come-up rapper; beat-maker turn producer;
 luniebravo@gmail.com

⭐instagram.com/lunie-bravo

⭐https://www.deezer.com/album/292319662

⭐ https://linktr.ee/luniebravo
⭐https://open.spotify.com/artist/60Wx767m73nBFJlLo5qc79?si=FwA8KPmtQ4qi_bGI6rT1ww&utm_source=copy-link

☀️This is the official SOUNDCLOUD account of YOUNG PHARAOH™️💫 👑King/CEO/Leader/General/Polymath/Philosopher/Artist/Technologist/Humanitarian

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Poetry in Motion 
Putting words together through the form of Story Telling/ creating a Lounge Musixxx Experience….
ZapNation!

http://www.mrklutch.com

My Music is Now Available to Download for FREE! Thanks for all of the support! Link up on ALL social networks! If you're not networking you're not working.

The next big thing to rise out of New York City. Mr Klutch has been creating a local buzz getting involved in multiple projects such as the Kaiyzernomics 2013 collaboration. The Bronx MC is perfecting his skills as an audio engineer at the Institute of Audio Research. As a rapper his versatility and ability to designate the right flow on every track is said to be his greatest asset. He says working with Kool Keith from the Ultramagnetic MC’s has been one of his greatest experiences in Hip Hop. “Just being in his presence was such an honor, getting to collaborate with Keith on a track changed my life and helped me develop a new appreciation for the generation who started it.” Klutch has been vigorously working nonstop and has over 40 songs written. He has released quite a few singles in the past couple years and the debut of his first mixtape “Guard Ya Beat” is said to be pretty soon.

I GO HARD AND I WEAR A MASK
1/2 U.O.D BEWARE

Miami Nights 1984 is Michael Glover from Victoria, BC, Canada. His obsession with the 1980s has led to the founding of Rosso Corsa Records and a revival of synthesizer music. With Rosso Corsa he is championing many artists such as Mitch Murder, Lazerhawk, Jordan F and Lost years to make 1980s-inspired music with modern fidelity.

Being among the pioneers of this revival, Mike’s first project Actrazer initially defined the Rosso Corsa sound together with output from label co-founder Lazerhawk. They coined their music Outrun, a genre of soundtrack music with epic leads and arpeggiated synths. At the same time, Kavinsky, the Outrunners and the Valerie Collective were all contributing to this new sound.

Since 2010 Michael Glover has been ecstatic about the success of his second project known as Miami Nights 1984 (MN84). Characterized by smooth synthesizers and nostalgic solos, this new sound accentuates the carefree feel of the 1980s.

The Miami Nights sound garnered support on an international scale with the official remix of ‘Somebody I Used To Know.’ by Gotye. It infuses 1980s charm with Gotye’s powerful voices and moody lyrics. Rollings Stone says it’s an “eighties-inspired synth-pop remix, inspired by [mike's] love of old John Hughes films” while VH1 says “It’s a synth-led 80s redux, and it’s pretty rad”

When asked about influences, Mike says he obviously takes from the 80s: “The music, movies, shows, cars and girls are all running through my imagination when I write a piece of music. I’m not happy with a piece of music unless I can imagine it as the soundtrack to a film or show. Ever since I was a child I enjoyed synth-based music like Tangerine Dream, Jean Michael Jarre and Ray Lynch.” His name coincides with the original run of the Miami Vice TV show on September 28, 1984.

In creating his sound he uses “a variation of analogue synths and virtual instruments in Abelton Live. I’ve been using more virtual instruments for convenience and ability to leave a project without worrying about getting the same sound again.” Many of the parts are first recorded from live instrumentation and tweaked afterward in Ableton.

Building on the successes of Rosso Corsa Records and an official Gotye remix, Mike released the second Miami Nights 1984 full length album Tubulence. Spanning 12 tracks, Turbulence builds upon the synth-pop charms and synthesizer solos from Miami’s first album with more character: orchestra stabs, percussive rushes, slow motion bends and epic interludes distinguish the album. So does the album’s more intense moments which promote the Outrun electro sound we have championed for many years.


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