A galaxy of scrapes.

All you need to know http://adam-cadell.com

Dj-Recording Studio 
K Maestro Production

System Error alias is inspired by analog synthesizer sound, oldschool electro, 90 dance music and braindance. Contact: coldtear@coldtear.com

Thanks for following. Hoping to get some tracks up soon.

DELTA-SLEEP-INDUCING PEPTIDE (DSIP) was founded in 1989 by Dieter Mauson + Siegmar Fricke. Until 1994 DSIP produced around 25 cassettes, published on various tape-labels all around the world and on the privately run DSIP-cassette-label. The music was recorded with electronic equipment on analogue tape-recorders and cassette-decks in their own homestudios in Hamburg, Mainz and Wilhelmshaven/Germany. DSIP exclusively concentrated on the realisation of experimental + subtle soundtracks which can be described as mind-cinema of the subconscious. The stages of sleep + phenomena of dreams have been musically explored in an idiosyncratic sound-approach. In 1993 DSIP contributed also to a vinyl-LP entitled "Abschied aus Berne" (including a track by Asmus Tietchens) with an extraordinairy soundscape of 10 minutes. Live-performances took place in Belgium and Germany (Herford, Bochum, Hamburg, Mainz). After the last tape PRE-NATAL in summer 1994, DSIP stopped and has subsequently become a legend within the electronic-scene worldwide. Now, 19 years later, the project has been reactivated with a new blogspot-website involving remastered tapes (digital downloads), video-material, photos and a non- chronological mixture of old and new material.

Sub Spa - alternative visions of pleasures
 
Audiovisual salon of alternative delights for all who are not able to find themselves in a solarium or a wellness clinic. Sounds that irritate and rub visceral. Video neurowipping. 
Sub Spa is a project of musicians and visual artists who have been beyond any aesthetic trends, ideology or market. Uncompromisingly seek their particular forms of pleasure in the world of finely homogenized pseudo hedonism. The project on the move. The work in progress.

Bartłomiej Kuźniak - sub-bassess, high definition recording & post 
Marcin Bijak - beats & elektronics 
Maciej Ożóg - psychosomatic electric no muzik
Cezary Gapik - drone glitch fields 
Sara Skrajna - face - body - move 
Mac Umatik - multilayer video performance 


Cezary Gapik 
was born in Czestochowa, Poland in 1963. He started his musical activity in 1980 as an animator of punk rock bands. Soon enough he discovered new sounds which were brought by the punk rock rebellion. Cabaret Voltaire, Public Image Ltd. or other “new wave” bands had an enormous influence on the perception of music by Cezar. Plunging into the fundaments of musical avant-garde (Karlheinz Stockhausen, Morton Feldman, Luc Ferrari, La Monte Young), the appearance of new creative possibilities (computer) together with the works of artists like Mick Harris (Lull, Scorn), Illusion of Safety, etc. had definitively shaped the musical direction towards which Cezary Gapik follows. His musical creation is based on drones and micro-tonal sound planes interlaced with abstract “images” (field recordings, prepared instruments, various objects) or computer-processed synthetic sounds (glitch)… 
http://cezarygapik.wordpress.com/sounds/
http://facebook.com/cezarygapik 
http://www.youtube.com/watch?feature=player_embedded&v=QSmZA0eWf7E


Maciej Ożóg
PhD, media theorist, researcher and musician. He works at the Electronic Media Department, Lodz University. His research focuses on history and theory of media arts, panoptic / postoptic surveillance culture, information society and posthumanism. He has published a number of articles on aesthetics of interactive art, history and theory of avant-garde film and video art, and experimental music.
The founder and co-founder of a number of musical and multimedia projects including: Noize Dance Esthetics, Spear (with Joanna Niekraszewicz), ben zeen (with Paweł Cieślak), Aural Treat (with Marta Heberle), Sub Spa and Quantum Vacuum Oscillator. In 2009 he started audio-visual project Nonstate.
In 1998 he founded Ignis Projekt, the record label dedicated to electronic and electroacoustic experimental music. Ignis has released records by artists such as: Francisco Lopez, Ultra Milkmaids, Vance Orchestra, Indra Karmuka, Crawl Unit, Origami Arktika, EA and Spear.
Curator and co-curator of events such as: four editions of the exhibition “Die Kunst Ist Toth”, performances by Coil, Noise Makers Fifes, Column One, Troum, Xaviere Charles, Zbigniew Karkowski, Aube, Tetsuo Furudate, Asmus Tietchens, inter alia.
http://nonstate.333flow.com
http://qvo.333flow.com


Bartłomiej Kuźniak 
Composer and musician. As a bassman and saxophonist, he has recorded over 30 albums. Active since the late eighties, he started in grindcore-industrial groups, and then continued founding groups of musicians from different backgrounds, playing post-hc-free-jazz or heavy and trance-like avant trip-hop. At the same time, he was dedicated to contemporary chamber music composing, performing and acoustic music recording. He also participated in radical electronic projects ranging from isolationism to noise. He has been the leader of 2g and 3 Metry. Co-founder of Sub Spa, QKS, Golden Nine and Quantum Vacuum Oscillator, he cooperates with various solo artists as well. He has been involved in mastering for 15 years, as a music producer leading his own High Definition Spherical Sound Studio - "Studio 333" - which is a workplace for artists and the basis of thehttp://333flow.com - project that brings together all his creative output. 
http://2g.333rec.org 
http://nonstate.333flow.com
http://qvo.333flow.com
http://umwelt333.333flow.com
http://spaces.333flow.com/related-projects/
http://studio333.net


Marcin Bijak 
Composer, and multi-instrumentalist. He works as a solo artist in projects Deadcans and Nines 091,999. He is alco a member of various collectives like: 2g, zajeb.mu, Golden Nine, SLAID and Kosmodrom project. His music escapes clear definition – sometimes it is close to contemporary avant-garde electro-acoustic, sometimes to minimal techno, alternative, or a specific non-dub-step. Professionally he works as a sys-admin, SEO / SEM specialist and coder. 
http://nines.bandcamp.com 
http://deadcans.bandcamp.com


Sara Skrajna 
Raised at the institute of time to space change... Her practice of skillful self-use develops in close relationships with nature. She is a co-creator of the interplanetary realm of art Wolimierz. Recently, institutionally constrained. Devoted to self-reflexive practice. The Wroclaw Mime Theatre. Henryk Tomaszewski, Department of Puppet Theatre, Papadram, Filigree Cirkus, Keyos Theatre. 


Mac Umatik 
He experiments with all forms of media image, making films, music videos, and dealing with photography. Nowadays his main activity is a form of live video. 
http://facebook.com/mac.umatik





Quorpex is a Polish-German musician. He started his activities in 1996 as a drummer of heavy music styles. His interest in electronic music has been awakened in 1999. Inspired by many different music gernes, he changed his artistic orientation. In 2003 he began experimenting with diverse software, hardware and acoustic instruments in order to realize his ideas analog and digitally. His creations evolves to complex, dynamic and varied sound constructions, intertwines with psychoactive, dark melodic substances. His current activities involve sounddesign, mastering and production. 

Quorpex is following