All aboard, you can’t afford to miss the interplanetary cosmic shit, queuing
single file, aisle by aisle, always frequenting the frequencies that make you smile

All aboard, we’re going round the world, we’re going two by two, cascading
through the stars

Slingshot rounding star trajectories, nominal anomalies, stepping out into an extraordinary
world, amazing sights to see, dizzy in mid soliloquy, a mesmerizing tapestry of sounds

Interstellar fellowships, our acts define them
Sowing seeds of empathy, a few good deeds and watch the roots hold...

Holding on
As we rise above (And the people in the back sing)
We’re almost home (And the people in the front sing)
But not the home we’re from
A galaxy, across the sea of tranquility

An ion glow, we’re aiming to go where we please, pushed along by a solar breeze, the angels can conspire, try to clip the wires while the countdown is commencing and the engines are on fire

All aboard, we’re going round the world, we’re going two by two, cascading through the stars

Starships, rose hips, dietary, wild berry supplements for every,
Worm-hole early bird our speciality, event horizon casualties, last one in's a rotten omelet

Intergalactic pacts of kindness, making friends around the bend
Harvesting the tree of equity, a tale that is fruitful and touching...

Touching down
On higher ground (And the people in the back sing)
All hope was lost (And the people in the front sing)
But not the hope we found
Navigating the sea of tranquility

Diplomacy, is the name game, shake hands, and if in rhythm form a line and dance, take a step and then a slide, look them dead in the eye, if you want to build a colony and piece of the pie

Orbiting of the outer ring, remembering our wings are the songs that we sing and, Miss Calliope, serenading, and enlightening, cascading through the stars--

(All aboard, we’re going round the world, we’re going two by two, with you know who, both in and out of tune, cascading through the stars)

By Sea and by Space

Mare Tranquillitatis

const remy.A = 
{
   "Vocals/Guitar": "remy.A",
   "Lyricist": "Startbot Dickens",
   “The Risky Clicks”: {
        "Bass": "B00N-Z",
        "Guitar/Vocals": "Pseudo Code",
        "Left Ch. Synth/Vocals": "J919.100",
        "Right Ch. Synth/Vocals": "S919.108",
        "Drums/Vocals": "Klaus VanWhamhammer",
        "Percussion/Vocals": "Max Shenanigans",
        "Manager/Vocals": "Lt Gen. Protection Fault, Ret.",
   },
};

Our language model trained on the works of:
The Beatles 
Led Zeppelin 
Cream
Pink Floyd
Stevie
Bowie
Electric Light Orchestra 
Queen
U2
R.E.M.
Depeche Mode
Pixies
The Smiths
INXS
Beastie Boys 
Prince
Blur
Oasis
RADIOHEAD
STP
Cake
Weezer
The Rentals
Semisonic
Fountains of Wayne
The Flaming Lips
Boards of Canada
Coldplay
The Killers
Jet
Elliot Smith
Death Cab for Cutie
The Postal Service 
Sufjan Stevens
Kasabian
Doves
Rufus Wainwright
Travis
The Killers

This programme contains strong language and violent imagery from the beginning.

Placeholder music.
Influences include the musicians I listen to, as well as the musicians whom the musicians I listen to listen to.

NOTICE: I DO NOT PAY FOR PROMOTION. EVER.

SPOTLIGHT: Sexagenarian Volume VI is now complete after the addition of its twelfth tarck, "where once...". Check out the other five (5!) volumes of Sexagenarian as well. 

BIO: I started writing songs in high school (1969-1973!) and I've pretty much never stopped. These are mostly solo recording projects (my brother, Fog City Fogey, contributes sometimes).  I don't do much self-promotion, not a fan of Repost Exchange etc, so all of you who find this page and like a song or two - you are truly appreciated!

Mare Tranquillitatis

╕remy.A╘