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Richard Crow: inter-disciplinary artist, working in the field of experimental audio research, and performance. MA in Sonic Arts from Middlesex University (2006). Crow manifests sound and noise for its disruptive, visceral and affective qualities and its psycho-physical implications for the listener. His solo and collaborative performances have consisted of highly conceptualized interventions into base materiality, investigations of alternative systems of organisation and research into a certain material decadence, most notably with the project The Institution of Rot.

Since the mid 80s Crow has collaborated, performed, and recorded with a number of experimental musicians, sound poets and sonic artists including Ashenden, Zan Hoffman, Phill Wachsmann, Adam Bohman (as Diastolic Murmurs), Richard Barrett, Furt, The Elision Ensemble, The Hafler Trio, Clive Graham, Michael Prime, Heimo Lattner, Dean Roberts, Kaffe Matthews, Michael Morley (Gate, The Dead C), Sandoz Lab Technicians, dy'na:mo, e-Xplo, Alessandro Bosetti, Dmitri Prigov, KREV (The Kingdoms of Elgaland Vargaland), Esther Planas, Gabriel Séverin, Gintas K, Colin Potter (Nurse with Wound), The Bohman Brothers, Richard Thomas, Aleksander Kolkowski, Nicola Woodham, Luke Jordan, Chandor Gloomy, and John Wall.
 
He has exhibited and performed internationally and published many sound works since 1984 on labels such as ZH27, Shelf Life, Institution of Rot, Vintage Productions, Paradigm Discs, Durian Records, Touch, Chocolate Monk, [RHP] CDRs, EAM, COMA †‡† KULTUR, Musica Dispersa Records, Nostalgie De La Boue, Psych.KG, La Bois Records and scatter archive.
 
Contact: crow.ior.16@gmail.com

Just A Young DJ From Mississippi That Like To Dance! 

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