A playlist converted by Soundiiz from another music platform ! http://soundiiz.com

Systems explained

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-oll9l

w4eygr

√kroke krickets dicks

Candiria Remixes

music box deftness covers

jazz

the upload

A 'remix' of Candiria's "Pull" from the record The Process of Self-Development (1999).  Remix from 2008.


Pull (Candiria)

The idea for this mix came to me a couple of years ago when I watched the documentaries 'Everything is a Remix' and 'RIP a Remix Manifesto', which I can both really recommend. Sampling has been one of the main drivers behind the origination of new music genres such as hip-hop, house and techno in the 80's and 90's when samplers came to the market. I've always found it a lot of fun to spot samples from old songs in today's music. What I wanted to create with this project is something which you might pretentiously call: 'The Ultimate Mashup'. Unlike regular mixes I wanted to use a huge amount of short samples, mashups, loops, acapellas and parts from hundreds of different songs to create something totally new. 

In 1969, the most sampled drumbeat in the world, better known as the 'Amen Break' (from The Winstons - Amen Brother) was recorded. If you have no idea what I'm talking about, search for it on youtube, I bet you'll recognize it immediately. An astonishing amount of hip-hop artists used this sample in their tracks in the late 80's. In the early 90's, the jungle genre was entirely build around reconstructing the amen break sample. There are a lot more comparable samples and drum loops that have influenced our musical history in a profound way. James Brown's Funky Drummer, The Honey Drippers - Impeach the President and Lyn Collins - Think -, just to name a few. I made use of a lot of these famous samples. In total, you'll hear 195 different songs in 72 minutes in this mix.

I really appreciate reactions and feedback from my listeners, so please do not hecitate to provide a comment or share it on your soundcloud or any social media.

Tracklist:
https://www.whosampled.com/forum/topic/4588/Everything-Is-A-Remix-%28195-songs-in-72-minutes%29-/

Gr QuiQui

QuiQui - Everything Is A Remix (195 songs in 72 minutes)

Ofra haza - Galbi (oriental extended mix)

Знак (The Sign )

Ep. 4 Research

Instagram: https://www.instagram.com/rossbugden/ (rossbugden)

Twitter: https://twitter.com/RossBugden (@RossBugden)

As I’ve said many a time before, I’m on a bit of a mission to try every musical genre in existence. I feel like keeping my compositions ranged and unpredictable is equally helpful in the development of skills and the prevention of boredom.  This makes it pretty surprising that I’ve never tried anything particularly jazzy, as the area is a personal favorite of mine. So here’s a Jazz Quartet (piano, double bass, trumpet, drums) piece. I played all the instruments except the double bass myself (with samples mixed in throughout). As always, the first exploration of a genre is rough around the edges, but I really enjoyed writing it, and I think it turned out okay :) 

The Score/Sheet Music:  http://www.mediafire.com/download/c2nvbcn655ur4ct/New_York%2C_1924.pdf

This track is free to use and monetize. No need to get permission. Just credit me (link my channel or video, or simply mention my name).

However, to protect content creators from fake claims, I’ve had to enable Content ID. If you use this track in a YouTube video, you will get a claim from my distributor « Symphonic Distributions ». Just dispute the claim and say: “I have properly credited Ross Bugden on my video.” The claim will be released within 30 days and your video/channel will be unaffected. You won’t lose any revenue that’s made between the dispute and the release of the claim, YouTube holds it in an escrow account for you.

Download WAV (Huge file, great quality): http://www.mediafire.com/download/yj9sp6bs9y9cp2o/New_York%2C_1924%282%29.wav

Download MP3 (Tiny file, good quality): http://www.mediafire.com/download/rimhqt4181w5y87/New_York%2C_1924_MP3%282%29.mp3

An upbeat blues/jazz piece, made with Colossus as well as original recordings (with DAW FL Studio). This song is indeed copyright / royalty free. Feel free to use it for any purposes (including monetization). I do however, request that you credit me (by linking my channel if at all possible).

New York, 1924

Upbeat Jazz Music  - New York, 1924 (Copyright and Royalty Free)

Candiria "Mereya" from the album "While They Were Sleeping"

While They Were Sleeping

Candiria "Mereya"

MBM Performs Deftones

Change (In the House of Flies)

Passenger

Kenny Barron and Regina Carter's performance of "Don't Explain," (written by Billie Holiday and Arthur Herzog Jr.)on the Jimmy Lyons Stage in the Arena at the 52nd Annual Monterey Jazz Festival on September 18, 2009. 

This performance was part of the Monterey Jazz Festival All-Stars' set, which featured Kenny Barron, Regina Carter, Russell Malone, Kiyoshi Kitagawa, and Johnathan Blake.

Kenny Barron & Regina Carter, "Don't Explain" at MJF52 (2009)

Deborah Stafford covers this beautiful Ella classic.

Blue Skies - Flatirons Jazz Orchestra

In the video, Taleb talks about the vulnerability of things and how we are so dependent on technology, that we become fragile and at the same time the planet started to get smaller because of the internet.

