Delia Derbyshire wishes she'd made this for Dr Who. brill atmos!

I like the title, very thought provoking. 

Nice and creepy... the sample is very well chosen and incorporated. 

The bits of "London Bridge" totally intensify the creepiness!

i guess best of the three pieces....but actually you could do some more softer/balanced mastering on it..especially the middle frequency range is very intense on this pieces...should give atry sir;)

Atmosphere corresponds to what's written on the box. Feeling uneasy. Well done!

Diamond Sky

feat J.M. IMC. https://soundcloud.com/jm_inc

original version here
https://soundcloud.com/jm_inc/precipice

...What was it? Did a meteor fall down?
Was it a visit by citizens of the vast space?
So or otherwise in our little country appeared
the greatest miracle of miracles – the ZONE.
We sent there the troops immediately.
They did not come back.
Then we surrounded the ZONE with police cordons...
And, I suppose, that was the right thing to do...
Actually, I don’t know, I don’t know...

From an interview with Professor Wallace, the receiver of Nobel’s prize.

Stalker

Whiskey Lullaby

Method: Layering, as usual
Narration: The poem is what it is.
Picture: This is part of my original illustration for the 'tiny inclusions' series of poems this one belongs to. 

Poem / copyright jo richter:
(as published in: Tiny Inclusions, in: Auslegpapier)

She kept wondering
what might have happened
to that ring she used to wear.
She can still feel its tightness
when tracing the bone in her finger.

There had been some other life,
one she cannot remember.
Traces it of it surround her
like finds on an archeological dig.
She sometimes receives calls from strangers.

The other day, she must have held
a tiny, breathing something in her arm,
caressing it with affection.
Was it a kitten? She cannot detect
any litter in her home.

Right now, she can't help counting
down the letters in the alphabet.
Nothing adds up. Therefore, the fault
lies either in the faultlines between the numbers
and the letters or it is
her turn to vanish.

lapses

Lapses

Written by Gary Zekley & Mitchell Bottler and recorded famously by one of my favorite bands of the 60s/70s (The Grass Roots), "Wait A Million Years” has lingered in my teenage memory and finally gets a quick treatment here. Once again I did a first pass test on my iPhone and grew attached to its raw simplicity despite the rough recording. I subsequently added a vocal harmony and some harmonica accents. Then my Daniels & Durgy partner, Nat Daniels, got her hands on it to lend a hand with some bass, percussion and other editing improvements so that I might offer it here without too much embarrassment! I'm pleased with the results but welcome any comments on this considerable twist on the original Grass Roots version. My great thanks to Nat for her invaluable assistance on this solo track.
Cover art photo provided by Ralf Rosenberg from Pixels. Thanks Ralf!

Wait A Million Years (cover)

Batir del buho

In The Beginning

I am playing guitar for the first time in a long time. My fingers hurt.

Written and performed by Kyo

Grand Slam

Sentiment sink

{\frac {10^{11-1}-1}{11}}=909090909

16 track digital recording, 7 June 2015

synthesizer, samples

Dark matters

Thanks for lending an ear.

for different sounds see also:
https://soundcloud.com/delichtmorbidebrigade
https://soundcloud.com/thefactsoffiction
https://soundcloud.com/bint-4
https://soundcloud.com/rgmb-1

Dark matters

quarkstrangenesscharm

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