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'I'm never talking to you again
I'm never talking to you
I'm tired of wasting all my time
Trying to talk to you, talking to you'
Hüsker Dü "Never Talking To You Again" ('Zen Arcade' 1984)
R.I.P. Grant Hart (March 18, 1961 – September 13, 2017)  <3

Never Talking to You Again - SEPTEMBER 2017 \\ Dreampop / Shoegaze / Psychedelic / Indie Pop

lxvx

❤️

House

Work It Out

"Fiona Coyne" is the a-side off Skylar Spence's "Fiona Coyne/"Fall Harder" 7". His debut release for Carpark Records.

http://hypem.com/track/25dfr/Saint+Pepsi+-+Fiona+Coyne

You can also buy the 7" here:
http://store.carparkrecords.com/products/529313-cak99-skylar-spence-fiona-coyne-7
http://www.insound.com/Fiona-Coyne-Fall-Harder-Vinyl-7inch-Saint-Pepsi/P/INS134353/


Buy Here

Skylar Spence - "Fiona Coyne"

This song is on SPOTIFY!!! https://open.spotify.com/track/2p4p7otpERdi0BxU62Df45?si=e6kaSUQsR6K7QOohyeAu1g

Check out the MUSIC VIDEO for this song here!
https://www.youtube.com/watch?v=Jo9FOu0wvEE

Enjoy and Share! Stay with us on Facebook and Twitter for more to come! Restez avec nous! www.facebook.com/backyarddreamingband

Lyrics:

Chorus:
You, you want what I can't give cause I'm not built that way
And You, you're the same, you've just been taught to live a different way

What's this emotional connection, I'm trying to understand the feel
But your indirect rejection I can't even take
I can't even take

Chorus

I am no console, Nicole
I have no console, Nicole

Chorus

I am no console, Nicole
I have no console, Nicole

Interpretation

Emotional Connection

The title track from Australian indie band Made in Japan's debut album.

Sights and Sounds

Download Track

All My Soul Swallowed

Honey

get the track - https://fanlink.to/free

“We don't need them.."

Its my birthday today and I wanted to put out a quick song as thanks for all the support over the last year. 

Sorry that I’ve been quiet lately. My debut EP is done and you’ll be hearing it very soon! ~
Love you all. <span class="emoji-outer emoji-sizer"><span class="emoji-inner" style="background: url(chrome-extension://immhpnclomdloikkpcefncmfgjbkojmh/emoji-data/sheet_apple_64.png);background-position:2.5% 97.5%;background-size:4100%" title="hearts"></span></span>

- Kidswaste

(Lyrics)

Come on, come on, we can go away
We don't need them, We don't need them
We could be free by ourselves

Come on, come on, we can go away
We don't need them, We don't need them
We could be free by ourselves

Late night calls 
and dreams of gold
We don't belong here, anymore

Many say we should listen
It's time for us to free ourselves

Come on, come on, we can go away
We don't need them, We don't need them
We could be free by ourselves

Come on, come on, we can go away
We don't need them, We don't need them
We could be free by ourselves


Free

free dl!

Taken from Rips' forthcoming self-titled debut LP. Released by Faux Discx on June 16. Pre-order here: http://www.fauxdiscx.com/shop/rips
-------------------------------------------------------------
Brooklyn based Rips have quickly built a reputation amongst NYC showgoers, winning them over with their virtuous melodies and sheer ferocity amidst an endless flurry of shows. Their songs may channel late '70s New York City bands like Television and The Feelies, but Rips propels these references into something new. Their self-titled debut, produced by Austin Brown of Parquet Courts, is eleven tracks of buzzing guitar riffs driven by a charged rhythm section, all set under lyrics that are actually worth a damn.

Rips (the record) takes cues from the moonlighting era of rock, while delivering a set of songs distinctly fit for the modern age. Once described as a “hyperreal rock n’ roll group”, the phrase “borne forward ceaselessly into the future" is more what they’re going for here.

So break an old habit. Let your hair down (or up). Rips will take you there.

Rips

Rips – Malibu Entropy

Fazerdaze - Lucky Girl

Piano Magic - Incurable

Written and performed by COLOUR OF SPRING
Produced, mixed and mastered by Matt Peel @ The Nave, 1st-4th & 12-13th March 2016
Artwork: Jon Rush

Full e.p. released via @holrecs on 23rd June 2017

e.p.

Echoes

Turnover - Nightlight Girl

Chris Bowen's sets run the gamut from house, disco and techno to virtually any given musical style. In 2008 he teamed up with L.A. icon Victor Rodriguez and eventually the two went on to to start their first venture in February of 2008—Shits & Giggles in Downtown L.A.

Bears in Space (an homage to NYC radio show "Beats in Space") began the following year at L.A.'s Akbar with Kevin Carney of Black Disco, and the party still continues as a seasonal event, with Victor Rodriguez coming on-board in 2012.

