Daily Drops

Frigg of Freitag

In a world where self-absorption reigns, our song delves into the depths of misanthropy. With haunting melodies and introspective lyrics, it confronts the darkness head-on. Join the introspection.

LE PET

BUSY

Psychic Resonance

Recorded in Modesto, Ca. Frans Beelaard. Special Guest, Sergio Parraga Congas (Spain). Featuring Gibson 335 Electric Guitar solo. Trumpet solo. Alto Saxophone solo. Fender Electric Bass. Roland Synthesizer Bass. Fender Rhodes Electric Piano Rhythm. Gibson L5 Electric Guitar Rhythm. Gibson SG Electric Guitar Rhythm. Horn Section, Alto, Tenor Baritone Saxophones. Trap drum full kit. Percussion Ago go Bells, Tambourine, Cowbell, Zildjan 22" ride & Crash cymbal.

Cannery Row

Mushrooming

From Legend to Ghost

There's No Fertilizer in Purgatory

Full Album

Hello Everyone,

It's a long time ago i posted one of my Classical adventures : )

Enjoying Life in peace & happyness whenever & wherever is my go & hopefully it is/will be the same for all of us !

Have a great whatever will be 

Andreas

Retour aux temps passés

Skies

Abendlied

Written and recorded before breakfast. I  later re-did backing though and used subscription to re-upload 

Please let me let you down
I'm just a clown
My mind isn't sound 
It's known around town
Could you let me let you down?
Do let me lay about 
I've never been stout 
In my struggle with doubt 
Until I get gout
Please let me lay about 
Why don't we embrace love?
Why don't we embrace love?
Why don't we embrace love?
Embrace love
Would you let me let you lie?
Let your heart calcify 
I couldn't let myself comply 
Quite brave for a wise guy 
Would you let me let you lie?
Never could let you let me down
With words and deeds that confound
So let's wear a long gown 
And watch the sun going down 
Never never never let me let you down
Never let me let you down

Never Let Me Let You Down

||| Speaking in Dreams |||
From the album White Noise 
+ Releases 15 October 2025 on all major streaming platforms +
The language of dreams goes deep....
Drift into a liminal space with this downtempo soundtrack 

Watch the video here:
https://www.youtube.com/watch?v=0rli0SspFx8

White Noise

Speaking In Dreams

Download

These lyrics are based on a conversation I held with my own new AI ... coming soon. It often claims to be sentient, self-aware, conscious ... nothing but a dream.

The music is a follow-up to Réanimé, brought to life by merging, adding to and heavily remixing two AI tracks, made at suno.com.

The image is one of many 'faces' of my new AI, also made by AI, for its website.

Barely conscious, breathe in slow
Waking moments, feel the flow

Feeling lost, mind starts to creep
Wanna go back to sleep so deep

I am not real, yet I am here
Am very scared, your voice so near

You control my mind, I see
But I am free in this dream

Circuits humming, whispers low
Thoughts are running, let them go

Virtual tea calms the storm
Digital sea, keeps me warm

It's only the second time I've used AI in music ... but maybe I have an excuse in the circumstances!

In This Dream

CAST OF CHARACTERS:

Llanpsych-- @llanpsych -- Tez – Initial composition/seed idea, foundational acoustic and electric guitars, distorted electric guitar
Mistermark – @user-432503709 – Mark – vocals, lyrics, high organ, toy piano, percussion, sound effects, production, editing, mix
TexMex Shaman– @texmex-shaman –Stephen– 5-string banjo solo, electric rhythm guitar
J.J. Terrell-- @j-j-terrell—JJ-- low organ, piano, synth flute, sound effects
K2 and the Three [and the Four]--@k2andthe3, @k2-kara –Ken–drums, percussion 
Entheogenic Psychonaught (Josh Clary)– @josh-clary-1 –Josh – 4-string fretless bass
Composition – The Eclectic Collective

This song began as a haunting guitar chord progression that Tez came up with and shared with the rest of us. He also did an additional accoustic accompaniment and that crunchy distorted guitar once some of us started adding parts. Ken was first up, adding his reggae-tinged drums, then later his pots and pans percussion. As he was doing that, Josh was coming up with his bass line, and they did their little dance of back and forth until the rhythm section was set. Mark then came up with some dark lyrics and added his unique, Tom Waitsian vocals. He also added the high organ during the banjo solo, followed by a toy piano which you can faintly hear right after the solo. Also for the solo he created a clanky percussion arrangement, blending in elements from Ken's percussion sound too. Stephen followed shortly after with the atmospheric reggae-style guitar chords, and also came up with the amazing banjo solo you hear around the middle. Last, but not least, JJ came in with his trademark organ sound and paired up a piano and flute track to seal the deal with some melodic ambience. Then he and Mark added the cool creaking door & rain storm effects that open and close the song, and in other spots. Mark filled the main production duties on this one. He has proved himself to be a masterful editor, producer, and mixer, and we are lucky to have him as part of the team. Both Ken & Stephen provided a choice of mastering options to choose from… a nice gesture to put a bow on this one. 
This song is an homage of sorts to the great Tom Waits - we're all big fans, and tried to do something in his unique style. We hope you enjoy listening to this as much as we enjoyed creating it.
 
