Ishence x PXLST - HIGH skit

Tasmin got into music from a very young age; she always would perform to her class at school and take part in talent shows.  Tasmin would write songs and perform at home, as she was influenced by Michael Jackson videos. She used to attend Longsight Culture Fusion studios and record covers and song she wrote herself from the age of 13. 

Tasmin was influenced by artists such as Christina Aguilera, Cher, Whitney Houston and Mariah Carey, but was always into club music such as garage and jungle music. She has been a Song Writer for as long as she can remember.

Tasmin has a lot of influences, ranging from Chase n Status, Nero, Katy B, Tory Lanez,Maverick Sabre, Delilah to artists such as Erykah Badu, Toni Braxton, right through to Etta James etcetera, the list is endless.

Tasmin studied at Manchester Music Base where she studied to enhance her skills as a lead performing artist, she was tutored by Leanne Brown (Sweet Female Attitude).

Tasmin B then went on to win Manchester Superstars 2016, was a finalist in Open Mic UK 2017 and also has took part in popular talent competitions such as The Voice UK 2016.

Tasmin’s is a versatile Singer/Songwriter who does a range of different genres of music ranging from House,  RnB, Grime, Hip Hop, Dubstep to Drum & Bass.

INSTAGRAM = @DJNAYA01       LEON LOCO ....................from manchester uk.. living in Rio de Janeiro, Brazil ......... UKG / BREAKZ / GRIME / BASSLINE / JUNGLE / FUNKY

I havent posted a track in a million years, but am actively still producing privately.  As a dubstep producer, I tend to aim for tracks that are somewhere between hard and gritty.  What I usually end up with, however, is something between gritty and chilled out.  Dubstep is not for everyone, and my personal flavor of dubstep is for even fewer people.    Music is not my career, but rather, a passionate hobby.  I know I will never be famous, and I do not care.  I do this for me.  I am my own biggest fan, and my own worst critic.  I have been making hip-hop beats casually for over a decade.  Then i  discovered Dubstep, and it was love at first listen.

I always have a bassline or a melody running through my head, and I make tracks as an outlet for that constant stream.  I also produce because the process moves me.  When I am producing, I am in another world.  Each track is born out of a particular mood or feeling, and when I listen to the tracks months or years later, I am drawn right back into the mood of that time, for better or worse.  I began putting my music online because I figured if I can move myself with my music, then perhaps it can also move somebody else.  I am thrilled to see so many people enjoying my music.

My current setup revolves around Ableton Live.   I use a Beringer 49-key keyboard and an Akai MPK Mini pad-keyboard.  I also own a Novation Launchpad (which admittedly gets little use.  Most drums are done on a Mashine Mk2. To create my basslines and synths,I mostly use NI Massive + Kontakt.    I have no formal training, and learned all I know by experimentation and online tutorial.

HMU ✉

I am the pixelist. I create emotion through the medium of sound and light. 
All track artwork ©  Andy Gilmore
https://www.agilmore.com/

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My name is Mykhal Hanz, I play guitar, bass, keys, sing and write, I make Hip hop instrumentals, and Pop Punk/Post Hardcore, I also do Photography, I started out in Atlanta as a Stagehand for Crew 1 Productions, in that time I met Peanskean and Slick The Great, we got in the studio shortly there after and made U My Favorite, that song floated me from Atlanta to Denver through Nashville and St. Louis, In Denver I met Jay Frost, Jon Tyberski, Austin Blitzer, Anthony Alverez, Gabe Danish, and Charity Rael and busked the Mall and the Lodo scene, we got on the Denver News and in The Westword, and recorded a few demo's with Owen Kortz at the Spot from there I ventured to California where I met BC the Black Clown who played percussion for Dead Inside, while I was there I was an extra in this college music video, and I was at one point paid to stop playing cause they were shooting a movie 100 feet away and their sound guy picked me up, I went back to Denver for the Summer 2013, and in that time worked grounds for Fiddler's Green, and both the Bronco's and Rockies Stadiums, and worked as a Stagehand for Warped Tour 2013, Since September I've lived in Vegas, I had AIV and RRF Connection fighting over getting me enrolled in their audio programs, but my parents couldn't pay for my schooling, and nobody wants to pay me what I'm worth for my tallent, so I've yet to go to college. I worked Conversion Tech for Mgm Grand Hotel for the Silva vs Weidman fight, the Fleetwood Mac New Years Eve Party, and The Pink-Truth About Love Tour, I was the rhythm guitarist for Demi DarkHart and The Beast of Bailey Downs, which was a one hit wonder because I was kicked out for not buying Demi pot, Wolf Silverfang left shortly there after and is in I, of Olympus, and Jake Strickler wants me involved in his future projects, til then I'm gonna be making beats and applying for anything and everything that comes my way