excerpt from Objetrouvé n°3: MADMOIZEL "Illusion"

OT.03 MADMOIZEL "This is Love"

Rebecca : ligne de basse reprise sur le thème Axel F d'Harold Faltemeyer

Castle

LXRC18 - Cold Colors - Vie nocturne

New track taken from the Peripheral Minimal Records album, Hidden Place "Retrospettiva: Vol.2". Doownload / CD available here:

WEBSITE: www.peripheralminimal.com
BANDCAMP: www.peripheralminimal.bandcamp.com

Retrospettiva: Vol.2

Hidden Place "Alla Mostra Dei Costruttivisti"

i love when you satisfy you
i brought my loving for, you’re looking to satisfy me
i love when you satisfy me
i satisfy your hips, looking inside of her mirror

satisfy

Minimal Sync Pulse - Black Lipstick (Live Halloween Jam)

My YouTube-Channel: www.youtube.com/@JaimixMusic
My Pixabay: pixabay.com/users/jaimix-music-49719175/
Enjoy! :)

Rockperimental

Clock DVA Fractalize (Man-Amplified)

Cat-No: F//008
Kontravoid - Undone

One can imagine, listening to Kontravoid’s latest release, an alternate reality in which the cold-war played out to the background of drum machines and spectrographs, sinister audio technology manipulating a hidden frequency of the world’s unfoldings. Cameron Findlay returns to his masked alias for the first Kontravoid release since his debut self-titled album, years in the studio reap their rewards as the production on ‘Undone’ effortlessly cuts its way through hypnotic dance floor compositions.

‘Hold Nothing’ implements perfect song structure, with precise breaks, ferocious snare builds and simple repeated vocal phrases enveloping the main groove in symbiosis. A playful criminality sets the mood of the record here, one for pouted lips and furrowed brows on bunker, basement dance-floors.

‘The Last Thing’ is a straight forward dance floor stomper, arpeggiated synths batter the listener like blunt instruments, locking the body in a rhythmic cell, dissonant, steam whistle drones contrast with gurgling, radio transmission synths to shift the balance of the parts from uplifting wooze to downcast dance automaton.

‘Not Your Dream’ opens with a moment of primitive, science-lab techno, echo laden vocal jabs open the door to new-beat territory while the synth lines swing between pure rhythm and hypnogogic, alley-chase sound track, clocking in at seven and a half minutes, this is another track destined for synth-wave, dance floor greatness.

‘Undone’, the self-titled track from the release focuses on softer-synths and pads, still motivated by driving drums and percussion, the vision of a lone, masked figure emerges, cutting a path through mud and snow, factories half submerged in some destroyed, industrial miasma. Muttered vocals set a strict grounding to the piece, keeping the track from escaping into sentimentality, layers of cold synth melodies artfully weave between percussive crescendos as radio static crackles distantly.

As a natural companion to the record Schwefelgelb close with a remix of ‘Hold Nothing’, where the percussion is stripped back to its bare necessities and the synth parts are sliced down into even more pointed arpeggiations.

With his concrete approach to song writing and bear-trap grasp of dance floor composition, Kontravoid cements his reputation as one of the stand out voices in the current new-beat, synth wave scene.

Tracklist:
A1 - Hold Nothing
A2 - The Last Thing
B1 - Not Your Dream
B2 - Undone
B3 - Hold Nothing (Schwefelgelb Remix)

B2 Kontravoid - Undone

En el fin de año de 1985, el país vivía
aun el terrible aroma de muerte y tristeza causado
por los terribles sismos que azotaron de manera tan
catastrófica a tanta gente. Pocas cosas causaban alguna alegría.
Una de ellas para mi, era el nacimiento de Década 2 y otra fundamental: el lanzamiento del disco de la banda mexicana Techno pop -Casino Shanghai-
Creación de mis maestros y amigos: 
Ulalume Zabala, Walter Schmidt, Humberto Alvarez y Carlos Robledo.
Está por demás hablar de la belleza y propuesta de este disco tan importante en la historia del rock y la música electrónica en México. Hoy 33 años después, el le última noche del 2018  en espera del año nuevo, y tremendamente abrazado por la nostalgia, quiero compartirles una versión muy en demo, e instrumental, pero algo épica de una de las piezas más conocidas de esta enorme agrupación.
Hoy quiero homenajear aquellos tiempos y a ésta gente fabulosa, que tanto aportó a mi vida. Lo hago con toda humildad y respeto, sin embargo he trabajado con mi arsenal más querido de sintetizadores y máquinas.
Que todos pasen una majestuosa noche, 
en espera de grandes éxitos y bendiciones para 2019.
Muchas Gracias.
Música : Casino Shanghai®
Arreglo y síntesis : Mateo Lafontaine
Nobody Was There ®

2019

Hollow Bodies (Tributo a Casino Shanghai)

taken from IN DEATH IT ENDS - "Occvlt Machine" CD [a+w cd003]
(limited to 250 hand-numbered copies)

one of seven exclusive bonus tracks that are featured on the cd version of "Occvlt Machine" only

out on: July 18
pre-order starts July 1
www.aufnahmeundwiedergabe.de

www.facebook.com/indeathitends
www.indeathitendsco.uk

Clock DVA Fractalize (Man-Amplified)

pvanderree