(work in progress - from the upcoming album sad.ness)

Serge WAD loops - harmonics

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I'm just a guy who likes to paint and play with gear
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Zeitdehner (time stretcher) is one man's output channel for sonic abstractions.The pieces depict events, feelings, thoughts, facts, illusions and realities in a simple and focussed way, with much attention given to moods, textures, density and resolution. Going down to the very grain of the image, like an examination of a Polaroid snapshot through a looking glass or a microscope, like putting the time & space flux through a sample & hold device. Sometimes zooming back out to get a broader picture, thus altering the very sense, the perception of time & space, hence "Zeitdehner". Always looking to reconcile the abstract with the concrete. These microfictions are created exclusively on modular synthesizers. The approach is to use no multi tracking techniques, instead capturing the patch live, as it is, in real time. This is to retain the spontaneity and the live nature of the work, with all the idiosyncrasies of the methodology. The computer is only used to capture the, so to speak, unaltered ephemeral moments.

 

I've always been fascinated by electronic music and what better instrument than the synthesizer to create such music? Over the years, I used lots of different types of synthesizers, all with their particular interface, set of features and character, but never was I fully satisfied. Eventually I found satisfaction in starting a modular synthesizer. This type of instrument is taylor made for my approach to electronic music and my way of working. I love the ergonomy, the aesthetics, the sensual, physical and intellectual relationship with the instrument. It offers me quasi total functional freedom and the means to explore the realms of  my creational processes, limited only by my own imagination. The resulting music is, at last, up to my expectations. The music in itself is more of abstract soundscapes than the casual, academic forms. I would not dare to call it experimental, as this has all been done long before by real experimentalists and sonic pioneers. "Its substance is in the instant, the ephemeral, like a split second in eternity, like polaroid snapshots of the fabric of time and space, like depictions of the Human nature within Nature and the Universe".So do they say...




Welcome to Bertrand Fraysse's personal soundcloud.

The music presented here is solo music, mainly spiritual/ritual mood changing music/sounds.
Vibrations.

I'm working at lieu-commun, in Toulouse, France.
It's a contemporary art space in which I have a recording studio, and artistic residency, where I got all my instruments and invite people to record their and/or our music.

I play music for around 10 years, fascinated by a wide range of sounds and musics.
I'm percussionist in a two saxophone / one drum band called PIAK.
A trance duo called nibul (bandcamp)
A crazy trio with DJ Urine and Yann is the Bastard called Duck Hunters
playing concerts mainly in Toulouse and around. (France)

don't hesitate to contact me if you want me to play anywhere.

I'm curating an ever growing compilation of music from everywhere too = https://www.youtube.com/watch?v=kFWtJc6hUX4&list=PLuhuUhnXoLtzwhC5W6U4QcDTTmiShSYl8

enjoy.

You can find informations on Discogs or SC,search:Icio Omegha Volcano connection,Icio Omegha Psycho cruise.                                                                        hip-hop/trap single-issue people and egocentric don't follow me,nothing personal,thank you.

Dropthedyle produces a cinematic music all in contrasts between electronic ambiances and abrasive textures. Connoisseur of field recording, he integrates acoustic daily elements in what he coins his sonic bricolages...

https://onyxzones.bandcamp.com

Modular Synth - Experimental  - Moods - Tones - Drones

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Various sound constructions varying in diversity from found sound sampling and orchestrated ambient sound textures to obscure vocal samples taken from film clips of antiquity. Various tonalities of vocals are also utilized to bring the bring the music to life creating a visual that in many respects reminds one of the old films of the forties & fifties with the news shorts appearing prior to the actual film. Almost a Twilight Zone affair mixing the past and present ideologies together to create a anthology of the ages via music. Who knows if that’s the intention of the artist but the imagery presented may be clear to you.

The music gives you the impression that you’re listening in on someone else’s conversation. The tenor of these conversations ranges from the mystic (“They Do A Lot Of Worshipping Around Here”) to the truly disturbing (“Uncle Went Tending and Never Returned”). Part of this sense of “audio voyeurism” stems from the fact that PressureWorks draws the sonic material from intercepted short wave radio broadcasts. Folks who get into radio-inspired electro-acoustic music (think Dan Lander, for example) may be entranced by this stuff. You may be impressed with it for several reasons, not the least of which is the superb audio quality of the recording . On a more artistic level, you are truly drawn in by the rich sense of storytelling. Each of the pieces carries you along effortlessly through a sort of abstract narration. Enthusiasts of inventive experimental music are encouraged to check these recordings out.

Assembling pieces from various recordings and turning the whole into new work. The approach is mostly ambient, favoring vocal samples as focus but remaining decidedly ephemeral. Just enough here to peak further interest.

Serge WAD loops - harmonics

r.c. hoffmann