Final Fantasy IV Pixel Remaster Soundtrack

The Final Battle (Pixel Remaster Version)

Boss Battle - The Legend Of Zelda Majoras Mask Music Extended

Ys Origin [Super Arrange] - Scars of the Divine Wing

A warm, intimate instrumental built on contrast: snow on my skin﻿, but fire underneath the skin. Lush mallets, emotional violas, a huge bass line and evolving synths weave together like a modern piece of chamber music, slow-burning and detailed rather than chasing a quick drop. It feels like walking alone at night, when every thought is louder and every sensation is sharper—minimal on the surface, but with 35 layers of hidden movement underneath.

snow on my skin

lyrics:

I’m just tryna get through
I just don’t know my way
But this state got great views
Got this tune on replay

014 was watching charlie and lola
Don’t do coke just sprite & coca cola
Gave my heart like an organ donor
Darkest nights always late in october

Clock go tik tok on my watch
Catch my tiktok, you get blocked
Locked Drops, my vault’s Fort Knox
She loves the accent can’t get topped
Star man, I can’t get dropped
Key player, bro I’m always locked
And the party pops, but I don’t go Notts
Good yute just books no glocks

This girls a rlly dry texter, every reply feels like alexa
Bro plays my beats on alexa, from south, said the beat’s mint - extra 
Winning world cups like Nesta, manage abroad like Enzo Maresca
Sometimes im too shy to text-her, new perfume’s nice - esters 

Esters thats chem
Boring racks, had to wake em again 
guys on my back follow me like trends
You’re the bloke from YOU, feeling like I’m Gwen	

Gwen no stacy
Tom holland how they play me
One hit, low HP
My boys clear no HD

My bros clear, like see through
I’ve been telling mum I can’t wait to see you
Just make the beats, add some reverb, pour out your soul and watch where it leads you
These guys are bots R2D2
Korean meals I’m eating Misu
Could’ve told you we wouldn’t work out
I’m a psychic call me Mewtwo 


I’m just tryna get through
I just don’t know my way
But this place got great views
Got this tune on replay

014 was watching charlie and lola
Don’t do coke just sprite & coca cola
Gave you my heart like an organ donor
Darkest nights always late in october


charlie & lola

ミキシングし直したリマスター版です。

NicoVideo : http://nico.ms/sm17629712
YouTube : http://youtu.be/bH66EiF8H0o

Banjo-Tooie Grunty Industries グランティさんぎょう アレンジ - Remaster

(Wii) Super Monkey Ball: Banana Blitz - Monkey Island

I just extended part of the song this guy made in his Medley:
https://www.youtube.com/watch?v=gwnCjvWbIB8

All credit goes to him, outside of extending.

Megaman Battle Network 4.5: Tournament Battle - FrostTheory Remix Extended

Megaman X Anniversary Collection Soundtrack

BREAK OUT - Megaman X Anniversary Collection OST

One of these days, I'm going to upload a track that isn't from the Metroid series… but not today, as I present my arrangement of SR388 from Metroid II: Return of Samus.

The Unnamed Frontier marks the fifth time I've arranged the SR388 music track. I always seem to come back to this track. It's one of the few upbeat tracks in the Metroid series, and its musical structure is very similar to the original Brinstar track from Metroid. To me, it's one of the most underrated tracks from the series. I was surprised when no one picked this track for the original Harmony of a Hunter project.

My goal for The Unnamed Frontier was to create a very electro-chill piece, where the beat would build up over time to form a catchy groove. I wanted the listener to feel like they could relax, and come to the realization that they accomplished their goals from completing an epic journey. While the length of the source tune wasn't particularly long, its melodic structure was very engaging and easy to work with. I also open with a small tribute to "The Baby Metroid", a wonderful and small anthem played towards the end of the game.

Throughout most of the piece, I used a simple Yamaha Piano virtual instrument from Logic Studio (along with a few delay and reverb plug-ins). It was somewhat simple design, but I really like how it turned out. The synthesizers were all somewhat experimental, especially the delay effects. For the second half of the piece, the decision to modulate the key signature to a minor key was somewhat of a eureka moment, as it really helped the flow of the track (giving it a bit of much needed variety). I also became a little more liberal with the melodic line. The final touch to the piece was the contribution of VikingGuitar's solo, which gave the track that great climax that it needed. This piece also marks one of the few times were I used nothing but Logic Studio's assets (excluding a few minor choral pads). 

I was mainly inspired by two things. Firstly, I've always enjoyed the relaxing electro music that's often played in lounges. It might seem like an odd thing to take inspiration in, but it's the little musical touches in my day-to-day activities that makes things enjoyable in life. Secondly, I was heavily inspired by Boards of Canada's "Dayvan Cowboy". It has such a fantastic build up, it's a track that simply inspires me to do things.

This piece is a first for several things. It's the first original arrangement I've finished that isn't a piano solo. It also marks the first time I've collaborated with someone. Like the planet SR388, this track marks new ground for me… an unnamed frontier.

The Unnamed Frontier (Metroid II: Return of Samus - SR388)

Pyro Paper Planes