After the success of the duo's first party, Bowen and Rodriguez jointly began Cub Scout in 2010, a wilderness-themed party hosted by San Francisco's Lady Bear at Eagle L.A. in Silver Lake. Chris has since gone on to share billing with the likes of DJ Harvey, Optimo (Espacio), Discodromo, Session Victim, Andy Butler (Hercules & Love Affair), Pat Mahoney (LCD Soundsystem), Dimitri from Paris, Horse Meat Disco, The Black Madonna, Daniel Wang (Balihu Records), and Tim Sweeney (Beats in Space), to name a few.

TASCAM DR-07 

Chris Bowen - FONDLE Mix - Side A

Sometimes i just can't help it.

HIT ME :
www.facebook.com/ok.aleklee
www.mixcloud.com/aleklee

DOWNLOAD

Osamu Kitajima - Tengu (Alek Lee Edit)// FREE DOWNLOAD

Debut single by Brighton based Jetstream Pony, released 4th September 2017 on 7" vinyl by Kleine Untergrund Schallplatten of Augsburg in Germany (cat. no. KUS010). Pre-orders and contact: kus-mail@gmx.de, artwork by Carol Seatory.

Jetstream Pony are born out of a common love for power-pop, post punk and indie-pop. The band feature Beth Arzy (Trembling Blue Stars/The Luxembourg Signal/Lightning in a Twilight Hour) on vocals, Shaun Charman (The Wedding Present/The Popguns/The Fireworks) on guitar and backing vocals, Kerry Boettcher on bass and Sara Boyle on drums.

Upcoming gigs:

6th October - London Dalston Victoria (with The Electric Pop Group) 
28th October - Hamburg Astrastube (with The Soda Stream)

Jetstream Pony is a lovely ex-racing greyhound, also known as Jenna.

Like You Less

As Acid Baby Jesus get ready for a UK/European tour kicking off next week, the Athens four-piece are now sharing the pacing, hip-shaking garage-rock opus ‘Guide Us In’ – the second single from their long-overdue third LP Lilac Days, due for release September 29th on Fuzz Club.

It’s easy to guess Acid Baby Jesus’ shtick just going on their name but to those who aren’t already in the know: don’t be fooled into thinking these are just another quasi-religious, LSD-loving psych-rock band - there’s a reason these Greek garage-rockers having been championed so highly in the International psych/rock’n’roll scene. Acid Baby Jesus are less concerned with the spiritual and tripped-out realms that their name foreshadows than they are with pure garage-rock hedonism.

Formed in Athens in 2009 the four-piece have two LPs behind them – their debut ‘LP’ and demo collection ‘Selected Recordings’ - and after a long, three-year wait they’re back with the new album ‘Lilac Days’ – their first on Fuzz Club Records, officially released September 29th. The album sees ABJ at their best; their scrappy, frenetic garage-rock distilling a hazy, incense-scented mix of 60s Western psychedelic pop, traditional Eastern folk and the scuzzy rock’n’roll sounds of Black Lips or Thee Oh Sees.

Lilac Days

Acid Baby Jesus - Guide Us In

Patricio Zenteno (aka Patricio Temples): Vocals, guitar and drum machine/programming.
Priscila Ugalde: Bass & vocals. 
Moisés Segovia: synth and vocals* (Abyss*)

Recorded at Dreamscape Studio by Patricio Zenteno
Mixed and mastered by Mario Iturrieta
Produced by Mario Iturrieta & Seatemples

01 - When the Sea Reveals *
02 - Further
03 - Lanterns
04 - The Crack of Light
05 - Seaweed
06 - The Burning World 
07 - Equation of the Dust
08 - Seatemples
09 - Abyss **
10 - She Became a Deer
11 - Coronal Loop

All tracks written by P.Zenteno except*
* Written by P.Zenteno & P.Ugalde
** Written by Moisés Segovia & P,Zenteno

The Burning World

From Psychic Lemon's forthcoming album, Frequency Rhythm Distortion Delay, to released on Tonzonen Records.

Frequency Rhythm Distortion Delay

Interstellar Fuzz Star

:)

Mastered by Joe Reeves: 
www.facebook.com/jreevesrecording/

Safe

https://soundcloud.com/maxstromain 

Stay woke

Redbone Flip

Our debut album "When It Was Now," is now available on iTunes- smarturl.it/atlas

Subscribe for more new music on YouTube- bit.ly/W8yTQS
iTunes - www.smarturl.it/atlas
Facebook- facebook.com/atlasgenius
Twitter- twitter.com/atlasgenius
Tour Dates- atlasgenius.com/tour

