At twenty i tried to die and get back, back, back to you..

ما اكدر اتجاوز رموز هذي القصيدة ولا جمالها وصوتها العظيم...

احبك يا سيلفيا وأعشق هذه القصيدة، والمس النشيج الذي صوتك،هل عليّ السعادة لان إنسان ما يشاطرني نفس حزني؟

"Angkor Wat Theme Finale" from the movie "In The Mood For Love"

As our maiden voyage into an expansive vat of unreleased music by Polish composer Andrzej Korzynski, Finders Keepers Records originally presented his previously unreleased electro/orchestral/experimental score for Andrzej Zulawski’s surrealist 80s horror classic, Possession in 2012. These 25 cues were written and recorded exclusively for the 1981 award-winning film starring Isabelle Adjani and Sam Neil, but due to the progressive, stark and modernist nature of the finished film less than half of them made it on to the actual director’s cut – leaving many of the tracks on this spackage totally unheard outside of Korzynski’s studio.

The intended Possession score in its entirety marks an important axis in Korzynski’s career where his various musical disciplines overlap. In one respect it marks his first forays into to synth driven electronics and disco drum machines, while other tracks epitomise the well honed techniques used in previous Zulawski scores, such as Third Part Of The Night and The Devil, which rely on his inimitable orchestral arrangements and combination of clavinet, Rhodes, piano and electric guitar.

Available once again on black 12” vinyl for the fist time since its original release some 11 years ago, our ongoing commitment to the important restoration of Korzynski’s music aims to shed new light on the seldom manufactured productions of the composer whose vast cinematic catalogue warrants overdue global status alongside other golden era Eastern European composers such as Kryzstof Komeda, Jan Hammer and Zdenek Liska – not to mention the best of the French and Italian soundtrackers, such as Roubaix, Vannier and Nicolai.

Duplicated and carefully remastered directly from Korzynski’s original master tapes this album boasts the uninhibited studio experiments and retains the pre-cut ambience.

Possession

The Night The Screaming Stops (Opening Titles)

Andrzej Korzyński - Possession - 01 The Night The Screaming Stops (Opening Titles)

Singer-songwriter Vashti Bunyan today announces Lookaftering - Expanded Edition, a reissue of her legendary second album, out on 7 February 2025 via Fat Cat Records. 

Marking the occasion of 20 years since the original release, and coinciding with Vashti’s 80th birthday, the new expanded edition features the original studio album along with a second LP / disc of demos, an alternate take, and a live performance version. This edition also comes with reflective sleeve notes from Vashti, producer Max Richter and Devendra Banhart, as well as a 16-page lyric booklet featuring a collection of paintings by Vashti's daughter Whyn Lewis  – paintings that they both say have closely, and coincidentally, reflected the lyrics of the album. 

Originally recorded between 2001 and 2005, the unreleased demos were created at Vashti’s home on her accompanying electric and acoustic guitar along with a host of experimental instrumentation from synths, accordion, piano, strings, pipe organ, harmonium and recorders. The collection of demos offers a more stripped back sound compared to the finished album, and the live version of Lately recorded at an early “comeback” gig in LA in 2006, orchestrated as on the record, is absolutely pitch perfect.
 
Listening to the demos and the final versions side-by-side while reading the sleeve notes is a wonderful experience, learning and hearing how the songs and the long-player evolved, with Vashti and Max Richter (who produced and played on the album), explaining how all of the artists involved (Devendra Banhart, Johanna Newson, Adem Ilhan, Robert Kirby and members of the band Vetiver), touched by Vashti’s original 1970 album, Just Another Diamond Day, jumped at the opportunity to be there. Max Richter recalls, “It felt like a community project; a family of people coming together”.

Devendra Banhart said: “Lookaftering is a quiet prayer for a world left behind, a remembrance of a world that could have been but never was, a Lookforwarding to a world that may yet still be... As ethereal and haunted as these eleven songs may be, they are also rooted in the earthly magic of wisdom born from experience. Something so rare and honest it’s nearly otherworldly in its total human-ness.”

Speaking of the reissue, Vashti said: “the beautiful photograph of Max in the studio playing wine glasses with his young daughter’s violin bow, brings it all back to me - how very fortunate I have been.” 

Vashti Bunyan-If I Were (Demo, 2001)

This is my remix of the song for the amazing movie 'Being John Malkovich'

Björk - Amphibian (Ridu remix)

Anthems For A Seventeen Year Old Girl (Cover)

Sylvia Plath reads Daddy

Trouble

Lubos Fišer
Valerie And Her Week Of Wonders
FKR009LPX

It has been exactly ten years since Finders Keepers Records rst liberated Luboš Fišer’s immaculate soundtrack music for Valerie And Her Week Of Wonders (Valerie A Týden Divu) from the vaults of the Barrandov Studio in Prague. As the inaugural release of an ongoing discography of previously unreleased scores from the hugely creative “Film Miracle” that occurred during and after the Czech New Wave (CNW), this score will always retain a special place in the heart of the label as well as our listeners who consistently request an updated repress of this signi cant vinyl milestone. Having grown in status from an obscure and misunderstood socialist-era art house oddity, via the hands of risqué foreign uff merchants, to nally nd its rightful audience as a bona de surrealist cinematic masterpiece of world class standards, this 1970 lm adaptation of Vítezslav Nezval’s 1935 avant-garde novella (a lm that literally cross-pollinated Max Ernst’s A Week Of Kindness and Lewis Carols Alice In Wonderland) has garnered widespread critical acclaim. Inspiring ongoing generations of visual artists, musicians, writers and lmmakers - all of whom regard this truly individualistic and inimitable surrealist lm poem to be an indelible in uence - Valerie continues to impregnate their daily artistic referential fabric. 
Commonly considered to be the swansong of the CNW, following a huge paranoia fuelled government lm cull in 1969, owing to the fact it is last government approved feature lm of the post-Prague Spring era to combine the efforts of controversial lmmakers from the FAMU (Filmová A Televizní Fakulta Akademie Múzických Umení) lm school, Valerie would also be the rst of an exciting and essential new fertile strain of Czech made cinema fantastique. Successfully condensing the nal drops of CNW lifeblood through a series of presumed apolitical scary/fairy tales, directors like Jaromil Jireš and Juraj Herz used surrealism, traditionalism and fantasy to rejuvenate the creative energy of apathetic lmmakers evading government scrutiny via creatively coded artistic allegories. By strategically choosing to adapt a pre-war surrealist melodrama written by a communist convert author called Vítezslav Nezval and based in a non-speci c traditional era, the previously censored lmmaker Jaromil Jireš was able to craft what many consider his nest lmic hour and what would later become his most universally received achievement. Enlisting the individual talent of some of the CNW’s most formidable stalwarts, in what might have been their most creatively challenging roles, Jireš managed to unintentionally establish a new genre format that was both stylistically and sonically tuned to the trends of the impending decade thus future-proo ng his career and providing a woozy gateway drug to an otherwise time-locked lost movement. 

www.finderskeepersrecords.com

Lubos Fišer - The Letter

This khaleet comes from the KING l ASLI @abosahardj.  A bit wedding, a bit rave, a bit chill...kolo fire!

خليط هو ميكس بنعرض أحلى موسيقى تحت الأرض من كل الوطن العربى الشقيق.
الليلة دى هز اللي عاملها عشان ن هز يعني..أحلي مسا علي أحلي فخاد.

KHALEET is a mobile mix series showcasing the best in underground music from across the Middle East and diaspora.

Brought to you by HIZZ, a Detroit x Cairo based art / music collective.

Sylvia Plath reads Daddy

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