gm_afterhours OST

Vapor

Soft

Field Records keeps up the Dutch tradition of publishing deep, Detroit-inspired electronic music with high-class contributions from various artists. Having published the Field Recording series between 2010 and 2013, a hand-picked selection of mixes will be made available again.

Buy Field on Bandcamp

Field Recording mix by Artefakt

1 year after his gorgeous "Straight ahead" Ep, Tony Lionni gets back on Goldmin Music with a softer and deeper one "A photograph of you".
A very distinctive and insightful ep about the passing of time including plainly heartbreaking house tracks as he did so well up to now.
We've been amazed by Tony's music since the beginning as whatever he does, there's always a promise of something unexpected and a high dreaming potential..
That's what it's all about. House music for the 21st century, more conscious and lucid than ever with a hunk of optimism and faith in what the future can bring.

This musical tale starts with the unmistakable "Remember back when".. As it's name suggests, it might be an ideal flashback track, bringing back a warm and stained 90's vibe.
However, Tony is the master of evoking both the familiar and exploring the unknown, feeding your sense nostalgia while simultaneously inspiring visions of a hopeful future
As always, it's a perfect balance between dreamscape and reality as that irresistible groove deserves a very physical reaction, the urge to dance while it slowly brings out your inner-child.

"There's no future in the past" continues in a more ear-catching way thanks to his perfect straightforward arpeggio constantly pushing you combined with a round, dry and heavy bass quickly elevating the track to it's cruise altitude. The perfect example of a contemporary different dancefloor tune. 

"Together" brings your imagination back on track. Probably more abstract and hypnotic nonetheless it's power will be all the stronger.  It feels like a wonderful 6 minutes playground experience, high in the sky, a representational, half-conscious musical trip that makes your mind wonder.


Tony Lionni - Together

Goldmin founder Romain Lanteaume aka EinKa meets Terrence Dixon for a 2nd record which is nothing but a logical suite to the one released last year.

Terrence Dixon is perhaps the only man in techno to have achieved the perfect fusion of the finished work with a concept theoretically formulated beforehand, There's not many artists being as consistent as he is in this respect. He is also one of the very few artists who dedicated his whole life to a very personal and constantly evolving ideal and of course, you can feel that lifelong research in every single tracks he recorded.. His guiding principle was the elimination of what is known as expressiveness: from the very first ones in 1995 to what he's doing now - completely unique and timeless. Whatever he does, this man knows how far he can go "too far"!

When you listen to any track of this man that his very own artistic ideal is not driven by the desire to please anyone nor make people dance. His music is not even determined by a certain aesthetic or by it's function in the club. This man's never trying to bring a certain emotion out of you by exciting some brains with already known, he just let things happen, lets subconscious talk with no limits and that's probably why Terrence's music is so touching..
Listening to this incredibly unique "halftime" on B-side, we (and hopefully you) can hear what we're talking about.. He breaks the barriers of time and space.

Following The Edge concept, both artists delivered 1 solo track each and once again, Romain sent some carefully selected music parts to Terrence to work with in order to make 2 brand new tracks / remixes out of them which could illustrate that VOID idea. Once again, these as well as the solo works bring a very spontaneous and delicate record.

B2 - Terrence Dixon & EinKa - Only you can see

Alright, here we go. This is the first track of the new synthwave album I'm working on for FAWM.

That's right baby! Two albums for the price of one! And that price is 0, of course.


Equipment Used:
Roland Super JX10 - Strings
Ensoniq ESQ-1 - Brass (love this patch I made)
Korg DSS-1 - Arp
Korg Monologue - Bass (along with ESQ-1 brassy bass)

【ｓｉｌｉｃｏｎｄｒｅａｍｓ８９】《シリコン》

vaporwave?

I finally made something I liked, took me forever and a day. Recorded this just in one night to blow off some steam. Pretty minimal mastering, and very crunchy still so gotta round off some of the clippy bits.

Sunset Boulevard

I recorded an okay track to the otari and slowed it down by half on the tape deck. it sounds a lot better this way, trust me.

Procession

Another vapory track, on a roll tonight apparently

Visitation

Even more vapor stuff, this one is pretty chill. Actually most of them are pretty chill, but I ended up liking this one a fair bit.

It sounds like absolute ass until you throw a shitty compressor on the whole master bus, then pump the ever loving shit out of that and the limiter. Mmmmmm, transistor abuse.

Lounge Anticipation

yo yo yo, just got my hr16 fixed and hooked it up to the midi grid over here. Works pretty well, but the buttons are fucked, so that's irritating. Wanted to do something kinda vapory using the tape technique I've been doing, got some good results. The reverb comes from a Midiverb 2 I just got the other day, and then gets slammed by a dbx166 compressor.

