Ethereal mix by @luca_borsato721

TRACKLIST:

Detente & Nevrland - Emia
estoc - a toast to the exxelent and angelic
Buga - Visions of One Truth
µ-Ziq - Diala
Lokey - Einfach
Amor Satyr & Siu Mata - Neutrino
Elysia Crampton Chuquimia - demo for tio
dj interior semiotics - ultra naté- free bootleg
séverine - LOOK HOW HARD IM INTO YOU x Maurizio - Domina (Maurizio Mix)
Emily Glass - Beneath The Snow (Glow's Theme)
AFX - Reunion 2
Human Host - Chemz
Physical Therapy - Mind You
Quit Life - Mage Wind
Anima - No Air

mix for egoclub

[EGC0.32] luca_borsato649 > 40:00

https://soundcloud.com/elpelele - EL ÁNGEL DE LA GUARDA
from the album "AMENAZA" (QNR040), released 12th April 2021
DOWNLOAD: https://www.mediafire.com/file/9egqw8p0qfarnor/El_Pelele_-_AMENAZA_%2528QNR040%2529.zip/file

AMENAZA

El Pelele - EL ÁNGEL DE LA GUARDA

Taken from SBKT040: Yen Tech - Assembler

Release date: 28th May 2021

With Assembler, his second full-length album, Yen Tech re emerges in ecstatic and primordial new form -- a multi-layered and interwoven work that blends futuristic production, meta-science fiction, and anthropic critique into a dizzying array of next scenarios -- a maze-like vision of our technological and exponentially oracular, full-stack future.

This imagined future becomes a construct or place in itself; one in which the record buzzes and swarms; a mechanosphere of towering melodic vocal samples and sound design - all narrated by Yen Tech's unnerving, diaristic vocals - as he channels the form of post-human techno cretin, whispering hyperbolic ASMR to no one in particular. We follow this character from one disorienting experience to the next as he recites a stream of indecipherable neologisms and hyper-descriptives, the existential residue seeping from every line. In the end though, a strange, uneasy beauty comes into focus; the metamorphic lyrics and musical euphorias revealing Assembler as a type of elegy: a wet glass reflection of the failures of what we are and were - and a jubilant celebration of what we may become.

"I imagined Assembler as a type of self imposed simulation, an invisible boundary that the narrator has to navigate out of to move forward. It was a way of looking at how we may carry the issues and failures of the past with us into the future. The psychological baggage of history, the guilt of geotrauma, the addictive melange of technology all become dealt with in this stage of acceptance and recovery. I wrote the album with this in mind, a process to find the slimy pearl of who we are" - Yen Tech

All music and lyrics written by Yen Tech
Produced and arranged by Yen Tech
Vocals by Yen Tech
Additional vocals by Katy Townsend
Mastered by Raphael Valensi
Artwork and vinyl design by Johannes Schnatmann

Assembler

Yen Tech - Sentry

Blur

Fly Like A Moth

Taken from SBKT045: Skyshaker - Novox 10
Release date: 26th November 2021
Artwork by Sam Madhu
Mastered by Raphael Valensi

After a decade navigating ten communities surrounding ten genres of Black music, House of Vemanei founder Skyshaker shares their latest mixtape as an anthology reimagining select cuts from the SVBKVLT back catalog. Novox 10 is an ingenious take on the remix album as Sky LaBeija commemorates a decade of remixing under the Skyshaker alias

In their own words:

“Novox 10 is a vocal album of the voiceless. With the number 10 pronounced in your own native tongue, this is a collection of electronic music commemorating a decade of Black voices silenced by anti-black racism and xenophobia. The Black experience remains an inspirational cornerstone of popular music worldwide, yet Black artists with deeper skin color remain doubted, dismissed, and uncompensated. Popular music in Asia is no exception, as fair-skinned Asian artists rise to superstardom and financial prosperity off the backs of Black artistry and Black suffering. Novox 10 emerges in Shanghai as a navigation beyond that contempt into a place of autonomy, authority, and commitment towards the shaping of worlds in which Black people best fit.

As a retracing of steps through my own coming-out process, Novox 10 revisits my utilization of diasporic sound as a means of creating surrogate family structures as an unhoused queer youth. After a decade of assimilation and traversing ideologies, skills I considered merely tools of survival are now celebrated as home-grown versatility that both saved my life and built a career unchained by genre. What began as a decision to rest as a songwriter for others has become a reclamation of my own voice, as a singer living with selective mutism. Novox 10 is my return to singing via songs unsung, at once mourning and recontextualizing the silence that came before.

With sounds lovingly gifted by their original artists, Novox 10 is an album within an album for voices not yet stepped into. A show of gratitude for all I gained over all I lost as a ghostwriter. It is more than an homage to the music of my childhood and the DJs that saved my life. Each song is a gateway to other bodies of work directing Black feminine bodies towards the same single truth: There is space to do all we intend to. Our only mission is to arrive and return there.”

