Captivating abstract experimental track. I like all of the atmospherics floating way back in the soundstage.

Inspired by Erik Satie's 1920 Premier Menuet.
Artists are found in many forms and persuasions.
Loving those French Impressionists with avant-garde natures !!

Premier Menuet

First experiments with Meris' Enzo X coupled with Meris' Mercury 7...5 tracks of guitar punted through their synth and reverb/echo boxes...Def a headphone mix...

A Terrelian 7

‘caeli medio’
Travel stories.
2023 live performance.

The Santa Teresa Tram is one of the oldest trams in the world. It travels beneath the gaze of Christ the Redeemer which dominates the city of Rio de Janeiro.

Tools :
Pam’s, SIG, Varigate.
- Loquelic Iteritas Percido > Disting mk4 (C-3 clockable ping pong delay) > FX Aid (#25 reverb room stereo) > Zagrzeb (lp out).
- Basimilus.
- Rings > Monsoon (clouds mode).
- Plaits (pair of classic waveforms) > Desmodus Versio.
- DFAM > DSP (reverb).
Diode Chaos, Clep Diaz, Tetrapad.
Buff Mult, Sinc Defero, Mutes.
StMix, Black stereo mixer, Listen IO.
Recorded live and mastered with Logic Pro.

Associated image : Petrus Major.

Santa Teresa Tram [travel stories]

Tenor saxophones wrapped around a moog core with injections of spacey flute and beats. 
(Headphones recommended).

Pic. (possibly CERN) c/o Pinterest.

DOUBLE WIRED

Chill theme for the lazy summer afternoons

Beauty In The Tiny

From the EP “DEMOS”
moodexhibit.bandcamp.com/album/demos

On the new EP “DEMOS” Mood Exhibit takes on an indie, progressive rock sound. The material is intended for easy digestion, with catchy riffs, crisp momentum, and a band energy. This is a new exploration in sound for ME that once again expresses a love for many styles of music. The material on DEMOS is not the destination for Mood Exhibit, but instead yet another side trip on its musical journey.

Mood Exhibit - MALET

Ce que l'Homme a cru voir

Cast of characters:
The Beautiful Dark -- @thebeautifuldark -- Carl — Ovation guitar, lead vocals, lyrics, and composition
K2 and the Three [and the Four]--@k2andthe3, @k2-kara –Ken -- drums
Entheogenic Psychonaught (Josh Clary)– @josh-clary-1 –Josh – Warwick fretless four-string bass
Mistermark-- @user-432503709 -- Mark –- VST timbale, production editing
TexMex Shaman– @texmex-shaman –Stephen — Tom Anderson Custom T electric guitar, production, mix, and mastering
J.J. Terrell– @j-j-terrell – electric piano and synth
Llanpsych -- @llanpsych -- Tez – Fender Telecaster HSS electric guitar

This song began as Carl's tribute poem to our drummer, Ken. Carl came up with the chord progression and started a project, to which he invited the rest of us. This is the third song Eclectic Collective has done that is a tribute by Carl to one of our members.  We couldn't feel more honoured than to be the subjects of his wild and boundless creativity.
  Fittingly, Ken was first in line to add his magnificent drums. Once we had drums, Josh had something to work with to add his bass, which he did shortly after the drums were up. Mark paid the project a visit next, helping out with a bit of production editing, and dropping in a mad percussion solo using his VST timbale drums. Stephen jumped in soon after, adding the melodic electric guitar riffs that appear throughout. Not to be outdone, JJ added some sonically thickening electric piano, as well as the throwback psychedelic synth that pops up towards the end. Finally, Tez came along and added the electrifying solo that appears about a third of the way in, as well as the one at the end. 
  Once the recording was finished, we turned it over to Stephen to mix in his always professional manner. 
  This song is all about our very talented teammate and brother, Ken, and it is well deserved, too. As mentioned, this is the third song from Carl about one of us. It's hard to describe the feeling of having someone who you respect take the time and energy to think about you in such a positive way as to produce a song about you. Then to have all your buddies join in to amplify it to a solid song is just mind-blowing. We are all very grateful to Carl for not only sharing his music with us, but for his thoughtful consideration of each of us as subjects. We hope you enjoy listening to this as much as we enjoyed creating it.

(Original lyrics by The Perfect Dark)
Karakoram human
You decorate good future
As many lose their Gods
You stand tall as suture

Rhythmic mountain maestro
Each day, graft, working hard
So kids can eat
Bruised back sees very best of yard

Still, beats get born of evenings
Deep love finds joules to jam
May generation X soothe meaning
Let's teach the younger pussies what we can

To Ken, from pen, to page, to Music
To friends, Now is when, Good sage soup soothes us
Honest and brave, To Jesus he save
Kudos our maestro of percussive wave

Karakoram human
You decorate good future
As many lose their Gods
You stand tall as suture
Sticks in hand
Cymbals a floating
Snare and bass backbone gland
Tom'ed Ringo Star man keep quoting
Keep life steady paced by hand

To Ken, from pen, to page, to Music
To friends, Now is when, Good sage soup soothes us
Honest and brave, To Jesus he save
Kudos our maestro of percussive wave

Rhythmic Mountain (The Beautiful Dark with Eclectic Collective)

Mahan Mahan is responible for the orchestration and mix(coverart)
TexMex Shaman on electric guitar and Mastering(coverart)
the poem and voice by stonerjazz(coverart)
 
the nature of their being by jeff gardiner 

 ponder and ponder if you wanna
speculations bout meanings and measures and structure
of time and the present
and yet it remains completely unknown
made no dent in the fabric
of monstrous illusion
collusion of unseen forces
nibbling away with whispers
while meekly we, perish, never knowing
what we're feeding
believers believing bleeding rivers of remorse
and of course, the horses don;t ponder for a moment
the nature of their being--

The Nature of their Being-with TexMex Shaman and Mahan💀Mahan

This instrumental track, performed by GOLTZ (Gunther Benedict-drums, Christoph Musil-bass, Mario Palaschke-keyboards), is the result of a late-night improvisation over a poem by German writer Christian Morgenstern (1871-1914). 
Cover: Ink drawing by Gunther Benedict

Der Wasseresel

Without Ever Learning Of Mercy

Qarenthe.

Live Improvised Abstract Electronic Sandbox Audio / Falmouth Cornwall

Without Ever Learning Of Mercy

Qarenthe

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