Name: U.D.O Super 6 Dream Pads by Rüdiger Gaenslen in Hybrid Synths
Duration: 8 min 56 s
Description: Some custom Pads with internal chorus and delay, but none external. The first patch for example is without internal chorus.

compilation of tracks found on soundcloud featuring classic hybrids;

machines featuring digital oscillators fed into analog filters and vcas.

Hybrid Synths

Sounddemo: SUPER 6

This is an improvised piece - just sitting at the piano, and playing whatever comes out. As the title says, it was a rainy day in May. 3:15 in length.

RainyDayImprov May 21 2021

Floating Rhodes

3rd Wave - Kino Split

13 Klangbeispiele aus dem 3rd WAVE. Vorwiegend Werksklänge, die oftmals leicht verändert wurden.

01. PPG BP Bump
02. Koto - Aftertouch
03. Pop Stabs
04. 405 - Traffic Jam
05. Sheep Drift
06. Wave-Sequence
07. Classic Power
08. Riding The Crest
09. Bright FM
10.
11. Propaganda Split
12. FM favors the bold
13. Spandau Prophet

3rd Wave - Fernab der Saettigung

Waldorf Microwave 1 Rev B - Resonance Drone

Some improv noodling with some custom sounds I've made on the V-Synth (original V2 Keyboard - using only on-board effects). Showing some of the warm thick pads and unique FM sounds you can get. This is using mostly the built in VA section. 
The last sound (pad) is using a sample of a JD-990's string PCM sample (sampled into the V from the JD) on both oscs.


Roland V-Synth - Custom Pads and FM Drones

5 tracks of pure un-effected Ensoniq ESQ-1.

Ensoniq ESQ-1

Some Demos of typical classic OB8 Sounds, Brass, Pads, Strings, Bass, Unisono-Mode, Leads, Arpeggio

OB8 Demo2

Indian Summer

Demo of the keytek cts-2000 synthesizer



Keytek cts-2000 Demo

Comparison OB-8 vs. OB-6 with a Choir Pad. The Pad is a Mix of a Triangle and a Square Wave with Low Pass Filter, full resonance and a almost half open filter with wide envelopes (attack an release long in both envelopes).
In the OB-6 I used a LFO with a Sine-Wave to VCO2 and a high frequency. There are no effects on both synths. Also no internal FX in the OB-6.

Oberheim OB-8 vs DSI OB-6 Choir

Kawai K3 - Analog Brass
Cutting K3 brass sample with soft solo parts inbetween. The instrument’s dynamic range is impressive.

Kawai K3 - 3 Track Layer
3 Kawai K3 tracks. Organ-like sound, random filter modulation effect and PPG-like track.

Kawai K3 - Robert Wittek Patches
Part of Robert Witteks excellent K3 audio workshop. 

Kawai K3 - Stereoping Live Editing 
Stereoping programmer used for K3 realtime-access. This knob-per-function environment turns the Kawai in a much more flexible musical instrument.

Kawai K3 - Vangelis
… sure, this is no Yamaha CS-80. Anyway, the K-3 can produce some tasty lead sounds à la Vangelis.

Kawai K3 - 3 track wavetable sample

I compared the VP-330 with the Solina String Ensemble. First is Roland VP-330, second is Arp Solina String. In the first example I didn't use Attack and Release Time, in the second I opened the filter of the VP and the crescendo level of the Solina, in the third example I used longer envelopes, in the last examples I used in the VP Human Voice also and in the Solina Contra Bass. 

No effects used. Its recommended to use a phaser, like the small stone electro harmonics.

Roland VP - 330 vs Arp Solina String Ensemble

ESQ-1 Warm Up

Some custom Pads with internal chorus and delay, but none external. The first patch for example is without internal chorus.

U.D.O Super 6 Dream Pads

I am a synthesist an I like vintage i.e. analog synths from the 70ies, 80ies and 90ies.

freelance composer - music for film,tv & theatre.

this account mostly contains electronic improvisation pieces and few synthesizer demos.   for theatre scores and contemporary music visit www.babic.com

U.D.O Super 6 Dream Pads

Rüdiger Gaenslen

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