He discussed how big companies destroy themselves, because of their size, operation and not adapting fast enough. Part of the blame he says is because we are human and we build things that eventually break. When I hear that companies destroy themselves I ask myself,  why do they don't adapt fast enough if the have a lot of resources?, the hotel industry didn’t create AirBnB, or why the Taxi Industry didn't create Uber or Blockbuster developed Netflix, there are more examples like that. 

There is an economic concept called Creative Destruction that was popularized by Joseph Schumpeter here is an extract from a Wikipedia page I will leave the link below. “In Schumpeter's vision of capitalism, innovative entry by entrepreneurs was the disruptive force that sustained economic growth, even as it destroyed the value of established companies and laborers that enjoyed some degree of monopoly power derived from previous technological, organizational, regulatory, and economic paradigms.” https://en.wikipedia.org/wiki/Creative_destruction

I agree when he mentions that universities and political institutions are falling behind and as time passes they are less fit to understand what’s happening in the world, the world and information is moving faster than before and people are adapting new ways to interact, share, learn and sell stuff. 

An example is that we are still voting for a President like if it were 1917 and not 2017 when we can use technology to do more efficient tasks and transparency.  ( see the Estonia video on how they use technology to have a more transparent government, reduce crime, benefit the health and school system. A digital Society  https://www.youtube.com/watch?v=9IWpM9xtcyk ). 

My brother has become a Vegetarian Chef, Filmmaker, 3D Animator, Music Producer, Meditation Guide, all that without a college degree, and he is good at it, learning all of that from the internet, time and discipline. Some of us learn better by finding alternative methods on the internet rather than the methods used in the rigid school system.  I recommend this video on “Changing Education Paradigms” https://www.ted.com/talks/ken_robinson_changing_education_paradigms )

What I got from this talk that relates to software development has to do with what we read in the book of Pragmatic Programmer and what we saw in some of the classes with Isaac where they give us tips on not to build big modules with a lots of code, split them up, don't letting them get too big, don’t build modules that depend on others and have the habit of testing.

Taleb shared a phrase “Build a system in which people can make all the mistakes they want without endangering others” that comment was meant for economic, governmental and financial point of view but that can apply to coding as well, build systems that are less vulnerable.

Nassim Nicholas Taleb

Deborah Stafford sings the Diane Schuur/Count Basie arrangement.

Deedle's Blues - Deborah Stafford

Karaoke Carpool Presents Deftones

Root (In The Style Of Deftones) [Karaoke Version]

My Own Summer [shove It] (In The Style Of Deftones) [Karaoke Version]

Produced by Alex Koenig, c.2010 Rising Pulse Records.  Appears on Candiria's "Toying With The Insanities Vol. 3" LP.  Available here: http://risingpulserecords.bigcartel.com/product/candiria-toying-with-the-insanities-vol-iii   Original appears on "Beyond Reasonable Doubt" album (1997).

The Third Installment of The Candiria Remix/Rare Tracks series. Limited to 300 Transparent Yellow with Multi colored Splatter vinyl 12" LPs

Side A
Red Eye Flight (Nmesh Elevated RMX)
Pull (Kjell RMX)
Primary Obstacle (Edgey Madness RMX)
Process Of Self Development ( RMX by John Lamacchia)

Side B
Rhythmic Entropy
Primary Obstacle (Nmesh Blue Blooded RMX)
Mathematics (Mad Influence RMX)
Blinded BY Memory


Candiria - Primary Obstacle (Nmesh Blue-Blooded Remix)

Produced by Alex Koenig, c.2010 Rising Pulse Records. Appears on Candiria's "Toying With The Insanities Vol. 3" LP. Available here: http://risingpulserecords.bigcartel.com/product/candiria-toying-with-the-insanities-vol-iii Original appears on "Surrealistic Madness" album (1995).

The Third Installment of The Candiria Remix/Rare Tracks series. Limited to 300 Transparent Yellow with Multi colored Splatter vinyl 12" LPs

Side A
Red Eye Flight (Nmesh Elevated RMX)
Pull (Kjell RMX)
Primary Obstacle (Edgey Madness RMX)
Process Of Self Development ( RMX by John Lamacchia)

Side B
Rhythmic Entropy
Primary Obstacle (Nmesh Blue Blooded RMX)
Mathematics (Mad Influence RMX)
Blinded BY Memory 

Candiria - Red Eye Flight (Nmesh Elevated Dub)

LK - Under Pressure (Demo)

picture: collage containing 
Isabel Santos Pilot - Ava Gardner Flickr cc by nc sa https://flic.kr/p/97sbuT
The One and Only Louise Brooks (1906-1985)https://flic.kr/p/b7r29T

Like twin fawns

If I went to Malaysia
would you go with me?
Into the jungle,
or the deep blue sea?

I remember
How it was, like twin fawns
that was us.

Oh no, 
I admit it,
I was the masterthief
Who stole your heart
or that's what you
made me believe.