Equipment Used:
(First Pass)
Squarp Pyramid Mk2 - Sequencing
Roland JD-800/JX-3P - Pads
Alesis HR16 - Drums
Yamaha TX81Z - Lately Bass
Roland MKS-50 - Arp

(Tape Pass)
Otari MX5050-mk3 - Tape Multitracking (using new ATR 1/2" tape)
Alesis Midiverb II - Reverb
dbx 166 - Compression

Little video of the reels spinning with this track: https://youtu.be/O0y5w3Hctiw

【﻿ｗ ａ ｒ ｍ ｅ ｍ ｂ ｒ ａ ｃ ｅ】 《低忠実度》

Alright, we've got a little jam going on! This time I'm trying out my weird dual camera set-up for VHS stuff in the studio. It works surprisingly well! Check the video out if you like fun VHS looks.

VIDEO: https://www.youtube.com/watch?v=ofV5Ccd5Pfc&feature=youtu.be

Time Travel

VIDEO HERE: https://www.youtube.com/watch?v=EG-aSyVFCR0

This one is a doozie, and I've got a multicam'd video to boot! So, it's me on tenor sax, p-bass, and synths/drum machines. I've got the MXR 185 paired with the RD-8 (TR-808 clone) for some serious 80s vibes, and then we've got a whole bunch of stuff either self-sequenced (MS-101 and JX-3P), or live played (DW-8000 noise sweeps).

Check the video out if you get a chance! It's really neato. I may go in depth on how I recorded this tomorrow if I get a chance, it's a little interesting.

complex

I got an octatrack! I've got it in a stand with my Rytm so that I can feed the rytm's outs into the octa AB input for live sampling and stuff. Plus that frees up another two channels on the 246, so I can could combine this all with the modular or something to that effect hopefully.

But yeah, it's some really limited Octatrack stuff, but I literally just got it this afternoon and I didn't start till like 11 and it's only 2 so ehhhh

Radust

Doing some more wonky stuff, this is some weirdly sinister sounding house. Kinda appropriate for the season, eh?

Haus

Testing stuff in the studio. Got a vid of this on the youtubes.

Twelve

Technically award-winning sound guy and music boy

I'm back bitches!

I post a lot of music here, sometimes slightly under-done stuff. Check back every now and then if you like a track, cause there's a good chance that a day after I put it up I will have already replaced the original file lol.

I moderate the synth discord, if you want to drop in and talk some shop or goof about, go here: https://discord.gg/hCuvGvc

My current equipment list is:
Akai AX80 (analog poly synth)

Behringer Neutron (analog duo synth)
Behringer Model D (analog mono synth)
Behringer Deepmind12D (analog poly synth)
Behringer RD-8 (analog drum synth)
Behringer MS-101 (analog mono synth)

Elektron Analog Rytm Mk1 (hybrid drum synth/sampler)
Elektron Octatrack Mk1 (digital sampler/resampler/looper/sequencer/mixer)

Korg DW-8000 (hybrid poly synth)
Korg Poly800 (analog paraphonic synth)
Korg Volca Beats (analog drum machine)
Korg Volca Keys (analog paraphonic synthesizer)
Korg Volca Drum (digital drum synth)
Korg Volca Modular (mini modular synth)

Hammond L100 (tone-wheel tube organ)

Oberheim Matrix 6 (analog poly synth)

Roland JX-3P (analog poly synth)
Roland JX-10 (analog poly synth)
Roland JV-880 (digital poly synth)
Roland JD-800 (digital poly synth)
Roland MKS-50 (analog poly synth)
Roland REVO-120 (Leslie emulator)
Roland S-550 (digital sampler)
Roland CR-68 (analog rhythm machine)
Roland MV-8000 (studio sequencer/sampler/brain)

Studio Electronics ATC-1 (analog mono synth)

Yamaha TX81Z(digital FM synth)
Yamaha SHS-10 (cheap digital keytar)

Doric 61TT Transistorized Organ (combo organ, like Farfisa)

Eurorack Modular

Tascam 246 (4-track tape recorder)
Tascam 238 Syncassette (8-track tape recorder)

Radio Shack MX-1000 (6 channel mic amp/mixer)
Yamaha EMS-10 mk2 (6 channel PA amp/mixer w/ spring)
Mackie 32-8 (32 channel/8 bus mixer)

BOSS RX-100 (spring reverb)
Roland SDE-2500 (15-bit digital delay)
Roland RE-101 (tape echo)
Yamaha R1000 (digital reverb)
Alesis 3630 (compressor)
ART Pro VLA mk2 (compressor)
Alesis Quadraverb (digital reverb)
Alesis Midiverb II (digital reverb)
Alesis Wedge (digital multi fx)
dbx 166 (compressor)

EQD Avalanche Run (delay/reverb)
TC Echobrain (delay)
EHX Small Stone (phaser)
EHX Big Muff Pi (fuzz)

Cannonball Brute Big Bell Stone Tenor Sax (duh)
Fender Squire P-Bass (bass guitar)
Fender Squire Bulletstrat (electric guitar)

【ｗａｒｍｅｍｂｒａｃｅ】《低忠実度》

Dylan Packard

【﻿ｗ ａ ｒ ｍ ｅ ｍ ｂ ｒ ａ ｃ ｅ】 《低忠実度》

Dylan Packard

【ｗａｒｍｅｍｂｒａｃｅ】《低忠実度》