Here's a disco rework of this classic 1976 MPB/Samba anthem from João Bosco.

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João Bosco - O Ronco Da Cuica (Vibes4YourSoul Rework)

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NASTY ( ARABI DJ TOOL )

Vibes4YourSoul 2025 Spring Tape

The Brvtalist is proud to present a new mix from DJ Magal. A key figure in Brazil’s underground for over four decades, the São Paulo-based artist is known for his fluid interplay between history and modernity. With residencies at some of the country’s most iconic clubs and a continued presence in contemporary spaces, Magal has shaped generations of dancefloors. His sets reflect 42 years behind the decks, featuring a wide-ranging repertoire that spans genres such as Post-Punk, Synth-Pop, Industrial, EBM, Acid House, Techno, and Electro.

This mix, recorded entirely on vinyl, focuses on post-punk and timeless classics. A deeply personal work, it marks 42 years of Magal’s ongoing contribution to underground culture—a reflection of his history, vision, and dedication to the craft.

@djmagal
www.instagram.com/djmagal_/

New Brvtalism No. 463 - DJ Magal

Released in 1967 as part of The Velvet Underground masterpiece debut LP "The Velvet Underground & Nico", Sunday Morning was seemingly inspired by Andy Warhol, who suggested the band to write a theme about paranoia. Then came Lou reed & John Cale genius, creating this legendary dreamy musical atmosphere contrasting with the darker lyrics.
Here is a DJ-friendly edit of it, with various drums & percussions add-ins.

<a href='https://theartistunion.com/tracks/62c9cf'>Download for free on The Artist Union</a>

The Velvet Underground - Sunday Morning (V4YS Watch Out Edit)

Sound Squad every day from 9:00 am - 10:15 am reprise @ 5:00 pm (GMT -3:00)

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12 Magic Single Barrel

Like A Rolling Stone(V4YS Ain't It Hard Remix)

https://soundcloud.com/djmagal

Com mais de 30 anos de estrada, Magal é um dos principais responsáveis pela disseminação da música pós punk, industrial e EBM em pistas brasileiras

Album

ODDCAST 39 - DJ Magal

Artist: @djmagal
Style: House / Deep House 

With more than a quarter of a century of career, #DJMAGAL has in its history the residences of the legendary clubs Madame Satã, Rose Bom Bom, Cais and Hoellisch, in addition to more recent and equally important ones such as Columbia, Stereo, Vegas, D-Edge , Lions Nightclub and also at the famous Cio party.

His extensive musical background has made him an essential character in the history of the electronic scene, disseminating genres such as Pos-Punk, Synth-Pop, Industrial, Electronic Body Music (EBM) and even the Acid House through his residences. Genres that are in the origins of Electronic Music played today.

Owner of a vast repertoire, he has already been invited to play in important festivals such as Nokia Trends, Sònar-SP, Spirit Of London-SP, Locca Festival Open Air (Weimar-Germany), Skol Beats-SP, Tribaltech Reborn-PR, Electronic Injection -SC and Dekmantel SP 2018. Abroad, his fame earned him invitations to play in Paris, London, Glasgow, Barcelona, ​​Santiago, Viña Del Mar, Buenos Aires, Mendoza, Lisbon, Amsterdam, Berlin, Leipzig and Weimar.

His sets are posted on the acclaimed Beats in Space program by Tim Sweeney DFA in NYC, Boiler Room and Red Light Radio in Amsterdam and won the award for best Electro DJ in 2004 by the specialized magazine DJ SOUND.

Professor of DJing in the Electronic Music Production Course at Faculdade Anhembi-Morumbi, Magal is also a resident of the brand new Radiography program hosted by the famous Na Manteiga. His charisma and attitude make his performances unforgettable, full of strength and a lot of history.
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Com mais de um quarto de Século de carreira, #DJMAGAL tem em seu histórico as residências dos lendários clubes Madame Satã, Rose Bom Bom, Cais e Hoellisch, além de outros mais recentes e igualmente importantes como Columbia, Stereo, Vegas, D-Edge, Lions Nightclub e também na famosa festa Cio.  

