Schubert String Quintet in C major, Op 163, D. 956 - Allegro Ma Non Troppo

Johann Sebastian Bach - Piano: Anne Queffélec - BWV 639 "Ich ruf zu dir Herr Jesu Christ" Aus dem Orgelbüchlein von J.S. Bach.

Johann Sebastian Bach - Piano  Anne Queffélec  - BWV 639  Ich Ruf Zu Dir Herr Jesu Christ

David Loebel conducts the New England Conservatory Symphony in a performance of Rachmaninov's Symphonic Dances. Recorded live in Jordan Hall November 13, 2013 by Jeremy Sarna

Rachmaninov: Symphonic Dances-Non allegro

Franz Liszt must have really been blown away by the cities of Venice and Naples on his travels with Marie d'Agoult, because he ended up composing four pieces named after them: Venezia e Napoli. But apparently, the original four pieces weren't good enough for old Franz, so he went back and revised them until only the last two were left: the Andante placido (aka Gondoliera) and the Tarantelles Napolitaines (aka just plain ol' Tarantella). Then he stuck a sad song called Canzone in between them and voila! The triptych known as Venezia e Napoli was born. It was published as a supplement to Deuxième Année in 1861, so if you want to check it out, you better hit up this recording!

Liszt must have been feeling pretty darn romantic when he composed Gondoliera, because it's based on a love song by Giovanni Battista Peruchini called "La biondina in gondoletta." But unlike the original version, Liszt's revision starts off with a fancy introduction in the key of F-sharp minor. The music sounds all calm and serene, like a peaceful Venetian canal (or at least what I imagine one would sound like). And then, once it hits that F-sharp major chord, it's like BAM! The melody comes in and it's all lovey-dovey and stuff. And let me tell you, it's so sweet and soft, it'll make your teeth hurt. But don't worry, there's some fancy flourishes in there to keep things interesting.

The Canzone that comes after Gondoliera (or "Gondolier's Song") is actually part of a larger piece, and it leads directly into the Tarantella without missing a beat. It's based on a song called "Nessun maggior dolore" from Rossini's opera Otello, which is weird because the opera is set in Venice but it premiered in Naples. Anyway, Liszt messed around with the melody and rhythm a bit, and he also changed the key from G minor to E-flat minor, which makes it sound all dark and moody. It starts off with some creepy tremolo, and then the melody comes in and it's all woe is me. But don't worry, it's not all doom and gloom, because there's some fancy piano stuff in there to keep things interesting. And at the end, the music gets all happy and major-key-y, so it's not a total downer.

The Tarantella is like a firework show on piano. It's based on some themes by a French composer named Guillaume-Louis Cottrau, who lived and worked in Naples. It starts off with a Presto tempo, and the introduction leads you from the E-flat key of the Canzone to the G minor key of the first theme. And let me tell you, this thing is full of energy! The music shifts between different meters, so it's like a never-ending party. Then the second theme comes in, and it's like BAM! Fortissimo! And then the music goes to the relative major key, but it doesn't stay there long because it sidesteps into D-flat major with a funny little passage in contrary motion. And then it's back to G minor, and the first theme returns, and it's like a three-part design or something. And then the music closes in B-flat major, and there's a pause, and then there's a new theme in E-flat major, and it's all lyrical and stuff. And then there's some fancy flourishes and variations, and then it goes to E major, and then to G major, and then there's a coda and it's like WHAM! Prestissimo! And the music is rushing towards the end, and it's all virtuosic and impressive.

I. Gondoliera
II. Canzone
III. Tarantella

Recorded live from Dublin City Gallery - The Hugh Lane on July 27th, 2014 as part of the concert series of the Dublin International Piano Festival & Summer Academy.

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Piano: Bluthner Model 1
Piano Technician: Martin Walsh
Recording Engineer: Darby Carroll
Piano provided by Bluthner UK

Franz Liszt Venezia e Napoli, s. 159

The Atlanta Baroque Orchestra live in concert, Sunday, 13 February, 2011 at Roswell Presbyterian Church in Roswell, Georgia. Julie Andrijeski, Karen Clarke, violins, and Stephanie Vial, cello.

Grand Concerto in G, Op. 6 No. 1, G. F. Handel, Movement 2

Johann Sebastian Bach - Partita No. 2, BWV 1004 - Hilary Hahn

The Masters of the Roll – Claude Achille Debussy

From A Sketchbook

Unreleased piece ©chad lawson

www.chadlawson.com

Beauty Mark

Gabriel Fauré - Après un rêve
Claudius Popp - Cello

Buy here

Gabriel Fauré - Après un rêve

Johannes Brahms - Waltz in A Flat Major Op.39, No.15

Pianist Michael Hauber  (https://soundcloud.com/michael-hauber) from Stuttgart / Germany made another lovely recording of one of my "Prelude fantaisies", its  "No. 5", a short but very delicate piece, performed on a Roland RD 170. 
He played all 8 "Preludes fantaisies", so we decided to create a new album. I am sure you will enjoy it, as it contains some of my most extraordinary works...

You can download the album on BandCamp for the price of a coffee :-)
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It is also available on iTunes and Amazon MP3
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Picture: Edouard Manet, The Monet Family in Their Garden at Argenteuil, 1874

Schubert String Quintet in C major, Op 163, D. 956 - Allegro Ma Non Troppo

Quartetto Foné