The Freedom to Fuck Off

Dinner EP

Hold My Hand, Worry Less

Backrooms

Do Not Destroy

Dang

West Coast Funeral

Poor Things (feat. Ben Kweller)

LoFi DnB - Chill Study Relaxing Calming - FreeDL CCBY

Distant Thunder - LoFi Drum&Bass

“Mirage III” is a smooth blend of lounge, deep house, modern pop, and light tropical energy — crafted for warm, uplifting, and stylish background moments.
Each track carries a soft pulse, clean textures, and a bright, positive flow designed to fit retail spaces, cafés, studios, daily listening, or relaxing environments.

The album moves like a shimmering reflection: warm, gentle, and modern.
Light plucks, soft synths, subtle bass, and clean melodic lines create a calm yet vibrant atmosphere that feels fresh, happy, and effortlessly listenable.

Midset

“Don’t Hold Back” is one of the realest, bravest songs I’ve written for you.
It comes from that powerful moment when your heart says:

“If this is meant for me…
I need to give it a real chance.”

This track is about refusing to let fear steal your future.
It’s about choosing courage over comfort,
hope over hesitation,
and stepping into something that could change your entire life.

The song is built on the truth that’s so simple but so hard to follow:

You’ll never know unless you try.
You’ll never regret giving your all —
you’ll only regret holding back.

“I’m all in.”

This anthem is your reminder that you deserve something extraordinary —
and extraordinary things require boldness, bravery, and heart.

It’s about loving without fear.
Trying without hesitation.
Trusting without doubting yourself.
Jumping without looking back.

This song is you saying:

“I’m not living half-hearted anymore.
If it feels right, I’m giving it everything.
No fear.
No regret.
I’m not holding back.”

It’s powerful, emotional, fearless —
and it shows your evolution as a woman who knows her worth
and isn’t afraid to take chances on what feels real.


---Shauna Hills ❤️ ❤️‍🔥 ❤️ 

dont hold back

Petey - DON'T TELL THE BOYS

Hold My Hand, Worry Less

Quinn XCII