editer h - no culture (shiner's edge remix)

waiting for the stars to change

Third in Head

Maschine/ Meute/ FILMSTADT UNDERGROUND /COLLECTIVE

Maschinen Meute/atze187/Frid Mars/röbot

it is worst when i have the realization in the (continued) presence of others, that i am really and truly alone, an island of some sort, impregnable from all Outside, that i must at once accept with grace and dignity my state of constant interiority, only achieved by being alone, that i must do this, or else someone will know as it happens

the first turn of the screw settles all debts

Nullified remain what’s left of the enclosing spectacle. Therein the understimulated  neurocircuitry, unable to identify the signal from noise, generates apparitions of the counterfeit. Convulsion by convulsion the insides spilling into the blank canvas of the outside, but nothing is revealed, everything remains undisclosed. 

The boundary of reality and the imagination, like the veiled ş̴̴̖̯̗̙̫̩̘̰̔ͪ̄͢͜͞k̸̭̣͎̟̖̦͌ͮ̿̆̕y̡̥̬̩͎̅ͦ̓ͪ̅͒͋͋̑̚͘̕l̟̘̤͒i̸͎̪̙͚̲̥͖͈̙̾͛̕͟͠ͅn̟̞̰̻͎̪͔͕͒̉̇ͦͣͬͩ̄e͉̅.̝͔͎̹̒̈́̂͝

ı|l ∏øı|T̪̐͑_̶̡̡̛̮͔͖̣̱͙̗́ͫ̐̊ͤͤ̉̋̕͜͞͝͠.̇̑ͯ .̶̠̹̙͊̆͘

Gi Gi returns to Quiet Time with a new album, Dreamliner. His last full-length for Quiet Time, Lumino Pleco, was built on familiar samples, melted into a skunky sludge. It evoked a heat-warped meditation cassette unearthed from a Goodwill located in a black hole. The Texas producer’s latest, Dreamliner, is comparably immediate and propulsive. Here, Gi Gi explores spacey, kosmische-laced trip-hop. At first, these eight tracks come across placid and twinkly — calling to mind glitter stars twinkling atop a navy canvas, or tropical sun beams cutting through crystal water. But a jaggedness becomes apparent when lended a focused ear. Beneath slow motion arpeggiations and lullaby melodies, dubby percussion and sound effects gnash and quiver.

Third in Head

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