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Griffinilla (Fandroid Music) - Below the Surface [NIGHT CORE / SPED UP]

Violin Concerto in D major, Op. 35 - Pyotr Ilyich Tchaikovsky

Violin Concerto in D major, Op. 35 - III. Allegro vivacissimo - Pyotr Ilyich Tchaikovsky (8D Binaural Remastered - Music Therapy)

Rakoczy March by Hector Berlioz conducted by Arturo Toscanini with the NBC Symphony Orchestra from the album "Invitation To The Dance" (RCA Victrola, 1968).

Rakoczy March - Hector Berlioz

Yunchan Lim (임윤찬) F. Liszt Liebestraum No.3 (Love Dream) 리스트 사랑의 꿈

Tchaikovsky - Violin Concerto in D Major, Op.35: II. Canzonetta: Andante (attaca) and III. Finale: Allegro Vivacissimo

Violin Concerto In D Major, Op. 35, I. Allegro Moderato, Pyotr Ilyich Tchaikovsky

The Amarillo Symphony opened its 2015-2016 Season with a Celebration of the Stellar Talent and Musical Power within our orchestra.

Maestro Bairos has chosen powerhouse works of Bach, Stravinsky and Brahms to showcase the breadth and depth of the musical talent within the Amarillo Symphony.

Symphony No. 2 in D. major, Op. 73 - Johannes Brahms | I. Allegro Non Troppo

PRODUCED BY @IAMSMYLEZ I PUT MY OWN SPIN ON J COLE'S WET DREAM. LISTEN LIKE SHARE TELL ME WHAT YOU THINK. PS I AM NOT JUST A DRILL RAPPER

White Night -  Soulmate (IAMSMYLEZ)

Shostakovich: Violin Concertos Nos. 1 & 2

Violin Concerto No. 1 in A Minor, Op. 77: I. Nocturne. Moderato

The Berlin Album

Tchaikovsky: Piano Concerto No. 1 in B-Flat Minor, Op. 23: II. Andantino semplice – Prestissimo – Tempo I (Live)

Big Flute Box

VIVALDI: Concerto for piccolo, strings & continuo in C Major, RV 443: I. Allegro

Electronic cover of Richard Strauss - Also sprach Zarathustra, Op. 30 , "Einleitung" (Introduction)

Mendelssohn Violin Concerto E Minor OP.64 (Full Length) - Hilary Hahn & FRSO

Antonín Dvořák — Symphony No. 9 In E Minor  From The New World , Op. 95 IV. Allegro Con Fuoco

Written in 1890, Debussy's Reverie was one of his first solo piano works to make an impact. Even at this early stage in his career, when he was still working out what kind of composer he wanted to be (he was apparently a fervent debater when it came to Wagnerism), it's clear to see traits of that signature Debussy sound.

However, the young Debussy had not quite developed the style and tricks that would earmark him as one of his generation's most notable talents. There are no fireworks here, no sudden explosions in texture that would come to characterise his later works - this is more of a meditation, the perfect precursor to exploring those later works.

The gently repetitive theme that opens the work feels like a descent into sleepy dream-world (as the title suggests), and as the textures become ever richer the dreams only become more lush and addictive. A fantastic early sign that this Debussy fellow was one to watch…

Source:

ClassicFM
http://www.classicfm.com/composers/debussy/music/debussy-reverie/

Retailers:

Debussy Amazon
https://www.amazon.com/Claude-Debussy-Essential-Collection/dp/B00I6CEZQO/

Debussy Spotify
https://open.spotify.com/album/0Mmayh49XRWTXp53uf3jtF

Best of Debussy iTunes
https://music.apple.com/gb/album/claude-debussy-the-essential-collection/819582576

Debussy Compilation
https://listen.tidal.com/album/26275698

Claude Debussy
https://www.deezer.com/us/album/7429526

Best of Debussy Playlist
https://www.youtube.com/watch?v=eXtAfPp-70I&t=76s

Napster
https://us.napster.com/artist/claude-debussy/album/claude-debussy-the-essential-collection

Tidal
https://listen.tidal.com/album/26275698

Also check out the very best in R&B & Pop Music 2020 from IndyPop Records!
www.youtube.com/c/indypoprecords

Claude Debussy - The Essential Collection

Rêverie, L.68

Tidal

The Two Arabesques (Deux arabesques), L. 66, is a pair of arabesques composed for piano by Claude Debussy when he was still in his twenties, between the years 1888 and 1891.

Although quite an early work, the arabesques contain hints of Debussy's developing musical style. The suite is one of the very early impressionistic pieces of music, following the French visual art form. Debussy seems to wander through modes and keys, and achieves evocative scenes through music. His view of a musical arabesque was a line curved in accordance with nature, and with his music he mirrored the celebrations of shapes in nature made by the Art Nouveau artists of the time.

Arabesque No. 1. Andantino con moto

This arabesque is in the key of E major. The piece begins with parallelism of triads in first inversion, a composition technique very much used by Debussy and other Impressionists which traces back to the tradition of fauxbourdon. It leads into a larger section which begins with a left hand arpeggio in E major and a descending right hand E major pentatonic progression.

The second quieter B section is in A major, starting with a gesture (E-D-E-C♯), briefly passing through E major, returning to A major and ending with a bold pronouncement of the E-D-E-C♯ gesture, but transposed to the key of C major and played forte.

In the middle of the recapitulation of the A section, the music moves to a higher register and descends, followed by a large pentatonic scale ascending and descending, and resolving back to E major.

