Oscillation ::: Tuned Circuits ::: Festival 2021

Daphne Oram (1925−2003) was a com­pos­er and one of the cen­tral fig­ures of ear­ly British elec­troa­coustic music. She was involved in the found­ing of the BBC Radiophonic Workshop (1958−1998), devel­oped the pho­to­elec­tric ​“drawn sound” syn­the­siz­er Oramics, and left many impor­tant com­po­si­tions. This talk high­lights her most cre­ative peri­od, from set­ting up her own record­ing stu­dio in Kent in the end of the 1950s, to the con­struc­tion of the Oramics Machine and the pub­lish­ing of her book An Individual Note: Of Music, Sound and Electronics, towards the end of the 1970s.

In the frame of Oscillation Festival 2021 ::: Tuned Circuits
http://www.oscillation-festival.be/2021/

Anna Steiden ::: Tuned Visions: The British Electronic Music Pioneer Daphne Oram

Can we hear the cos­mos in music? Would music be its beat­ing heart? 
This talk is an explo­ration of the sur­pris­ing links between the his­to­ry of Western music and the his­to­ry of astron­o­my, all with­in a broad­er ques­tion about of our human ​“need for the cos­mos”. The talk tracks and sam­ples music from ancient rit­u­als to the pop­u­lar music of the moment, includ­ing jazz, ambi­ent and var­i­ous types of so-called ​“clas­si­cal” music. (Talk in French)

In the frame of Oscillation Festival 2021 ::: Tuned Circuits
http://www.oscillation-festival.be/2021/

Pierre Deruisseau ::: Un Cosmos Musical

A talk about Gruska’s dive into mycol­o­gy — his ear­ly years of for­ag­ing for mush­rooms with his grand­par­ents, cook­ing para­sol mush­rooms in the forests of Bratislava, grow­ing oys­ter mush­rooms on waste, lab­o­ra­to­ry work, med­i­c­i­nal mush­rooms and more.

In the frame of Oscillation Festival 2021 ::: Tuned Circuits
http://www.oscillation-festival.be/2021/

Jonas Gruska ::: Fungal Paths

What are you lis­ten­ing for? to? ​‘Listening Past’ is a performance<>lecture secret­ly serv­ing as an ali­bi tap­ping those always as-yet-unknown lines to sig­nal that the future leaks. Fixed, homoge­nous time assumes a standard(ized) pro­gres­sive flow where what is next always comes after what is before. But, will there not have been count­less moments of achronic­i­ty when signs of antic­i­pa­tion can be (mis)heard in reverse (à la Pierre Menard & Bayard)?
To access the pro­gram note in French, Dutch and English that accom­pa­nied this talk, go to:
https://www.youtube.com/watch?v=ukDoaZwKfxw&feature=youtu.be

In the frame of Oscillation Festival 2021 ::: Tuned Circuits
http://www.oscillation-festival.be/2021/

Lendl Barcelos ::: Listening Past

An audios­phere for head­phone lis­ten­ing, com­bin­ing sev­er­al exer­cis­es and son­ic med­i­ta­tions with the impres­sions of mov­ing, trav­el­ling. Echoes of Pauline Oliveros’ Teach Yourself to Fly, ded­i­cat­ed to the pilot Amelia Earhart (“Ear-Heart”).

In the frame of Oscillation Festival 2021 ::: Tuned Circuits
http://www.oscillation-festival.be/2021/

Edyta Jarzab ::: Teach your self to fly

Q-O2 is a Brussels based workspace for experimental contemporary music and sound art. Q-O2 develops projects in collaboration with national and international artists and arts organizations, hosts artists in-residence, and holds performances and concerts. 
http://www.q-o2.be