From the bandcamp release JA/DA: https://martinhoogeboom.bandcamp.com/album/ja-da
Martin Hoogeboom: objects/guitar/electronics
Gusev K.P. (https://soundcloud.com/k-bitca): electronics

JA (Hoogeboom/Gusev)

Nothingness

A state where nothing is present, or where nothing exists that is important or gives meaning to life. (Cambridge Dictionary)

Stati di interdizione, stasi, sbilanciamento,, fluttuazione, indeterminazione.

Nothingness(disquiet0602)

Sorry!! Too boingey, noisey and random!! Sounds like a broken arcade game ...

Thanks to Junto member XHG (aka Alex) for having proposed this week’s project.

More on this 615th weekly Disquiet Junto project, Introspective Failure (The Assignment: Fall short again, this time on purpose), at: https://disquiet.com/0615/

About the Disquiet Junto: https://disquiet.com/junto/

Subscribe to project announcements: https://tinyletter.com/disquiet-junto/

Project discussion takes place on llllllll.co: https://llllllll.co/t/disquiet-junto-project-0615-introspective-failure/

more halF unusuaL

halF failurE [disquiet0615]

Conceived, recorded, mixed, mastered 23 Nov 2023 by Jim Lemanowicz at Blissville Electro-Magnetic Laboratories of Massapequa, NY.

Photo taken 11 Sep 2017, Massapequa, NY

©2023 Jim Lemanowicz

Process notes -
This track started out as a loop that I made in FL Studio on 05 Feb 2005 called "orchomainb." I have folders and folders of these old FL loops on my drive and backup, maybe 100-200, starting around 2000/01.

I imported a piece of this loop, which was something like bass, drums and some strings into Ableton Live as a wav file and had Live create a melody MIDI clip from it.

A rough idea of the tools I used
- 8 native Live MIDI effects
- Arturia Piano V3
- several of Live's and Arturia's delays and compressors
- Puremagnetik's Partikl delay
- Mastered with Ozone 9 on a fairly gentle setting.

This original version of "Pinch Appeal" was submitted as part of ​Disquiet Junto Project 0621: The Leftovers. The Assignment: Use recently discarded material to make something new.

“Recent” is relative here - I have recordings back to the 80s. The early 2000’s was the first time I amassed more of my own audio (and photos, btw) than I could use, so I reached back to that time. I wanted to honor that time in my life today.

It would also be fair to note that I have about 4-8 albums/releases under this name that remain unreleased.

More on the Disquiet Junto at: disquiet.com/junto/

Subscribe to project announcements here: tinyletter.com/disquiet-junto/

This track was originally released under the artist name "Our Quiet Fog."

Pinch Appeal (disquiet0621)

ELEMENTARY  PARTICLES  --  9.2

Original posted for #disquiet0637 by John Wright 
https://soundcloud.com/thgirwnhoj 
https://soundcloud.com/thgirwnhoj/dissolve-left-no-right-feat-torpid-scorpion-disquiet0637

This in turn used an original posted for #disquiet0636 by Torpid Scorpion 
https://soundcloud.com/torpidscorpion 
https://soundcloud.com/torpidscorpion/dissolve-left-disquiet0636

Dubbed & mixed 23 Mar 2024 by Jim Lemanowicz at Blissville Electro-Magnetic Laboratories of Massapequa. 

For my (center) part here, I used my voice, Ableton Live 12, iZotope Nectar 3, Ableton effects - Delay, Filter Delay, Color Limiter, Pedal, Corpus, Redux, Echo & Limiter

Music distributed under CC BY-NC-SA 3.0 DEED

Artwork: Edit and additions to disquiet’s original using Adobe Photoshop 2024 and Q’MIC-Qt.

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This original version of "The Dissolved Embrace" was submitted as part of Disquiet Junto Project 0638: Center (3 of 3). The Assignment: Complete a trio begun by two other musicians.

More on the Disquiet Junto at: http://disquiet.com/junto/

Subscribe to project announcements here: http://tinyletter.com/disquiet-junto

More on the 638th weekly Disquiet Junto project at https://disquiet.com/2024/03/21/disquiet-junto-project-0638-right-3-of-3/

"The Dissolved Embrace"  (disquiet0638) by Torpid Scorpion, John Wright & Jimmy Lem

This track is an asynchronous collaboration with @noodletwister and @hugh-g-stonah for the Disquiet Junto Projects.
The two artist have created the great track https://soundcloud.com/hugh-g-stonah/bnd-duet-with-noodle-twister, and I have now added my part to make it even bigger.

More on the 638th weekly Disquiet Junto project, Center (3 of 3) — The Assignment: Complete a trio begun by two other musicians — at https://disquiet.com/0638/

Pheasantry  [with Noodle Twister & Hugh G Stonah] (Disquiet0638)

I used the gorgeous duo track: https://soundcloud.com/user-970962304/semantic-field-daniel-diaz-euclidean-disquiet0637?si=712777ecd62e482d9791ff25b7f500cf&utm_source=clipboard&utm_medium=text&utm_campaign=social_sharing by @user-970962304 and @daniel-diaz as my trio finisher. 

This required a delicate touch and I stuffed myself in the center, where I hope to do the original tracks justice. I did not alter the duo track in anyway, just some glue and EQ for the mastering.

