Frozen Iquana

Snuff Box

Knuckles Gets It Started In Here

A reconstruction of the Sonic OVA's original soundtrack, including an instrumental version of Look Alike.

This album is prone to receive updates or changes at any time.

For the Land of the Sky

The Mother Of All Machines

Ought - "Beautiful Blue Sky"
from 'Sun Coming Down'

available 18 September 2015 on Constellation:
cstrecords.com/cst115

Sun Coming Down

Ought • "Beautiful Blue Sky"

Little Drummer Boy

Stones, stones, stones from dinosaurus bones, 
They put this goat 
Inside my throat 

Clones, clones, clones of bitter left unknowns, 
They cloud my sea 
So viciously 

Home, home, home yet through the clouds still shone, 
Or shined, or shunned 
Whichever one

Whicheverwon 
That’s the one 
And whichever won 
That’s the one 
That’s the one 
That’s the one 
That’s the one 
That’s the… 

Moan, moan, moan, It’s all I can do b’sides zone, 
But I don’t care 
I’m self-aware 

Sown, sown, sown, tethered am I can’t roam, 
So I’m glad your face 
Breathes outer-space 

Snow, snow, snow, that was your favorite show, 
Or she, or shoe…
A pair or two? 

And a pair of ones 
That’s one-one 
And whichever won 
That’s the one 
That’s the one 
That’s the one 
That’s the one 
That’s the… 

Phone, phone, phone me, when you plan on going, 
Still glad your face 
Breathes outer-space 
I’m glad your face 
Breathes outer-space 
So glad your face 
Breathes outer-space

Jarl Q - THE queuessette - Side J

Whicheverwon

maquette avant la sortie du EP Warlus songs II

Evening Has Gone, demo

Thats What Love - feat. Bryan Vill

While checking my email I was happy to discover that The Fader had posted a full transcript of Lil B's recent lecture at NYU. It was four pages from roughly an hour and half lecture, so I copied the transcript into a speech synthesis program to read to me while I was working on the computer and also listening to new recordings by Regular Music. The mix of Lil B's slang and sentiments as the synthetic "Alex" computer voice over Regular Music's new/old pastiche of technology was a complimentary, post-post modern mix that I found to be an equally enjoyable and strange listen, as well as a somewhat appropriate format to absorb the lecture.

The fact that we are even aware that Lil B exists is a product of our relationship to the internet. Starting with his onslaught of Myspace profiles and constant youtube videos, we know him through sheer brute force internet output, like Master P selling his mixtures out of the back of his car, Lil B takes his wares to the streets of the internet. This relationship to the net has perhaps been a factor in evolving his attitude from beyond rap's braggadocio tropes and embracing a post-ironic positivity and motivational empathy. By the time I finish mixing the audio in Ableton Live I'm talking on chat to the rapper Despot, who was at the lecture himslef. He expresses annoyance with the fans that are there who treat him as a sort of Godlike celebrity and simultaneously as some kind of golden retard. The fact that the lecture is happening is a bit confusing, but Lil B puts his heart into what he does and manages to transcend, through sheer will power.

*This mix is also a sequel, of sorts, to the "Whisper Song", Mac voice meets hip-hop video piece, that I put together years ago as a product of a Cory Arcangel lecture at The New Museum. I hope you enjoy it as much as a conceptual piece of music as well as reflective pop. (http://vimeo.com/7171953)

The Full Transcript: Lil B Lecture at NYU Regular Music mixtape

"I'd like to teach the world to sinq in prefect harmoney…"- Jarl Sonkin, quitarrista/sinqersonqwriter, President & CEO of qoq songs ltd.

Whicheverwon

qoq

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