Sua ampla bagagem musical lhe tornou personagem essencial na história da cena eletrônica, disseminando através de suas residências gêneros como Pos-Punk, Synth-Pop, Industrial, Electronic Body Music (EBM) e inclusive o Acid House. Gêneros que estão nas origens da Música Eletrônica tocada atualmente. 

Dono de um vastíssimo repertório, já foi convidado para tocar em festivais importantes como Nokia Trends, Sònar-SP, Spirit Of London-SP, Locca Festival Open Air (Weimar-Alemanha), Skol Beats-SP, Tribaltech Reborn-PR, Injeção Eletronica-SC e Dekmantel SP 2018. No exterior, sua fama rendeu convites para tocar em Paris, Londres, Glasgow, Barcelona, Santiago, Viña Del Mar, Buenos Aires, Mendoza, Lisboa, Amsterdam, Berlim, Leipzig e Weimar.   

Seus sets estão postados no aclamado programa Beats in Space de Tim Sweeney DFA em NYC, Boiler Room e Red Light Radio de Amsterdam e conquistou o prêmio de melhor DJ de Electro no ano de 2004 pela Revista especializada DJ SOUND. 

Professor de discotecagem no Curso de Produção de Música Eletrônica da Faculdade Anhembi-Morumbi, Magal também é residente do novíssimo programa Radiografia hospedado pelo famoso Na Manteiga. O seu carisma e a atitude tornam suas apresentações inesquecíveis, cheias de força e muita história. 

Sem mais delongas, DJ Magal é o nosso convidado especial da vez que nos presenteia com esse super mix de house music para o nosso Real Cast #024 

residentadvisor.net/dj/djmagal
instagram.com/djmagal/
facebook.com/djmagalsp
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Real CAST #024 DJ Magal

Revisiting this late sixties classic originally written by Serge Gainsbourg for Françoise Hardy, who recorded it first, before he released a second version by himself. 
I chose a somehow dub-flavored atmosphere, as a little hint at some of his later work, where Jamaican rhythms influence was occasionally present.

L'Anamour (V4YS Rework)

Written in 1969 in Roma by Chico Buarque and Toquinho, “Samba de Orly,” is a beautiful exile song. A melancholic message addressed by a Brazilian forced to flee to Europe, to a friend lucky enough to go back home to Rio. 
It's in fact an auto-biographic story in a heavy political context: in early 1969, under aggressive scrutiny by an increasingly repressive Brazilian dictatorship, Chico Buarque took advantage of a concert tour in Italy with Toquinho to effectively exile himself there temporarily with his wife. 
When Toquinho and Chico reviewed the final version of the song, their friend Vinicius De Moraes advised them to make the lyrics harsher and more clearly political to reflect the pain of life in exile. But Brazilian censorship refused the changes, and the song was released in Brazil with their original milder lyrics. Song title refers to Paris's Orly, as it was well known to the Brazilian audience, contrary to Roma's Fiumicino airport.

Fast forward to today, and I can't help thinking about Brazil current situation and regime, which evokes in several ways this dark dictatorship era. Let's hope all the wonderful artists in the country will not be forced to exile themselves as well. Here's my groovy take of the song, as a little hint of love and support to all of them :)

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partial lyrics and translation

Vai, meu irmão
Pega esse avião
Você tem razão de correr assim
Desse frio, mas beija
O meu Rio de Janeiro
Antes que um aventureiro
Lance mão

Pede perdão
Pela duração dessa temporada
Mas não diga nada
Que me viu chorando
E pros da pesada
Diz que vou levando
Vê como é que anda
Aquela vida à toa
E se puder me manda
Uma notícia boa

Go on, my brother, catch that plane
You’re right for running away like this
From this cold, but kiss
My Rio de Janeiro
Before some opportunist makes a grab

Beg pardon for the duration of my sojourn
But don’t say anything about seeing me crying
And tell the tough ones that I’m carrying on
Go see how that idle life is going
And if you can, send me back some good news

12 Magic Single Barrel

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