Holland based music producer Tom Dune.
https://linktr.ee/tomdunemusic

I'm a DJ from Brighton UK, I love making Drum and Bass

Open to collabs so just hit me up. Happy to send vocals from any of my tracks

Melissa Thomas, also Recognized by her stage name PYRO, originates from the coastal town of Eastbourne, England. With six years of music production experience, she has started to establish her name into the Drum and Bass Scene with a distinctive flair for crafting atmospheric and dramatic DnB tracks.
 
Beyond crafting tracks in the studio, PYRO also showcases her skills as a DJ, seamlessly blending her own compositions, or not with tracks from other artists to create dynamic, dark and euphorically engaging sets, one day aspiring to get debut sets with festivals like Let It Roll, Boomtown and DnB Allstars Fest just to name a few.

PYRO's musical evolution has been shaped by a diverse array of influences (The song that made her fall in love with everything electronic 'Never Count On Me' Haywyre), ranging from the dark, gritty high-energy sounds of Kanine, Sub Focus, Andromedik and A.M.C (to name a few) to the innovative and immersive stylings of Camo & Krooked, Mefjus, Metrik, Flume and more. These artists have not only inspired her sonic palette but have also served as guiding lights in her quest to push the boundaries of her own creativity. Through countless hours spent honing her craft, PYRO has developed a signature style and sound that is both dynamic and immersive, inviting listeners on a journey through pulsating, gritty basslines, ethereal melodies, leads, and electrifying drops.
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With a keen eye for detail and an unwavering commitment, each track she creates is a testament to her dedication to her craft and her desire to push the limits of her creativity. PYRO continues to push boundaries, both in the studio and behind the decks. As she continues on her musical journey, her impact on the Drum and Bass music scene is sure to grow, hoping to cement her place as a standout artist in the industry one day.

Making music is the special kind of magic

press: mattl@hospitalrecords.com
bookings: chrism@clinictalent.com

https://linktr.ee/urbandawn

MGMT: peter@ambushartists.com
Bookings: ben.hogan@unitedtalent.com
Shows & merch: https://avellomusic.com

I had my first introduction to electronic music with the release of Odesza's album "In Return" in 2014. I was instantly obsessed, and since then I have always had a passion for edm. During my senior year of high school (2017-2018) Illenium's album "Awake" was released, and it completely changed my perspective of what electronic music could be. The vocals, production, and emotion of those tracks were unlike anything I had ever heard. That album got me through some very hard times, and I wanted to do the same for someone else through music. Towards the end of senior year I downloaded Ableton (a popular program for music production). I was incredibly overwhelmed. I had no prior musical knowledge or experience, and Ableton is extremely difficult to jump into. I learned quickly that it takes a tremendous amount of knowledge, creativity, and hard work to produce music. This was a discouraging revelation. Every few months I would sit down, produce a terrible track, close my laptop and move on thinking "this just isn't for me". Then around December of freshman year of college, a switch flipped in my mind. I decided that I was not going to stop until I learned music production. That was about six years ago, and I'm still working hard to produce music with emotion, something people can connect with. I truly believe that no heart makes dreams work and time can't match.

Doing this because I love it. Thanks for reading, and thanks for listening.

-AVELLO

BOOKING:
Booking@darkshire.cz

mail:
acray@email.cz

Drum & Bass | Neurofunk listener
DnB Doctor's scout

A little piece of everything or everything is nothing.
BLACKOUT | DIVIDID | UKF | KOSEN
CONTACT : eluunsound@gmail.com
BOOKING (EU/UK): Clara@mbartists.co.uk

To listen all my old track in private : https://urlz.fr/pFuC

International Bass DJ and producer. 
MGMT: Nick@bigreal.de

Bookings Germany: bookings@globalstage.eu
Bookings ROW: tom@clockworkartists.co.uk

Info: futurebound@viperrecordings.co.uk
Bookings: chris@uaagency.co.uk (UK/Europe)
Saleem@amodeagency.com(N.A)
geoff@logictouring.com (Australia / N.Z)

Individually and as part of a duo, Matrix & Futurebound have decades worth of experience in shaping the drum & bass landscape. Brendan Collins and Jamie Quinn possess one of the most impressive track records in the genre's history, boasting one hundred million combined streams, one critically acclaimed album 'Universal Truth' and multiple consecutive Top 40 UK records. Their expert song writing can be seen through cuts such as 'All I Know', 'Magnetic Eyes' alongside Baby Blue, 'Don't Look Back' ft. Tanya Lacey and the legendary silver certified 'Control' with Max Marshall, which reached number seven on the UK's Top 40 singles chart whilst representing their fourth consecutive track to be playlisted on BBC Radio 1. Matrix & Futurebound are set to capitalise on this success for 2019- their forthcoming second studio LP 'Mystery Machine' is a testament to the legacy which they've built throughout their career, as they've become one of the most influential figures for a colossal dance music export. 
2005 was the year which led to the collaborative project between Matrix & Futurebound; 'Strength to Strength' was a pivotal moment for both artists, who were already prolific through their individual pseudonyms and it's a relationship which soon developed with exciting results. Their debut album 'Universal Truth' in 2007, jointly released on Matrix's Metro Recordings and Futurebound's Viper Recordings, signified the beginning of their joint alias. With Futurebound already having a powerful stake in the Liverpudlian bass scene and with London-based Matrix becoming a staple in DJ sets across the city's major club spaces, they had laid the foundations to launch a critical production team. 
Since then, the pair have gone on to cross over the divide between the underground world of drum & bass and mainstream commercial achievements, with their music translating to both intimate clubs spaces and global festival audiences. 2018 saw the first steps towards 'Mystery Machine', with title track 'Mystery Machine', 'Tardis', 'Live Another Day' and 'Believe' signalling the dancefloor viability of their next historic addition to an already impressive back catalogue. Having debuted many of its ground-breaking new records on stages at EDC, UKF Buenos Aires, Reading & Leeds, Glastonbury, Creamfields, Exit Festival, Let it Roll and due to showcase their album at the first of their 'Matrix & Futurebound Presents' nights at XOYO, they helped define the year's taste making tracks. 
But it's not just their standalone tracks which have caught the ears of fans and trend setters alike; as two of the biggest drum & bass figures, they've also remixed the likes of Emeli Sande, Pendulum, Eric Prydz, Jess Glynne, Demi Lovato, Labrinth, Birdy, Tinie Tempah plus many more names of the same stature. Their Emeli Sande rework was one of the vocal drum & bass anthems of the year gaining huge support from daytime Radio 1, making its way into the A list and with extensive specialist play from Annie Mac. This culminated in a highly successful Live Lounge appearance where the duo performed 'Breathing Underwater' with Emeli at Maida Vale, with their remix closing the London NYE fireworks.
Their next single 'Got You There', penned by esteemed songwriter Becky Hill and featuring alt-pop newcomer Zelah on vocals, begins the New Year with a slab of stunning musicality. Released through Viper / Metro Recordings, the emotionally charged anthem received three consecutive weeks of Radio 1 support on Mistajam's Dance Anthems slot, as well as being featured on the Spotify UK and US New Music Friday playlist. It was a hugely successful offering from Matrix & Futurebound and it's another chapter which brings listeners closer to the reveal of 'Mystery Machine'.

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