کارنما تلاشی‌ست برای درک هنر مدرن و دگرگونی‌های امروز آن، و می‌کوشد تماس ما با جهان بیرون و از آن مهم‌تر، با یک‌دیگر بریده نشود
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اینجا درباره موضوعاتی صحبت می‌کنیم که محل اختلافند و باعث میشن دنیای آدمها از هم سوا بشه

Pouya Ehsaei is an experimental live musician, sound designer, producer, curator and radio host working as a solo artist and in collaboration with other musicians and artists. He is the leader of the band Ariwo and the figure behind the electronic and live music club night Parasang. Pouya’s practice involves experimenting with different compositional and sound synthesis techniques to create a sonic passage through hypnotic soundscapes, industrial beats, intricate sound miniatures, epic soundscapes, fractal polymeric rhythms and pulsating hard hitting sub frequencies. Pouya has performed at Royal Albert Hall, Barbican Centre, Southbank Centre and the Royal Academy of Arts as well as several festivals including Montreux Jazz Festival, Womex, Womad and Fusion.

UPCOMING: THE INFINITE HIP-HOP SONG LIVE! @ SONICA FESTIVAL - LJUBLJANA
Thursday, 17.04.25, 20:00
Cukrarna
https://www.facebook.com/events/1606568490019320
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The Infinite Hip-Hop Song Live!

Fire bars and rhymes, shifting bass-lines, mutating beats, elastic melodies all put together live into one evolving set using a custom-made digital interface. Developed from Khan's forward looking algorithmic music installation of the same name - the set relies on a vast database of original  beats, melodies, bass-lines as well as vocal units from ten specially written songs recorded in the studio with eleven rappers of diverse backgrounds.

Hassan Khan has been making adventurous music since his 90s debut in Cairo, and is considered one of the pioneers of experimental and contemporary approaches in the region. With tabla dubb (2001) he began developing sets that offer unique takes on various genres like New Shaabi in The Big One, Arabic Music in Taraban, New Music in Live Ammunition! Music for Clapping, String Quartet and Live Electronics and hip-hop in his currently touring set The Infinite Hip-Hop Song Live! Concert appearances include: Morphine Raum, Berlin (2024); Hamburger Bahnhof, Berlin (2023); D-CAF Cairo (2023); Vega, Copenhagen (2023); Sonic Shaman Festival, Taipei (2022); Centre Pompidou, Paris (2022); Contact(less) Festival MAXXI L’Aquila, Aquila (2021);Maerz Musik Festival, Berlin (2013 / 2017 / 2018); Ruhrtriennale, Essen (2018); Intonal Festival, Malmö (2017); The Guggenheim Museum, NYC (2016); Portikus, Frankfurt am Main (2015) and The Louvre Auditorium, Paris (2012). Khan is also an acclaimed artist and writer: he is the winner of the 57th Venice Biennale Silver Lion, and since 2018 Professor of Fine Arts at Städelschule in Frankfurt. Recent major solo exhibitions include Blind Ambition a large survey at Centre Pompidou, Paris (2022) and The Keys to the Kingdom at Reina Sofia, Madrid (2019). His latest album is SUPERSTRUCTURE EP (The Vinyl Factory).




Mo H. Zareei aka mHz is an Iranian sound artist, electronic musician, and researcher based in Wellington, New Zealand. Using custom-built software and hardware, his experiments with sound cover a wide range from electronic compositions to audiovisual installations. Regardless of the medium, Zareei’s work is particularly targeted at the point where noise meets grid-based structures. He has exhibited his work at international events and festivals including ISEA (Vancouver and Dubai), NIME (London), ICAD (New York), ICMC (Perth), Modern Body Festival (The Hague) and Wellington Lux.

Zareei’s sound-sculptures have been featured on Streaming Museum, Creative Applications and Creators Project. His installation “Rasping Music” was the recipient of the 1st prize for Sound Art in the Sonic Arts Award 2015.

Zareei holds a BS in Physics from Shahid University of Tehran and a BFA in Music Technology from California Institute of the Arts. He recently completed his Ph.D at Victoria University of Wellington, New Zealand, where he currently is a lecturer in Sonic Arts.

The music of Iranian composer/performer, Idin Samimi Mofakham (*1982) is deeply based on the traditional and regional music of his home country. Since 2015, He develops his own musical language based on the medieval Persian tuning systems, just intonation and Psychoacoustics.

Since 2019, Idin holds a PhD in Artistic Research position at the Norwegian Academy of Music in Oslo (Norway), pursuing his research on Persian medieval tuning systems and its creative usage in contemporary composition.

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