“Late contender for the best of the year lists...brilliantly unusual, unexpected tracks, you never know what
she`s going to do next” - LAUREN LAVERNE, BBC 6Music

“I really really like that...we`ll be having more of Rachael on the show” - GUY GARVEY, BBC 6Music

“Bold art folk...accomplished fusion of words, acoustic strumming and wild percussive textures.” - UNCUT
7/10

“brims with ideas…refreshingly original…endlessly rewarding…a warm yet progressive addition to the alt.folk catalogue” ROCK`N`REEL 4/5

“Experimental folk multi-instrumentalist Dadd is one of the quirkiest singer songwriters on earth but
she`s also one of the best....a richly eclectic sonic treat.” - HIFI NEWS 9/10

“Boasting a vocal which echoes Beth Orton and a melody which reminds of Rotary Connection’s ‘I Am the
Black Gold of the Sun.” - THE LIST 4/5

“We Resonate is a wonderful quiet treat full of memory and kindness.” - DRUNKEN WEREWOLF

“Breaks the conventions of pop to reassemble a sound of raw, jagged beauty.” - AESTHETICA

“Whistful and wonderful, We Resonate emphasizes how magical freak folk can be.” - DIVA

“Rachael Dadd is a musician and textile artist who creates surprisingly accessible poly-rhythmic, acoustic
art-pop; utilising voice, ukulele, prepared piano, clarinet, and a plethora of percussive objects both musical
and mundane. An intriguing and really rather lovely record.” - fROOTS

“Rachael Dadd is our most celebrated female artist on Folk Radio UK.” - FRUK

“Rachael Dadd’s 4th LP sees her revelling in untrodden ground alongside fellow leftfield folk guests as
she combines pop with experimentation bringing both excitement and surprise.” - FRUK - Album Review

“An undoubtedly interesting, intriguing and entirely charming track, from a musician who is only going to
continue gaining momentum.” - CULTURED VULTURES [SINGLE OF THE WEEK]

“Creating a truly unique sound is no mean feat, but Rachael Dadd is someone who is managing it
beautifully.” GOLDFLAKEPAINT

Strike Our Scythes

This is a version of Window recorded at the guggenheim, Japan, with ICHI on steel pan. It was recorded for Bite the Mountain but we chose to use the studio ukulele version instead so not many ears have heard this one

Window - banjo version

HAU (Henning Schmiedt + aus) - Anywhere

http://flau.jp/releases/plays-eight-compositions/

ensemble 0 is a band who plays the compositions by its members and music by other living composers. The members can change according to each project. The founding members live in France (Joël Merah), Spain (Stéphane Garin) and Belgium (Sylvain Chauveau), with a rotating set of musicians from Western Europe. In 2016 a section of ensemble 0 has been created in Brussels featuring Florent Garnier, Jean-François Brohée, and Chauveau. This trio has spent one and a half year composing new acoustic pieces, playing them live, recording and mixing them. This is the music for this album on flau: 8 tracks with percussion, harmonium, ebows and guitar, with the addition of Thomas Jean Henri (aka Cabane) and Antoine Pasqualini (aka Monolithe Noir) as guests.

The original idea of the Brussels section of ensemble 0 was to create an acoustic repertoire with few instruments, so that all the equipment could be carried to perform the music anywhere (in the street, in parks, in appartments and in music venues). Finally a few touches of electricity have been added on the album with the presence of Antoine Pasqualini’s modular synth.

ensemble 0 - Florent plays glockenspiel, JF plays ebows & guitar, Sylvain plays glockenspiel...

Klavierraum is the place where my piano is, but it’s also a virtual space and spiritual shelter whenever needed – it immediately appears when I am playing piano, floating in sound and resonating with melodies. In my concerts I feel this ‘Raum’ is embracing and covering me, the piano and my whole audience.

Klavierraum, my very first solo piano album, tells a story of arranging a tea time for a rendezvous. Nachher is like a sequel sometime later on – this time it’s about preparing for a surprise morning coffee with my favorite pancake!

For the new album I used previously unpublished material of the original Klavierraum session. Some parts were recorded later on, but in the same setting and similar spirit. – Henning Schmiedt

Window - banjo version

RachaelDadd