Take Away 56

Repoed Loveseat

Mehdi Sanaei - Archive

Ateliers' Breakroom

Again (long version) - Archive

Valeh - Axiom of Choice

Babel OST - Bibo No Aozora Endless Flight - Gustavo Santaolalla

Excerpt from Pierre Bastien's Live album ''The Mecanocentric Worlds of Pierre Bastien'' out on 27th October on Vinyl and Digital.

More info at www.discrepant.net

Pierre Bastien - May Yam (Excerpt from The Mecanocentric Worlds of Pierre Bastien)

From the kitchen to the garage... Dutch girls and girlgroups in the sixties

Linda van Dyck - Stengun (1967)

Music composed for 'Descaler', a dance performance choreographed by Rafael Reynoso in collaboration with Nicholas Grubbs during his September 2017 residency at Otion Front Studio

Descaler I, II, & III

Dastaan - Tajdar Junaid

from the album ~~~
https://anaroxanne.bandcamp.com/album/-

Ana Roxanne is an intersex Southeast Asian musician based in Los Angeles. Born & raised in the Bay Area to immigrant parents, Ana's love for music and singing began through her mother's cd collection of 80's/90's R&B divas. Raised in the catholic church, she became a devout choir nerd and found any opportunity to sing, whether for religious mass, the jazz ensemble of her catholic high school, or karaoke at family gatherings. Her commitment to singing led her to a brief stint at a vocational jazz program in the cornfields of the midwest; in a remote town of 7,000 people, she began a formal study of jazz and classical music. During these years she would tour with her jazz and chamber ensembles to beautiful old cathedrals in nearby cities and became enamored with the sacredness of choral music, as well as the enveloping sound of harmony. 

A near death experience, too, served as a connection between music and spirituality, and music as a healing art after facing tragedy. 

In 2013, Ana was also fortunate enough to spend a few months in Uttarkhand, India where she met an incredible voice teacher who introduced her to classical Hindustani singing. Living and studying with this teacher deeply impacted her outlook on the voice as art. It was there that she began to see the singer - the Diva - as a symbol of divinity; that the unique power of one's voice comes from the vulnerability of using the body as an instrument. Be it romance, love, or worship of a deity - in order to access such depths of emotional expression, one must be willing to be intensely vulnerable, lay one's heart in the open air, expose what is kept hidden. This brief study was the catalyst that led her to finish her music study at the experimental Mills College in Oakland, CA, where she began to combine all of these influences into her current self-titled project. This album ~~~ was created during her last years residing in the Bay Area, a tribute to the great musicians who inspired her and the landscape where she spent her formative years. 

In addition to the worship of R&B and pop divas, Ana's current practice explores themes of gender & identity. In October of 2018, she decided to come out publicly as intersex, and is dedicated to being a voice for her community and speaking out about social justice for intersex youth.

Ana Roxanne - Nocturne

Salis 'n Salis  - "Sa vida ita est"

FRANCESCO SALIS  Lead Vocal Chitarra Gibson Les Paul, Amplificatore VOX AC 30

ANTONIO SALIS Lead Vocal  Basso Hofner Violino Originale, Amplificatore Marshall 

PIER PADERNI  Organo Hammond A 100 Leslie 147

PAOLO GERARDINI Batteria Ludwig Dual

"La ragazzina del cortile accanto"

Salis 'n Salis  - "Sa vida ita est"
FRANCESCO SALIS  Lead Vocal Gibson Les Paul, Amplificatore VOX AC 30
ANTONIO SALIS Lead Vocal  Basso Hofner, Amplificatore Marshall 
PIER PADERNI  Organo Hammond A 100 Leslie 147
PAOLO GERARDINI Batteria Ludwig Dual
The following  Album has been produced  by:
Produttori Associati ‎– PA/LP 37 Vinyl, LP, Album, Gatefold 
Paese:Italy Uscita:1971
Genere:Rock Stile:Prog Rock  
Currently distributed by: https://www.discogs.com/it/I-Salis-Sa-Vida-Ita-Est/release/5247326
Files data for Pier Paderni  Hammond performance on all tracks.
No commercial value - Not for sale

"La naja"

Taken from the upcoming album Both Lines Will Be Blue, out July 12th on Smalltown Supersound. Produced by Carmen Villain. Flute performed by Johanna Scheie Orellana. Mastered by Matt Colton.

Observable Future

Jerome

Insaniyti

Deena Abdelwahed - Insaniyti

Taken from the God Bless the Death Drive LP (PP45)

Literally taking off where the acclaimed Precious Waste in our Wake LP finished off, London based outfit Triple Negative return with another exemplary amplified jigsaw puzzle. The playback of this reality is garnished with humour, bedlam, beauty and a robust fear of the predictable. As payback for your acknowledgment our international line-up deliver a disparate mix of genres and histographies rendered into a devious dish of rhythm, song, balladry and nerve. 
 
This is Not This Heat.  A.Kostis/Kostas Bezos’ ‘Stin Ypoga’ (1930) is the template for Bad emotional investments whilst the haunting Fine Cargo Lacquer takes flight from the morbidly on point novel The Death Ship by B. Traven. 

God Bless the Death Drive could be construed as a compass to navigate the wayward wonder we inhabit or it can just be enjoyed. This second full length steers into scathed realms of everyday junk and poignant punk, all pressed down on the lowest quality ethylene and chlorine. 

Triple Negative return with another stamped digest of hope as joke, noise and song, rollicking rhythm and seasick soul. 

Edition of 500 copies in high gloss sleeve with printed comic book inner sleeve. 

Reviews for Precious Waste in our Wake :

"Passages of abstract, energetic garage-psych and a previously unimaginable range of unexplored tone and texture (both electronic and acoustic) are weaved together with sensitive, understated jumble-sale genius!! Every ounce of this trio equipped with jaws capable of delivering the same level of writhing combustible haunting BITE and rhythm as This Heat." An endearingly honest and outrageously artful sense of seemingly forgetful prowess - having played together for seventeen years (!) and only now releasing their debut album, “Precious Waste..” really gives weight to the idea that it can take a long time to sound like yourself. Triple Negative's entirely unique breed of dynamic chaos providing the thrill and bewilderment of observing that which is so close to collapse, evolve into a fully realised slab of INFINITE potential. Favourite thing we’ve heard in ages, cannot recommend highly enough." - Low Company

"Three foreign sorts – a Kiwi, a German and a Romanian it says here – converge in London and make dough-thick improv rock-not-rock that sounds like they got all their mates in the studio to hoedown, holler and proclaim. In fact, I think there are just a lot of instruments, although I couldn’t say for certain what most of them are: things stringed and folky, reeded and snakecharmy, samplers, shakers and racket-makers. Voices are abundant, but the words could be in any or none of the languages Triple Negative speak. Gets pretty trancey and ritualistic at times, albeit with plenty of change-ups to pop your joints out, and it all amounts to Precious Waste In Our Wake being potent red diesel for fans of Royal Trux’s Twin Infinitives, Faust, Sun City Girls, Vibracathedral Orchestra and Part Wild Horses Mane On Both Sides." The Quietus

Melted alien fug and scattered dust cloud punk from inglorious crew of London by way of NZ reprobates - 2 Bridges Music Arts

Straggling, wheezing klatter and klang. i’d apply some elastically stretched rockist reductionism but really, it’s sound as collection / collectivism and all the ugly beauty that entails - Cows are just food.

Triple Negative - Bad Grace

Penultimate Press