świetna robota masz talent bracie 🔥💥💥💥💥

wow! fantastic powerful & epic piece!! 🔥

wow, this is spectacularly epic! sounds Wagnerian. very powerful stuff. excellent work!

Ready for the cinema! Great creative sound-track!

Stunning musical landscape and the art work does it justice!

Fantastic cinematic atmosphere and flow... This soundtrack is truly stunning in every way!

Imaginary Game Soundtrack

Little track that I've composed exclusively on @SpitfireAudio BBC Symphony Orchestra Discover.

All Rights Reserved

Preparing For Battle

A little minature to test @SpitfireAudio Epic Choir from Originals series. The rest is @projectsam The Free Orchestra 1

All Right Reserved. Copyright: R.U.R.

Thumbnail gfx: AI briefed by @dariusz-poborski

Aschelon's Foothils

Ashkelon's Foothills

Another experience with @SpitfireAudio BBC SO Discovery and @Heavyocity Foundations Staccato Strings. Additionally I've used Spitfire LABS Choir.

Copyright by R.U.R. All Rights Reserved

The Hills of Scotland

A little quickie. I had fun testing Spitfire Originals!: Epic Strings, Epic Brass + Woodwinds and Cinematic Percussions.

© & ℗ R.U.R. 2022

Be Prepared

...in the year 2023 ;)

Another quicky made with Originals Epic Strings, Epic Brass + Woodwinds and Cinematic Percussion. Sadly there is a bug in Epic Strings which can be heard at the beginning on 2nd and 3rd bar/tact that I couldn't avoid. I hope Spitfire resolves it and then I'll upload corrected version.

A track for imaginary game set in fantasy world.

Choose Your Path Wisely

acropolis

The Acropolis is an ancient citadel in Athens, Greece, perched on a rocky hill overlooking the city. Its most famous structure, the Parthenon, is a temple dedicated to Athena, built in the 5th century BCE during Athens' golden age. The Acropolis symbolizes classical Greek architecture and culture, housing other significant structures like the Erechtheion and the Propylaea. It's a UNESCO World Heritage Site, drawing millions for its historical and archaeological value.



ACROPOLIS - ΑΚΡΟΠΟΛΙΣ

Swell

Smoke & Mirrors

Sci-fi nerd alert! A song inspired as much by author Liu Cixin as it is by Massive Attack.

Also, h/t to the bass octave pedal. You da best, mate!

The Dark Forest Hypothesis

So nice that my longtime collaborator friend @dough-factory has returned to SoundCloud after a break of a couple years! This is our first track working together since then and it came together in a really cool way. I was inspired by Ryan's electronic drums and bass to lay down some rhythm guitar as well as a few synth leads. Then he came up with some awesome lyrics/vocals that I think captures the vibe of this piece quite well.

Keep an eye out for more from us, we are thinking of pulling together a whole album or EP over the coming months.

Dive

Somewhat doom-laden reflection of the prospect....but cheering up, it may never come down to a rogue algorithm sparking it all off!! Hooray!......
Blues track:
Synth; Tenor saxes; Soprano saxes; flutes; alto flutes(bridge); oboes; clarinets (bass parts).
Beats and explosions c/o Garageband.

Pic. 'Silicon Cities' by Heiko Hellwig c/o Pinterest

Algorithmic - Armageddon Blues

SETTLED SCORES NO 3

Lyrics & vocal : UK Man
Music, instruments & mix : PJ Project

Oh Kim

Well, its taken a year but at last I've managed to create something new, a track that reminded me of warm, sultry days on holiday. I do hope you like it and any support you can give me as I find my way back into music would be much appreciated!

Glistening (feat. Zara Delaney)

the image is AI generated based on my description

cheap city digs

If you use AI in any form to create "your music", don't bother with my profile, you are not welcome here.
AI music generation detector: https://www.submithub.com/ai-song-checker
I do not support the use of generative AI in music creation. I will not support people who use such technologies nor will I use them. The two songs I posted only serve to raise awareness of the existence of such technologies and as a warning.

At the beginning I would like to sincerely apologize that I am responding to comments late and I am sometimes unable to keep up with listening to your work, but I still work full-time in a profession that has absolutely nothing to do with music and I have my duties towards family and home.

To everyone who flew into my corner on SoundCloud: I am grateful for your support with likes, shares and thank you for the great comments. Please don't hesitate to suggest changes to my music in them. Thanks to this, the next songs will be better and better.

All my music is MIDI (except some drum loops), played/created by me and edited in Ableton Live.

---------------------------

Born in 1970. Music fan since 1985. Now heaving fun with making music. I'm self-taught, playing everything by ear. Started in 1990's but due to certain circumstances left in 1998 until April 2022. My music is created in Ableton Live 11 Intro (until december 2022) and 11 Standard with mostly free plug-ins. Fan of soundtracks (my personal heros are John Williams, Clint Mansell, Philip Glass, Thomas Newman, Hans Zimmer and much more), world music (Dead Can Dance), chillout (Bent, Zero7, Groove Armada, St. Germain, Air, Röyksopp, Kosheen and more), trip-hop (Massive Attack, Portishead), acid jazz (Us 3), fusion (Pat Metheny Group, Dirty Loops), progressive rock (Porcupine Tree), classical (Tchaikovsky, Mozart, Debussy, Orff, Mussorgsky) electronica (Imogen Heap), IDM/House (Moderat, Apparat, Plaid) and electronic music (Vangelis, Kraftwerk, Isao Tomita, Marek Biliński, J.J. Jarre).

Still learning how to produce music.

Ashkelon's Foothills

R.U.R.

Recent comments

Anastasiya Ihnatovich

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Little Man

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