DJ Sundae played the 1 hour on this one.

The Trypes - No One’s Alone
Crescent - New Sun 
Alastair Galbraith - One Method
The Trypes - A Plan Revised
Maxine Funke - Lucky Penny
Charles Curtis - Song
The Shaggs - My Cutie
Body/Head - untitled
Nico - Eulogy To Lenny Bruce
Amp - Small Light 
bar italia - itv2
Gene F. Steiker Larry S. Chengges - My Dreams, My Love
DISPOSSESSED - GUNI YU-GI
Light - Plant And The Land
Seefeel - More Like Space
Grouper - Driving
Virgin Insanity - Once 

No Weapon Is Absolute:
www.facebook.com/noweaponisabsolute

I’m a Cliche:
www.imacliche.com
www.facebook.com/imacliche
@imaClicheLabel

Dj Sundae:
www.facebook.com/djsundae
@djsundae

Cosmo Vitelli:
www.facebook.com/cosmovitelli
@ilcosmovitelli

NO WEAPON IS ABSOLUTE - DJ Sundae - 07-04-2021 - NTS 2

“Through their generic and transient qualities – workstations devoid of personal effects, relations with colleagues as fleeting as those with passengers on a commuter journey – many workplaces now resemble non-places, either literally, as in the case of a hotel, corporate coffee chain or out-of-town supermarket, or symbolically, in the form of temporary assignments for faceless employers (dis)located in anonymous buildings, where the worker-commuter then follows the same global timetables, navigates the same software applications and experiences the same sense of placelessness, the feeling of being mere data in the mainframe”

So writes Ivor Southwood in his analysis of precarious labour, ‘Non-Stop Inertia’ (2011). In the last decade, the proliferation of corporate non-places has been accompanied by the spread of cyberspace-time, or Itime, a distributed or unpunctuated temporality. It’s no coincidence that, as this unmarked time increasingly came to dominate cultural and psychic space, Derrida’s concept hauntology (re)emerged as the name for a paradoxical zeitgeist. In ‘Specters of Marx’, Derrida argued that the hauntological was characterised by “a time out of joint”, and this broken time has been expressed in cultural objects that return to a wounded or distorted version of the past in flight from a waning sense of the present. Sometimes accused of nostalgia, the most powerful examples of hauntological culture actually show that nostalgia is no longer possible. In conditions where pastiche has become normalised, the question has to be: nostalgia compared to what? James Bridle has recently argued that “the opposite of hauntology … [is] to demand the radically new”, but hauntology in fact operates as a kind of thwarted preservation of such demands in conditions where - for the moment at least - they cannot be met. Whereas cyberspace-time tends towards the generation of cultural moments that are as interchangeable as transnational franchise outlets, hauntology involves the staining of particular places with time - albeit a time that is out of joint.

Audio (excerpts) from the Colloquium for Unpopular Culture & NYU's Asian/Pacific/American Studies Program event: There Are Non-Times As Well As Non-Places: Reflections On Hauntology, a talk by Mark Fisher. Wednesday 4th of May 2011, 6:30pm, Room 471, 20 Cooper Square, New York, NY 10003.

Mark Fisher - There Are Non-Times As Well As Non-Places: Reflections On Hauntology — Q&A

DC Promo Tracks #976: "Simultaneite" by Time Points is part of the release "Temps Long" on Quanta Records @quanta-records  

Buy Now: https://quantarecords.bandcamp.com/ 

More Promo Tracks: https://www.dreamchimney.com/promo

DC Promo Tracks #976: Time Points "Simultaneite"

Time Points is the common project of two French composers, Arnaud Denzler (member of AT and of the collective “La Claque”) and Michaël Laidet (αίών). This duo met during the formative years of their musical journeys and, after a decade of regular collaborations, is now pleased to present their first collaborative EP Temps Long. This seminal release is made of four tracks composed in a discontinued fashion alongside two remixes from closely orbiting artists: Karim Kahar and Zwei Kreise.
The composition process of Temps Long was a six-year endeavour. The collaborations were at times far in-between, so this was the necessary time period for them to be able to bring this EP to its final form; bearing in mind that the four original tracks are the result of multiple iterations. Each trial, tribulation and new interpretation contributed to the depth of the experience and to the variety of the sonic landscapes set forth during this EP’s duration.
Both Arnaud and Michaël wanted to stress the collaborative aspect of Temps Long. They not only involved Karim Kahar further in the project than his initial mixing role, but also asked Zwei Kreise for another interpretation of the experience. Karim’s ideal overview of the ensemble allowed him to offer a brilliant reassembling as he had been intimately involved with the production of the duo’s sound. His precision work is more akin to a deconstruction of the visions presented by Time Points, rather than to a synthesis of the aforementioned work. Zwei Kreise on the other hand wished to pay homage to the legendary late Finnish visionary Mika Vainio in his “10 a.m.” remix. The resulting spectral panorama was obtained by drawing inspiration from how Vainio reconfigured a track from Popol Vuh from the OST of Cobra Verde.

Temps Long (QR009)

PREMIERE : Time Points - 10 a.m.

soundcloud.com/timepoints
instagram.com/timepointsmusic

5th episode of the Memories Paradise show w/ the french duo Time Points. rekorded live @ Montezuma Café in Paris. 1hr exploring ambient + IDM :)

Memories Paradise 004 w/ Time Points

Get the tracklist: https://blrrm.tv/3BsWaZf

Paris-based @decemberxxx delivers wicked grins and post-punk bile for Hard Dance 163.

Hard Dance 163: December

For Good (Death Chants II CD Edition Bonus Track)

PRESSURE SAW WELCOMES DJ CAMP DE FEU WITH SPECIAL 1HOUR SET 

#PRESSURESAW #PRESSURESAWMIX #PRESSURESPECIAL 

2024

DJ CAMP DE FEU - HEARTY RUMBLES MIX

What We – XOX

Introducing "Nonexistent Landscape" by Sayaka Botanic, out on October 15th on Quanta Records.
For her second solo release, Sayaka Botanic (one half of group A) weaves together her sonic and visual experiments, setting them in dialogue.
"Nonexistent Landscape" offers a counterpoint: an imaginary landscape in which the sense of strangeness stems not from indeterminacy or interchangeability, but from an eerie quality.
"Nonexistent Landscape" will be available both digitally and as a limited tape & zine edition, housed in a custom bag.

The Path

Record label based in Paris and dedicated to the different forms of expression electronic music has to offer.

Logo by Frederick McSwain 

Contact and booking: quanta.records@outlook.com

Catalogue :
QR010: Dino Spiluttini - Death Chants II (Expanded Edition) - CD
QR009: Time Points - Temps Long - CD
QR008: John-Robin Bold - Demonstrations - CD
QR007: NO3sis - Hypnagogia - Cassette
QR006: OACEM - Mixed Bacteria Soup - Cassette
QR005: Dirk P. Haubrich - Robinson Out Of Context - 12''
QR004: Zwei Kreise - Panorama Island - Cassette
QR003: αίών - Correspondances - LP
QR002: Infinite Fields - Volna - 12''
QR001: Infinite Fields - Fraction of Time - 12''
Particules series:
QRP002: ＧＡＭＥＳＨＡＲＫ™ - SHARK 4 お歯黒 - Cassette
QRP001: Alma Alta - s/t - Cassette

The Path

Quanta Records

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