If I end up in China
Will you look me up?
And climb that mountain,
'till we reach the top?

There is a doorway
I got the key -
Right here in my hand:
I'll give it back
to you, 
But don't take it far away 
Like twin fawns
that were us.

May 10th 2018

Come what May

Like twin fawns

Soul Eater

Lyrics:

Trying to get her mask off 
and all I get are feces and blood. 
What a mess! it’s all my fault! 

Trying to get deeper, 
what an overwhelming result. 
I found you when I didn’t even want to. 

Handicaps that fit well. 
Illusions of full body. 
They’ll never understand: 
what they’ve lost will never return. 

Trying to get her mask off 
and all I get are feces and blood. 
What a mess! it’s all my fault! 

Trying to get deeper, 
what an overwhelming result. 
I found you when I didn’t even want to. 

What she has is locked away. 
Illusions of full body. 
I can’t free what I can’t see. 
And it’s lost it will never return, no! 

Trying to get her mask off 
and all I get are feces and blood. 
What a mess! it’s all my fault! 

Trying to get deeper, 
what an overwhelming result. 
I found you when I didn’t even want to.

イリュージョン 
"Illusions" 
Produced by: Max Devereaux & Adrián Suchowolski 
Song written by: Adrián Suchowolski & Max Devereaux

Max Devereaux: Vocals, Acoustic Guitar, Electric Guitar, Bass, Keyboards, Percussion, Drums, Electronics 

Adrián Suchowolski: Vocals, Keyboards, Acoustic Guitar, Percussion, Drums, Electronics 

Nelson Devereaux: Tenor Saxophone, Alto Saxophone, Soprano Saxophone, Baritone Saxophone, Clarinet, Bass Clarinet, Flute 

Paul Westfahl: Drums, Percussion 

Chuck Devereaux: Album cover artwork 

Akira Naito: Japanese translation

New Album

Illusions ft. Max Devereaux

NEW SONG - BUY NOW - 
https://ronsnyder.bandcamp.com/track/good-luck
Written by Ron Snyder / Glenn Snyder
Copyright 2018

2021 REMASTER Replaced Previous Version

Good Luck

Ron Snyder - GOOD LUCK (original song)

my wish girl

The Bloody Beetroots 'HIDE' OUT NOW': http://smarturl.it/BBRHIDE

CLICK HERE TO BUY ROCKSTEADY: http://smarturl.it/ROCKSTEADYTBB

Sir Bob Cornelius Rifo aka The Bloody Beetroots has decided to give you a free minimix of all the Rocksteady remixes. Girls. Dust. Cars. Guns. BANG. BANG. Download. (On behalf of SBCR).

The Bloody Beetroots 'Rocksteady Remixes Minimix' (FREE DOWNLOAD)

Love Me Two Times

freestyle i did over a instrumental oddisee dropped

3 Misses freestyle

A-Trak & Tommy Trash - Tuna Melt (Grandtheft Remix) 




Purchase A-Trak's Tuna Melt EP here: http://smarturl.it/TunaMeltEP


A-Trak & Tommy Trash - Tuna Melt (Grandtheft Remix)

Full Track Listing:
1.	Third Planet – Modest Mouse
2.	My Name Is – Eminem
3.	Smells Like Teen Spirit – Nirvana
4.	Funky Drummer – Jame Brown
5.	Dammit – blink-182
6.	Kids (Datsik Remix) - MGMT
7.	99 Problems Can’t Stop – Brand X
8.	Brand New Colony – The Postal Service
9.	It’s Time – Imagine Dragsons
10.	Anthem Pt. 2 – blink-182
11.	Yonkers – Tyler, the Creator
12.	Such Great Heights – The Postal Service
13.	Crazy – Afghan Whigs
14.	VCR – The xx
Videos Sampled:
"Lawrence Lessig On Creative Commons." YouTube. Artists House Music, 12 Mar. 2010. Web. 25 May 2013.
Copyright Criminals. Dir. Benjamin Franzen. Perf. Aesop Rock, George Clinton, Chuck D.. Indiepix Films, 2010. Film.
Gaylor, Brett. "RIP: A Remix Manifesto." RIP A Remix Manifesto RSS. N.p., 15 Mar. 2009. Web. 25 May 2013.
"Larry Lessig: Laws That Choke Creativity." YouTube. TED, 15 Nov. 2007. Web. 25 May 2013.

Take and Build

Natalia Quest is a bilingual singer-songwriter born in Russia and currently residing in Los Angeles. She holds degrees in music and psychology and is passionate about alchemizing personal and collective shadows through art.

In an era of rapid AI development, Natalia strives to keep her music highly authentic and charged, both emotionally and energetically. She believes that true art can only be channeled and received, not generated by the human brain, and certainly not by AI.

Natalia appreciates integrity and authenticity in people as well as in her own expressions, inviting us on cathartic sonic journeys with her unconventional music to catalyze a deeper understanding of ourselves and the world at large. As truth will set us free.