating the fragile line between grief and resilience.

Rooted in ancient concepts, Purgatory is not a place but a state: transient, enigmatic, and deeply human. It’s where emotions linger, where strength collides with vulnerability, and where the weight of the past meets the inevitability of forward motion.

The subtitle Fortis, Severus whispers of the inner fortitude to withstand life’s tempests and the unflinching seriousness required to face its truths. It’s a journey of metacognition—a deep dive into the soul’s hidden corridors, illuminated only by the pulse of time itself.

Neither bound nor free, Purgatory (Fortis, Severus) captures that liminal space where all things pause, holding their breath before the tides of change inevitably sweep them away. An evocative, enigmatic moment in sound—fleeting yet infinite.a realm where tension fades and a softer, more compassionate tone prevails. This track offers a reprieve, standing in contrast to the intensity of others. Its soundscape breathes mercy and gentleness, set against a deep, atmospheric backdrop.

Purgatory (Fortis, Severus)

r​é​quence Étoil​é​ is an enchanting journey through celestial soundscapes, where ethereal melodies and rhythmic pulses converge to evoke the timeless beauty of the stars. This track captures the essence of cosmic wonder, blending shimmering synths and deep atmospheric textures to transport listeners to a serene yet awe-inspiring astral realm.

Fréquence Étoilée (Celestial Frequencies)

Bonae Aurae (Originālis) - A hip-hop instrumental inspired by the Latin name for Buenos Aires—“Good Airs.” It rides a hypnotic groove with layered melodies, gritty drums, and atmospheric touches. Rooted in rhythm, rich in soul, it’s a rare blend of rawness and elegance.
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Bonae Aurae (Originālis)

Alexander Was Here

You Can Call Me Back

I Will Follow You Anywhere

Pulse In Time Tunes Agency is a contemporary music house founded by Ioannis Alexander Konstas, blending classical orchestration with modern sound.

Alexander Was Here

Pulse In Time Tunes Agency

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