Nice played loud on the Big Speakers, Robert :-D. Happy new year to you :-)

awesome piece, this outro is stunningly outstanding

mastery, next level glitches and fluidity

*********************great atmos 8******************

Hospitalized

Z-Aerial Maneuvers

sky ship

Song from the rock opera Five Thousand Sasquatch

Lummi Island UFO

A new one from me and @Enigma-Curry! A bit meditative and I love the nostalgically oldschool synths that Ryan added to the mix. Some of his parts remind me of Boards of Canada.

Contrasts (extended mix)

Movement 3

Kokon-painkiller

with many thanks to Don, who worked over a music writing from me

tribute to Hildegard von Bingen

maisey moore

Made in March/April 2023

Video; www.youtube.com/watch?v=9eUakibrfg8

Darkness And Chaos

Kokon-Less pain

Make a journey into a dead space maze, if you can make the time to listen...

This soundscape song is created and inspired based on a dream. This style of making soundscapes/music is therefore called ‘ Dream Story sonification’ in my opinion. There is a scientific aproach to capture the brainwaves from dream activity into sounds but not the whole story and atmosphere of a dream. For making this possible, there is just the memory of the mind and use it to translate it in the right sounds and compositions with experimental sounds of a sampler/synth or other gear. This I have been training for years, to memorize my dreams and using these dreams in translated sound compositions. That was my intention in this song/soundscape.

Corridor Of Pareidolia

Download enabled
-contributing track for Darksiders winter playlist "Shadows"- https://soundcloud.com/all-buttonsin/sets/shadows

Mood Exhibit- Test Subject 38

GIL - Infolding 
Cat. Nr: DN015
Format: Digital
Release Date: 12 July 2019
Buy: https://bit.ly/2ERpTgG

GIL’s latest record Infolding is released by Danse Noire, his second release on the label since Orchids and Wasps. Aptly named, it traces an inward fold, both of the artist's leanings and the listener's experience. The record is reflective, probing, and supple; its arrangements a development of the musical language explored in his previous release.

Infolding engages both with composition and non-determinism, its playfulness skipping across dramatic deluge and expansive gestures to gently paced segments, a game of hide and seek. GIL displays once again his interest in movement as well as an understanding of the fine aspects which determine familiarity and structure; time as rhythm, embodiment as genre, precognition and expectation – the agents of notional listening get questioned gently and persistently. The result is music which will joyfully betray an ear's expectation, replacing it with a twist or sudden space. The record dances on an unstable surface, dipping where it should rise, halting where it could pound, uttering affecting melodies, gracefully yet laboriously; GIL's is an introspective, churning, bone rattling palette.

Hardly ever offering a moment of rest, he creates environments in which something is perpetually pulling, stretching, towards-tending. Laden with cartwheeling themes and hooks which appear and disappear in different shades, the record houses overarching motifs which appear and scatter over the span of several tracks. This dizzying distribution makes for an in-folded listening, in which the artist considers the record's body as outside of single frameworks, its premises and planting delayed or waylaid by new, unexpected considerations.

The distinct sense of motion in the record is the artist making use of his experience as a live musician, and is further developed due to his aphantasiac condition. An inability to visualize both imagery and sound in his mind spurs GIL into sensing arrangements by physical preemption and resonance, reactively. Unsurprisingly then, Infolding takes shape as a blindfolded, visceral dance.

Track 1 & 3 mixed by Jeremy Cox, track 5 mixed by Alexis Chan. Mastering by Jeremy cox.
Artwork by Maya Rochat.

@gilschneider

Infolding

GIL - Compact Renewal

taki taxi live @ loementech hq

Mystical Return

Mood Exhibit is the sound expression outlet for Robert Salchak. Exploring the genres of electronic, post classical, world instrumental, and melody laced soundtrack styles. The music of ME has a strong emphasis on visual texture and emotion.

A place for sound freaks lashing out from the dark. 

So there's all kinds of stuff on this page, but after months of schizophrenic debates about who was playing with who and who took the lead while doing it, finally, the decision was made: all my alter egos got together and decided to form a band. From 2020 on new tracks are created under the moniker Gruppo Infernal. Only pure MMTJ tracks will still be named as such. 

Gruppo Infernal still relies on my work as Me, my Thumb and Jack, an ongoing quest for a liberating approach to sound creation where the human body acts as an oscillator amplifying the natural 50hz hum. Direct live recording, improvisations and delay loops only using analog filters and effects. No editing, no overdubs. Gruppo Infernal adds digital treatment to this original sound material. 

UnterPitch was an alter ego using samples & synths.
Bleached Coffins was a one-off project using guitars.

earliest work when I was still a pup:
https://blindsightrecords.bandcamp.com/album/throbbing-flip-out

Mood Exhibit- Test Subject 38

Mood Exhibit

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