More on the 638th weekly Disquiet Junto project, Center (3 of 3) — The Assignment: Complete a trio begun by two other musicians — at https://disquiet.com/0638/

DeDe & euclidian & undermulden - Semantic Soundscape 3 of 3 (disquiet0638)

(Diaz | Sharbaugh | Winterer)
Daniel Diaz [ https://soundcloud.com/daniel-diaz ]: bass guitar
Krakenkraft & Etherkraken [Andreas Winterer] [ https://soundcloud.com/winterer ]: synthesizers and 'found sounds'
Michael Ash Sharbaugh [ https://soundcloud.com/michael-ash-sharbaugh ]: synthesizer and 'found sounds'
Composed and Recorded ca. March 7 to 27, 2024 -- in France, Germany, and The United States of America.
sm5 [RAW] [32AIF].

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... "I went with my gut feeling until I had the feeling that I couldn't contribute any more." ~ Andreas Winterer ...

"Having pasted that just above this explanation of My process for this week's Junto project, I state that that was My mantra in composing My part -- about 5 or 6 notes on a KORG DW8000 synth. I recorded My part once, and then edited it with various intensities of extensive time compression techniques over a period of 4 hours, until I was pleased, and felt that My contribution was no more than a simple whisper within this piece that My collaborators had recorded."

~ Michael [Ash Sharbaugh]

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Based on Daniel Diaz and Krakenkraft & Etherkraken's work, "Reflecting Fragility" (disquiet0637 > 'right (2 of 3)':

https://soundcloud.com/winterer/reflecting-fragility-disquiet0637?in=disquiet/sets/disquiet-junto-project-0637

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Daniel Diaz' piece, "Live Bass Soundscape - disquiet0636":

https://soundcloud.com/daniel-diaz/live-bass-soundscape-disquiet0636

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More on the 638th weekly Disquiet Junto project, Center (3 of 3) — The Assignment: Complete a trio begun by two other musicians — at https://disquiet.com/0638/

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"A Delicate Mirror" (disquiet0638 - center [3 of 3])

Disquiet Junto Project 0639: Path Ways (4 of 3)
The Assignment: Rework musical trios using the constituent parts — one of two ways.

These instructions are fairly lengthy. Please read carefully. Originally this trios sequence of projects would have ended with the completion of the trios after three consecutive weeks. However, those went particularly well, so let’s see if we can push it a little further.

Please note: You needn’t have participated in any of the prior Junto projects to participate in this one.

Step 1: In the previous project, we completed musical trios. Project 0638 was the third of three consecutive projects. In the first one, 0636, musicians recorded solos. In the second, 0637, musicians took those 0636 tracks, nudged them to the left side of the stereo spectrum, and then added their own music to the right, forming duets with a hole in the middle. In project 0638, other musicians introduced a third track down the center of the 0637 recordings, completing the trios. You can revisit the music via the blog posts disquiet.com/0636 1, disquiet.com/0637 2, and disquiet.com/0638 2, and you can follow the forking paths through the related Google Drive spreadsheet 9.

Step 2: The goal of this project is to rework the material that accumulated over the course of the previous three projects. There are two main ways to go about this. One is to simply choose one or more tracks and remix, combine, mash-up, or otherwise transform them. The other is to move on to Step 3.

Step 3: Choose one 0636 track, a solo, that yielded more than one 0638 trio. (These are highlighted in light blue, or maybe it’s teal, in the leftmost column of the spreadsheet 9.) Trace the various routes that 0636 track took. Perhaps it also led to some 0637 tracks that never went any further. Perhaps there are various 0638 versions based on varied 0637 versions. In any case, record a piece of music that lets the listener experience the branching paths that the original 0636 track took over the course of the three phases of the trios project sequence. Clearly you will be using a linear form to represent variations, so how to achieve that will require some compositional ingenuity. But you’re up to the task.

Tasks Upon Completion:

Label: Include either “disquiet0639remix” (if you follow the loose rules of Step 2) or “disquiet0639paths” (if you follow the more specific rules of Step 3) in the name of your track.

Upload: Post your track to a public account (SoundCloud preferred but by no means required). It’s best to focus on one track (but if you post more than one, clarify which is the “main” rendition).

Share: Post your track and a description explanation at https://llllllll.co/t/disquiet-junto-project-0639-path-ways-4-of-3/

Discuss: Listen to and comment on the other tracks.

Full circle (ft @Raincat, @tristan_louth_robins, @xhg, @krakenkraft, @SinnySounds) disquiet0639paths

Nayliw - Imperturbado 200bpm

RabMusicLab produces instrumental music of various genres from classical to electronic without shying away from excursions into pop or experimental music. The tracks are published for the pleasure, entertainment and inspiration of every listener.

RabMusicLab loves to participate in the Disquiet Junto Projects of https://soundcloud.com/disquiet to fuel his creativity . All tracks that have "disquiet" in the title were created as response to these projects. Further informations can be found in the respective track-information,

All images used are photographs by RabMusicLab, unless otherwise indicated in the track-informations.

Pheasantry [with Noodle Twister & Hugh G Stonah] (Disquiet0638)

RabMusicLab

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