Permutations I is a collection of remixes and edits

Songs used in this mixtape are made by Quit Life, Olafur Arnalds, Dua Lipa, Nailah Hunter, Jada Facer, Levekar, Ulla Katajavuori, Ilia Soloviev, Above & Beyond, Taylor S, SKY H1, Rina Sawayama, PRINCI, John Beltran, Kiiara, Alyoa, Nkisi, Ariana G, Cherrie, Costa, Arctic Moon, Eternell and Andrea Garcia

Artwork: Victor Svedberg

Darkest Light

A collection of songs that have been collecting dust on my hard drive for the last 5 years. This is not an album or a cohesive listening experience i just want to post them as they are 👍
If you want a download or anything let me know.

gates open

bass redo version available for download at
https://silvio-dj.bandcamp.com/track/ancient-heavens

thank you for the feature gil:
https://soundcloud.com/schauspielhaus_zurich/gil-music-for-theatre-lobbies-14

Ancient Heavens

spira ๑

The 33rd release of katharsis is the EP “unearthed, recovered” by the Canadian artist online threat. This release pulls from the dissociated feeling of re-discovering artifacts of remembrance that were once thought to be forever lost, and finding a glimmer of hope as a result. The project accesses a flurry of genres - hard trance, noise, and ambient all find a place here, packing contradicting sounds together in order to birth new sonic possibilities. “unearthed, recovered” is emotional, grotesque and at moments beautiful with its sense of longing and melancholy, a crescendo of tensions followed by an exhale.

On this release, online threat excavates the hidden sonic potentialities of field recordings, samples and synthesis, borrowing their voices to spin immersive narrative tales through his stream-of-consciousness improvisational method. The EP is the artist's third release, following the EP “Memories of Dawns Lost” and the full album “Contrapuntal Transfiguration” on labels surf and Absurd TRAX, besides a couple of self-released tracks and mixfiles. The artwork was made by Matej Mihevc (@h.265_/) who framed and contextualized a painting by Victoria Palacios (@victoriapalacios_), reflecting the sense of decay and reminiscence that the album thematizes.

premiere: online threat -  acceptance of fate

From around this time last year. More to come soon.

I Always Miss You (Laura Les Cover)

And now you're in my head
And you won't get out
Do you love it, do you love it?
That I always miss you
That I always miss you

That I always miss you

... You

... You

... ... Always ...

... That I always ...

Miss you
... That I always
Miss you
... ... That I always
Miss you
... That I always
Miss you
... ... That I always
Miss you

Do you love it?
Do you love it?
Do you love it?
That I always miss you

Mastering by Galen Tipton
Artwork by @Sh7sh7shy on IG

I Always Miss You (Laura Les Cover)

Caminar, ver (volver a) tropezar, caer

Caminar Ver [volver a] Tropezar Caer

Europa - PF-goodbye (with DÆMON and Puffy)

Recorded in 2016-
A Force meant to Break all Holding Hands-
DJNJD-

DJ NJ DRONE - COLLAPSE_SYN

angelic bloodless korvky (EDIT)
videoclip: https://youtu.be/pJJpgSZwRXY
@evianchrist @kamixlo @evaunitone

angelic bloodless korvky (EDIT) - video in desc

After releasing her first tape “Fugue: Some Temporal Patterns Other Than the Forward March” on Genot Centre in 2017, artist and musician Johanna Odersky returns with another full-length album. The Städelschule sudent, who works primarily with sculptures, continues to explore the silhouettes separating internal and external worlds and the mechanisms of inclusion, exclusion and domestication they reveal, on her self-titled album ‘Iku’. Her audio work can be described as a mishmash of associative samples, which Iku carefully weaves into a complex entanglement of emotionally charged sounds. While her first album relies heavily on blissfully arranged ambient pieces, the artist began to involve her own voice as a center piece in the “Body Horror” EP, which was released by berlin-based Creamcake last year. 
The self-titled album feels like a sophisticated continuation of tracks like “À Tes Yeux” and her early work on Fugue, combining french pop vibes with classical instruments and gloomy spoken-word snippets, forming sonic material, which arises from sketches of Iku’s inner. Odersky takes us on a travel through a hypnagogic realm, which is full of contrasts and uncertain atmospheres. 

Iku’s self-titled album ‘Iku’ will be released on May 17th, 2019 and will be premiered at Hyperreality 2019.

Mastered by Hari Stojan. 
Cover by Iku

Devil Chaser

quitlife7000@gmail.com
♲♲♲♲♲♲