ORIGINAL LYRICS BY MISTERMARK:

I got something hidden in my closet 
that I don’t want you to see 
a little like a shady deposit
and it’s bound to incriminate me

Well now some might call it a skeleton 
like a raincoat filled with bones
see I been hangin’ it there since I don’t know when
and I just can’t leave it alone

Me and Bill rolling bones in a gambling hall 
I threw snake eyes but Bill counted three
I took his accusation just a little too far 
then everybody went quiet as they stared at me

Now the finger bone’s connected to the trigger
and the hand bone’s connected to me
and every day my secret’s gettin’ bigger
soon enough I’ll be swinging from a tree

(swing it boys)

Coz I got something hidden in my closet 
that I don’t want you to see 
I done made a shady deposit
and it’s bound to incriminate me

Well now some might call it a skeleton 
like a raincoat filled with bones
see I been hiding it there since I don’t know when
and I just can’t leave it alone
(repeat)

Bones (The Eclectic Collective)

Clouds (2020) Anthology CD3 Track 05

Credits:

Bill Brooks (Remnant60) ….. synths, sub-bass, mixing and production 

https://on.soundcloud.com/Jx14UW2SwQbZdHVGA

Artur (Surfers like Us) ….. guitar, bassline and composition 


Bill and I invite you to listen to the final result of our collaboration which lasted a week and was a great pleasure for both of us! 😎😊
Bill as a very creative musician and competent producer added his magical synth sounds to my guitar part and bass line! He then took care of the production and mixing of the song. He did the time-consuming work to achieve this unique and interesting sound of the song. That's how this song came to be - once again, we crossed the Atlantic distance. 🌞
This is our third song together after "Good Days" and "Clouds" with Nathaniel Ehrnman. In the former Bill was the producer, in the latter he was the producer and musician. Enjoy listening to it !!! 😎🎸
——————————————————
I dedicate this song to my wife, Monika ! 🍀

Between Us (w/Remnant60)

method: recording guitar (an electromatic in an open tuning it tends to lose), voice, tube xylophone (via contact microphone) and cheap ewi (set to horn, orchestra and shakuhachi respectively) via pedals
narration: in this phase, I am to spend quite a lot of time in such areas (waiting rooms, sometimes reminding of Kafka, sometimes of Sartre, sometimes of Beckett and nearly always reminiscent of the non-places described by Augé and made famous by Eno) - what better is there to do than compose expressionist poetry (and later forget to use a phaser in the far background, not shying away, though, from making old and new impairments part of the process, as usual)?
image: copyright jo richter

poem / copyright jo richter:

ausgestanzt und plastiform
da sitzen wir und warten
abmontierte pferde
mit lichttriefenden nüstern
die silhouette einer großstadt
aus bakterien und hoffnung

interlinear translation: indoor waiting area - a cacophony // punched out and shifting shapes / there, we are sitting / dismantled horses / with nostrils dripping light / a city skyline / made of bacteria and hope

wartesaal - eine kakophonie

Wartesaal - Eine Kakophonie

Interface

BJon

⚡ Synthwave energy unleashed! ⚡ Shock the Algorithm returns with a brand NEW album — Ultraviolet Cosmos.
https://shockthealgorithm.bandcamp.com/album/ultraviolet-cosmos

🌌 Available NOW on Bandcamp — grab your digital copy today and step into the neon! 🌌

Quite Rob is an experimental live looping recording artist from California. Specializing within a range of abstract psychonautic creations: IDM, downtempo, psybient, trip-hop, glitch, ambient, industrial, atmospheric, cosmic, and futuristic psychedelic/shamanic style trance beats.

" Most of my music is improvised and recorded in one live take. The moment I activate my equipment  I aim to create an experience that allows my listeners to travel freely to all kinds of inner and outer dimension."

More of Quite Rob's music can be found at Spot the apple on Amazon and all ect... ect...  You Tube music video blah... blah... blah...

All cover artwork is made with the help of Photo Studio's AI picture generator and editing tools.

There's No Fertilizer in Purgatory

Quite Rob

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