About Atlas Genius-
The members of Adelaide, Australia’s Atlas Genius do things a little differently….They set about building a studio where they could write and record music for their newly formed band 3 years before they even played their first live show as Atlas Genius. For two years, they devoted their days to constructing their dream studio and spent their nights performing songs by The Police, The Beatles and The Rolling Stones at local pubs to pay the bills. “We really got down and dirty with dry walling and literally laying the floorboards, and at the same time we were taking a couple of days a week to focus on writing songs,” recalls Keith Jeffery, Atlas Genius’s vocalist/guitarist. "We had a lot of song ideas and it was important to us to have our own studio where we could experiment and hone in on our sound," adds brother and drummer, Michael Jeffery. The studio was designed and outfitted by the brothers with the help of their father (who comes from a music and engineering background). Once the studio was complete, the first song that Atlas Genius finished was a song called “Trojans,” which they wrote, recorded and produced in collaboration with their friend, keyboardist Darren Sell. After many weeks tweaking the song, Michael insisted that the song was ready to be heard outside of the studio walls. Within an hour, “Trojans” was on the Triple J Unearthed Website, SoundCloud, and for sale via TuneCore on iTunes, Amazon and Spotify worldwide.

“We had begun to think that music was a pipedream and we had all gone back to university to pursue more realistic careers,” says Keith. “We’d had such a long slog of playing late nights and working all day, and it felt like we didn’t really have anything to show for it.” But then, in the midst of cramming for their Fall 2011 semester final exams, Neon Gold discovered “Trojans” on the Triple J Unearthed Website and wrote a post praising “Trojans” as a song sure to “invade your head, all dressed up in a clever disguise of earnest vocals riding a hooky riff.” Checking the band’s email account for the first time in over a month, the band found that dozens of record labels, publishers, lawyers, booking agents and management companies from all over the world had contacted them.

“We were trying to focus on school, but it was just impossible,” recalls Keith. “So we said, ‘There’s something going on here. Let’s get back to the music.’” The band added manager, Jonny Kaps from +1, to their extended family to navigate all of the interest as the band focused on writing and recording more songs.

Quickly named an iTunes Single of the Week in Australia and New Zealand, “Trojans” reached #4 on Hype Machine by the end of May. In August, SiriusXM Satellite Radio’s Alt-Nation discovered the song on a blog and decided to give it some spins. There was an immediate reaction from listeners, and in September, “Trojans” was placed into heavy rotation, where it maintained a top-five position on the listener-generated Alt-18 countdown and peaked at number one for 4 consecutive weeks in January 2012. “Trojans” began selling over a thousand tracks per week on U.S. iTunes and soon climbed to 45,000 sales - all with zero promotional efforts from the still-unsigned Atlas Genius.

“Knowing we had this audience that was waiting on new songs, we had a much greater sense of purpose than we had before,” says Keith. “It was really exciting to know that there were people who wanted to hear more of our music.” Although labels were clamoring for the band to come to the U.S. and play a series of showcase gigs, Atlas Genius turned down those offers in favor of staying in Adelaide to keep writing and recording new songs. In February 2012, after months of communicating with numerous labels via Skype, the band chose to travel to the US in order to make their label decision.

“We’d never been to America before,” says Keith. “We flew in at night and saw this sea of lights, and it really became apparent to us how massive the U.S. is. It was pretty intimidating - like ‘How do we fit into all this?’” In April 2012, the band returned to the states having made their decision to sign with Warner Bros. Records. “We felt a connection with them,” notes Keith. “Everyone there feels very creative and dedicated to the music.”

The band’s first release from their new label home, the EP Through The Glass (produced, engineered and mixed by the band), came out in June of 2012. With Through The Glass completed, Atlas Genius then holed up in its studio and worked on writing and recording its first full-length album, while at the same time rehearsing for their first ever tour. The tour started in August 2012 and led to three more tours back to back taking them thru to the end of the year. Thus, their full-length debut was finished up between tour dates and got completed just before Christmas 2012. When It Was Now is set for a US release on February 19th, 2013, with an international release to follow soon after.

The debut captures Atlas Genius’s singular combination of sophisticated musicality and warm, wistful spirit. Infused with a classic sensibility, each of the songs would fit seamlessly if somehow slipped into a long-treasured mixtape. On the shimmering “Symptoms,” for instance, taut keyboard riffs mesh with urgent acoustic strumming before the band bursts into a gently frenetic, guitar-drenched chorus. Meanwhile, “Back Seat” blends its pulsing bass throb with a sweetly infectious beat and tender vocals that alternately soar and sigh. And on “Trojans,” Atlas Genius begins with a restrained guitar melody and vocal (“Take it off, take it in/Take off all the thoughts of what we’ve been”) before giving way to the handclap-accented, harmony-soaked refrain and lush yet kinetic bridge.

“It’s still surreal,” says Keith of all that’s happened over the past 18 months. “I think when we were very young, we had hopes that something like this might happen one day,” he continues. (Thanks largely to encouragement from their Beatles fanatic parents, who encouraged the brothers to begin playing music by age 14.) “But then you grow up a bit and it seems less and less likely. So when we put ‘Trojans’ out, we figured it would be a success if maybe a hundred people heard it. We don’t want to force our music onto anyone. Our goal is to write songs that we love and we hope they connect with other people too.”

Safe

Pure Sky