Combining DJ & Live gear with an experimental mind-set and natural ability to connect with the crowd, Xavier is able to create a different aural vista each time, making every set unique.

Xavier’s addiction to sound started young and his journey has taken him through guitar, bass, drums and then into the world of electronic production and sound design. Starting with deep psytrance, Xavier slowly found his way through deeper grooves until he found his home in Techno.

Originally from Brazil, Xavier has been a fixture of the local Australian scene since 2011. He has played at festivals such as Earth Frequency, Elements Festival Mushroom Valley, Happy Daze, Dark Forest, Sol Sistere and many more.
 
His music resonates on an international level with releases on labels such as Din Is Noise, Concepto Hipnotico, ESF Records, Moth Records, Cerebelo Records, Adaptogen Audio and Bowlba Records. He has created remixes with Knobs, Freddy Hetzinger, Alexander Noakes, Yorx, Autosome and more.

BOOKINGS: vinnyxavi3r@gmail.com

Meet the Wobbling Wombat, a charming marsupial with a passion for melody and rhythm. Born in the rolling bushlands of Australia, he discovered his talent for music as a young joey, tapping on tree stumps and humming along to the sounds of the wind.

A true advocate for harmony in all its forms, he believes music has the power to connect everyone—whether they have paws, claws, or wings.

Dark industrial techno

Previously Kunst Wichser. I thought this was more evil though. And that's what I'm about. Evil evil evil. I eat babies. Alive. Evil.

Living in the south east corner of Australia, and at the turn of the millennium, nezbit became hooked on electronic music with a clear impulse for neverending beats, leading to organising events, co-founding Ixchel, a female promotions crew promoting female artists and DJs. Later co-founding Shapeshifters, the creators of Rhythmic Earth events. Likely something most of you haven't heard of, was pretty epic.

Known for transforming denominations of psy-trance to create a journey influenced by the time and placement of her set.

Expect some deep synthesised bass lines with funky, spacial percussion which is straight up composed for the dance floor.

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