Written March 31 - April 3 2016, it is my 4th work for concert band. The piece goes through several 'moods' created by changing the texture in the family of instruments used (whether it it be brass, winds or percussion). It is scored for a large concert band and utilizes mixed meters all the way through.

Performed by the UNT Concert Band conducted by Jack A. Eaddy Jr.
This was recorded at the world premiere on November 8, 2017.

'Faster' for Wind Ensemble (2016, rev. 2017)

Harrison J. Collins
J Stands for Joe Music
Your friendly neighborhood composer!

Dedicated to writing music that challenges and connects to performers and listeners alike.

Find more info on my works and purchase them at harrisonjcollins.squarespace.com - or contact me at harrisonjcollinscomposer@gmail.com!

Hello, and welcome to my little corner on the internet. This features some of my original compositions, and arrangements of favorite selections of mine.

Stay in touch here or below.

Amateur pianist, slightly better composer. Hope you like field recordings.

En cours de compositions...

(In English at the end ...)
Toutes mes compositions sont faites sur ordinateur avec instruments et voix virtuelles donc il faut un peu d'imagination de l'auditeur pour ce qui est des nuances et de l'interprétation ... d'autant que je ne maitrise pas bien ces outils (qui donnent déjà des resultats assez étonnants) . Les voix notamment sont faites à partir de voix de choeurs virtuels qui ne rendent pas vraiment le même son que des solistes et dont j'ai beaucoup de mal a rendre le legato (sans parler des suraigus assez "raides" ...) Encore une fois en plus de votre imagination je compte sur votre indulgence...

In English (traduction google...) :

All my compositions are made on computer with virtual instruments and voices so it takes a little imagination of the listener for what is nuance and interpretation ... especially as I do not control well these tools (which are already producing results pretty amazing). The voices are especially made ​​from virtual voice choirs that do not really sound the same soloists and I have great difficulty making the legato (not to mention the shrill enough "stiff" ...) Another times more than your imagination I count on your indulgence ...

Anastasia Vinogradova was born on 2nd April 1994 in Lausanne (Switzerland).

She studied piano with Enrico Camponovo and followed the lectures of analysis and elements of composition presented by William Blank at the HEMU in Lausanne.

She continued her musical studies in the composition class (Bachelor) of Xavier Dayer at the Hochschule die Kunst Bern (HKB).  

Her current catalog includes five symphonies, four piano sonatas, three string quartets and several chamber and orchestral works.

Born in '64. Jacksonville university educated.  Amateur.

A BUNCH OF INCOMPLETE IDEAS FOR YOU TO USE.

'Faster' for Wind Ensemble (2016, rev. 2017)

Quinnmasoncomposer