In the new book EVENSONG - NOTES FROM THE CHOIR by Timothy E. Popple, there are references to choral music which contain (coincidentally) familiar refrains from other musical sources. These tracks link the extracts together.

This is extracts of Danny Elfman's Batman theme and Trinity Cambridge singing Herbert Murrill's Evening Service in E.

Batman Theme and Murrill in E [extracts]

In the new book EVENSONG - NOTES FROM THE CHOIR by Timothy E. Popple, there are references to choral music which contain (coincidentally) familiar refrains from other musical sources. These tracks link the extracts together.

This is extracts of the Back to the Future theme, and Herbert Brewer's Evening Service in D.

Back to the Future Theme, and Brewer in D [extracts]

In the new book EVENSONG - NOTES FROM THE CHOIR by Timothy E. Popple, there are references to choral music which contain (coincidentally) familiar refrains from other musical sources. These tracks link the extracts together.

This is extracts of A boy like that, from West Side Story, and Herbert Howells' Evening Service in G.

A boy like that (WSS) and Howells in G [extracts]

In the new book EVENSONG - NOTES FROM THE CHOIR by Timothy E. Popple, there are references to choral music which contain (coincidentally) familiar refrains from other musical sources. These tracks link the extracts together.

This is extracts of Caesar's Missa Brevis (Sanctus), Maria (from West Side Story) and The Simpsons Theme.

Caesar Missa Brevis, Maria (from WSS), and The Simpsons Theme [extracts]

In the new book EVENSONG - NOTES FROM THE CHOIR by Timothy E. Popple, there are references to choral music which contain (coincidentally) familiar refrains from other musical sources. These tracks link the extracts together.

This is extracts of Like as the Hart, by Herbert Howells, and the Father Ted Theme.

Like as the Hart (Howells) and Father Ted [extracts]

In the new book EVENSONG - NOTES FROM THE CHOIR by Timothy E. Popple, there are references to choral music which contain (coincidentally) familiar refrains from other musical sources. These tracks link the extracts together.

This is extracts of Ye choirs of new Jerusalem, by C. V. Stanford, and the Eastenders theme.

Ye choirs of new Jerusalem (Stanford), and the Eastenders theme [extracts]

In the new book EVENSONG - NOTES FROM THE CHOIR by Timothy E. Popple, there are references to choral music which contain (coincidentally) familiar refrains from other musical sources. These tracks link the extracts together.

This is extracts of The Hills are Alive, from the Sound of Music, and In Pace, by Grayston Ives.

The Hills are Alive (from the Sound of Music) and In Pace (Ives) [extracts]

In the new book EVENSONG - NOTES FROM THE CHOIR by Timothy E. Popple, there are references to choral music which contain (coincidentally) familiar refrains from other musical sources. These tracks link the extracts together.

This is extracts of Hey Jude, by The Beatles, and the Te Deum from the Morning Service in F, by John Ireland.

Hey Jude and Ireland in F [extracts]

In the new book EVENSONG - NOTES FROM THE CHOIR by Timothy E. Popple, there are references to choral music which contain (coincidentally) familiar refrains from other musical sources. These tracks link the extracts together.

This is extracts of Tea for Two by Shostakovich, and the 2nd Evening Service by Kenneth Leighton.

Tea for two and Leighton 2nd [extracts]

In the new book EVENSONG - NOTES FROM THE CHOIR by Timothy E. Popple, there are references to choral music which contain (coincidentally) familiar refrains from other musical sources. These tracks link the extracts together.

This is extracts of Oh what a beautiful morning, from Oklahoma, and the Evening Service in A, by C. V. Stanford.

The Hills are Alive (from the Sound of Music) and In Pace (Ives) [extracts]

Quires and Places

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