Novox 10

Zaliva-D - End Of The Sky (Skyshaker Fem4Fem Edition)

‘Inflatable Gravestone’ is the debut album by Mun Sing (aka Giant Swan’s Harry Wright).

The motivating force of the album is the sudden loss of Harry’s father in 2020. His father struggled with substance addiction and the album explores ideas of 'spirituality' and the ‘higher self’ in relation to addiction and its parallels with the coping mechanisms of grief. It also aims to highlight the importance of humour and distraction when coping with loss.

Serving as a narrative for his own experiences, the album is largely built around club-centred tracks (such as ‘Spider’ and ’Squabble’) broken up by moments of yearning and reflection in tracks like ’The Poison Garden’ and ‘Helhest (Azrael Smirks)’ and moments of dark anguish like 'Inheritor' with its heavy slab-like chords and pensive piano. Flirting with awkward and suggestive rhythms, Wright deliberately suspends moments of resolution and groove in favour of drama and jerky, unexpected cartoonish humour, taking as much influence from the likes of the Art Of Noise as Kyary Pamyu Pamyu. 

Wright rewards the listener with moments of clarity and introspection like flags on the journey, recruiting vocalist MX World to deliver lyrics and melodic ideas created by him and his father. His father’s journals in rehab helped inform most of the lyrics. Some take whole sentences as a way to physically ‘give life’ to his words for the first time. The lyrics describe feelings, revelations and  apocalyptic hallucinations. MX World's clear, direct tone suggests folk music and the timelessness of the human condition.

The album concludes with the title track ‘Inflatable Gravestone’ which features a chorus of giddy manipulated laughter from Wright’s friends and family to a truly maddening effect. This is then resolved by bright and clear piano chords and the sound of Wright’s father breathing in his sleep. A deeply affecting and personal record with corkscrew twists and turns and a healthy dose of absurdism.
releases June 2, 2023

All tracks written and produced by Harry Wright. Lyrics by Harry Wright, except track 10 lyrics by Harry Wright and William Wright. Lead vocals by MX World. Additional vocals by Nashne, Akiko Haruna and Mouse.

Mastered by Beau Thomas at Ten Eight Seven Mastering.

Published by Domino Publishing.

Helhest (Azrael Smirks) [ft. MX World]

Welcoming Penelope's fiance in hm fam we share a track made in collaboration with Xyn Cabal. There will be a proper release by him in 2020 and we are calling it now: it's the best thing you will listen to next year.

Artwork by Inhalt
Penelope's fiance: https://soundcloud.com/doesnt-matter-11
Xyn Cabal: https://soundcloud.com/thereexistss

Penelope's fiance - To die hating them (freedom) ft. Xyn Cabal

pour oublier qu'on est rien
artwork by https://www.instagram.com/esilise/?hl=fr
video : https://www.youtube.com/watch?v=yC0r_Lc5mbA

redemption

See here for more info: https://bit.ly/3fGjGUM

Ruinas EP

Benfika, 'Ollin' (2020). Courtesy Infinite Machine, Mexico City/Montreal.

Absolutely killer 10-tracker debut album on Hakuna Kulala by Russian avant-club producer and DJ Wulffluw XCIV. Designed to cause serious cerebral and physical damage on dance floors across the world, due for release on Hakuna Kulala.

Innovative and genre-blending, Wulffluw XCIV incorporates industrial/EBM techno and synthetized tones with dembow rhythms, kuduro and gqom to forge layered corporeal music with no geographical borders that feels vast. Each track is richly textured, surgically produced with agility and fierce finesse connecting a barrage of sounds and cultural influences plus high doses of playful and visual appeal. Wulffluw drops multiple emotional club bangers that are intriguing and jittery, marked by the front, harsh and unrelenting percussions, and enriched with repetitive sonic explosions, haunting vocals, cyberpunk ambience, and emphasized loud-soft dynamics. Standout tracks include Ash Bay and the psy-trancy Endelea. Check out the video for the first track here

With this album that was started to be produced during his residency at Nyege Nyege Studios in Kampala following the 2019 edition of the label's annual festival, Wulffluw XCIV's reveals a vigorous artistic sensitivity defined by his interest in connecting disparate communities and diasporic styles. In the past he has collaborated with musicians from all over the world, among others Ink Midget, Santa Muerte & Rafa Maya, Blastah, Nahshi, Yoshitaka Hikawa, AN System, Icy Flame, and Whiterose.

Video for 'Nyege Digital Immersion' here:  youtu.be/RnH1lsgpYe4  

Releases October 30, 2020

Ngoma Injection

Wulffluw XCIV - Nyege Digital Immersion

https://colorplus.bandcamp.com/album/torpid

Walk Into Floor

qu4ntumn4tives@gmail.com

The Dancers at the End of Time

El Pelele - EL ÁNGEL DE LA GUARDA

Quantum Natives

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