Source:

Wikipedia:
https://en.wikipedia.org/wiki/Deux_arabesques

Debussy Amazon
https://www.amazon.com/Claude-Debussy-Essential-Collection/dp/B00I6CEZQO/

Debussy Spotify
https://open.spotify.com/album/0Mmayh49XRWTXp53uf3jtF

Best of Debussy iTunes
https://music.apple.com/gb/album/claude-debussy-the-essential-collection/819582576

Debussy Compilation
https://listen.tidal.com/album/26275698

Claude Debussy
https://www.deezer.com/us/album/7429526

Best of Debussy Playlist
https://www.youtube.com/watch?v=eXtAfPp-70I&t=76s

Deux Arabesques, L.66: No.1 Andantino con moto

Apple Music

Claude Debussy’s Clair de Lune is the third movement of his Suite Bergamasque, written for solo piano and completed in 1905. The title, meaning “Moonlight,” is inspired by Paul Verlaine’s poem, evoking a serene and reflective atmosphere. The piece epitomizes French Impressionism, focusing on mood and imagery over traditional form.
Structure and Atmosphere

The piece is in ternary form (ABA):

    Opening (A):
    A soft, flowing melody emerges over delicate arpeggios. The music feels weightless, like moonlight shimmering on water. Debussy uses rich harmonies and seventh chords to create a dreamlike quality, with a tender, introspective mood.

    Middle Section (B):
    The dynamics intensify, with fuller textures and soaring melodic lines. This section brings a sense of emotional depth and urgency, contrasting with the calm opening. Arpeggios cascade dramatically, giving the impression of moonlight suddenly brightening or revealing hidden beauty.

    Closing (A):
    The opening material returns, slightly varied, fading into a gentle, whisper-like conclusion. The piece ends as quietly as it began, leaving a sense of stillness and wonder.

Musical Features

    Harmonics: Debussy’s use of whole-tone scales, parallel chords, and non-functional harmony creates a suspended, ethereal soundscape.
    Melody: The lyrical melody floats effortlessly above the accompaniment, expressing both simplicity and emotional depth.
    Texture: Light, transparent textures alternate with moments of lush, resonant fullness, embodying the interplay of light and shadow.

Mood and Interpretation

Clair de Lune evokes the quiet magic of a moonlit night, combining serenity with subtle melancholy. Its poetic quality invites listeners to imagine moonlight reflecting on a calm lake, whispering through trees, or illuminating a tranquil landscape. The music feels timeless, blending stillness with fleeting moments of intensity.

Cultural Impact

This iconic piece has been widely used in films (Ocean’s Eleven, Twilight) and pop culture, often accompanying scenes of romance, nostalgia, or quiet reflection. Its universal appeal lies in its ability to evoke deep emotion while remaining understated.
Performance Notes

Expressive dynamics, fluid phrasing, and careful pedaling are essential to capturing its delicate atmosphere. A balance between freedom and control ensures its dreamlike flow remains intact.

Clair de Lune is a masterpiece of impressionistic music, celebrated for its ability to transport listeners into a realm of quiet beauty and introspection.

Clair de Lune

Clair de Lune - Debussy

Live-Mitschnitt vom 30. SEPTEMBER 2016 · KOPENHAGEN, NEUES OPERNHAUS, 
Königliche Kapelle Kopenhagen (The Royal Danish Orchestra), Chor der Königlichen Oper Kopenhagen
Emily Magee (Sopran), Marina Prudenskaya (Alt), Michael Fabiano (Tenor), Egils Silins (Bass), Hartmut Haenchen

Giuseppe Verdi Requiem

Game Of Thrones Theme Song For Orchestra

02 - Brigadoon  Almost Like Being In Love (arr. E. - C. Barlow For Voice, Band And Strings)

Tchaikovsky Concerto for Violin and Orchestra in D Major, Op. 35, 3 mov 
Performed at Masters in Music Recital I, Tabaret Hall (2018)
Violin: Tamiris Paes Souza
Piano: Fred Lacroix

Tamiris Paes Souza: Tchaikovsky Concerto for Violin and Orchestra in D Major, Op. 35, 3 mov (2018)

O Fortuna (O Fortune)
Velut luna (like the moon)
Statu variabilis (you are changeable)
Semper crescis (ever waxing)
Aut decrescis; (and waning;)
Vita detestabilis (hateful life)
Nunc obdurat (first oppresses)
Et tunc curat (and then soothes)
Ludo mentis aciem, (as fancy takes it)
Egestatem, (poverty)
Potestatem (and power)
Dissolvit ut glaciem. (it melts them like ice.)
Sors immanis (Fate - monstrous)
Et inanis, (and empty)
Rota tu volubilis, (you whirling wheel)
Status malus, (you are malevolent)
Vana salus (well-being is vain)
Semper dissolubilis, (and always fades to nothing)
Obumbrata (shadowed)
Et velata (and veiled)
Michi quoque niteris; (you plague me too;)
Nunc per ludum (now through the game)
Dorsum nudum (I bring my bare back)
Fero tui sceleris. (to your villainy.)

Sors salutis (Fate is against me)
Et virtutis (in health)
Michi nunc contraria, (and virtue)
Est affectus (driven on)
Et defectus (and weighted down)
Semper in angaria. (always enslaved.)
Hac in hora (So at this hour)
Sine mora (without delay)
Corde pulsum tangite; (pluck the vibrating strings;)
Quod per sortem (since Fate)
Sternit fortem, (strikes down the string)
Mecum omnes plangite! (everyone weep with me!)